A Treatise on Painting by da Vinci Leonardo, is part of the HackerNoon Books Series. You can jump to any chapter in this book . REFLEXES. here REFLEXES. Chap. CCXI.— Of Objects placed on a light Ground, and why such a Practice is useful in Painting. When a darkish body terminates upon a light ground, it will appear detached from that ground; because all opake bodies of a curved surface are not only dark on that side which receives no light, and consequently very different from the ground; but even that side of the curved surface which is enlightened, will not carry its principal light to the extremities, but have between the ground and the principal light a certain demi-tint, darker than either the ground or that light. Chap. CCXII.— Of the different Effects of White, according to the Difference of Back-grounds. Any thing white will appear whiter, by being opposed to a dark ground; and, on the contrary, darker upon a light ground. This we learn from observing snow as it falls; while it is descending it appears darker against the sky, than when we see it against an open window, which (owing to the darkness of the inside of the house) makes it appear very white. Observe also, that snow appears to fall very quick and in a great quantity when near the eye; but when at some distance, it seems to come down slowly, and in a smaller quantity. Chap. CCXIII.— Of Reverberation. Reverberations are produced by all bodies of a bright nature, that have a smooth and tolerably hard surface, which, repelling the light it receives, makes it rebound like a foot-ball against the first object opposed to it. Chap. CCXIV.— Where there cannot be any Reverberation of Light. The surfaces of hard bodies are surrounded by various qualities of light and shadow. The lights are of two sorts; one is called original, the other derivative. The original light is that which comes from the sun, or the brightness of fire, or else from the air. The derivative is a reflected light. But to return to our definition, I say, there can be no reflexion on that side which is turned towards any dark body; such as roofs, either high or low, shrubs, grass, wood, either dry or green; because, though every individual part of those objects be turned towards the original light, and struck by it; yet the quantity of shadow which every one of these parts produces upon the others, is so great, that, upon the whole, the light, not forming a compact mass, loses its effect, so that those objects cannot reflect any light upon the opposite bodies. Chap. CCXV.— In what Part the Reflexes have more or less Brightness. The reflected lights will be more or less apparent or bright, in proportion as they are seen against a darker or fainter ground; because if the ground be darker than the reflex, then this reflex will appear stronger on account of the great difference of colour. But, on the contrary, if this reflexion has behind it a ground lighter than itself, it will appear dark, in comparison to the brightness which is close to it, and therefore it will be hardly perceptible. Chap. CCXVI.— Of the reflected Lights which surround the Shadows. The reflected lights which strike upon the midst of shadows, will brighten up or lessen their obscurity in proportion to the strength of those lights, and their proximity to those shadows. Many painters neglect this observation, while others attend to and deduce their practice from it. This difference of opinion and practice divides the sentiments of artists, so that they blame each other for not thinking and acting as they themselves do. The best way is to steer a middle course, and not to admit of any reflected light, but when the cause of it is evident to every eye; and , if you introduce none at all, let it appear evident that there was no reasonable cause for it. In doing so, you will neither be totally blamed nor praised by the variety of opinion, which, if not proceeding from entire ignorance, will ensure to you the approbation of both parties. vice versâ Chap. CCXVII.— Where Reflexes are to be most apparent. Of all reflected lights, that is to be the most apparent, bold, and precise, which detaches from the darkest ground; and, on the contrary, that which is upon a lighter ground will be less apparent. And this proceeds from the contraste of shades, by which the faintest makes the dark ones appear still darker; so in contrasted lights, the brightest cause the others to appear less bright than they really are. Chap. CCXVIII.— What Part of a Reflex is to be the lightest. That part will be the brightest which receives the reflected light between angles the most nearly equal. For example, let N be the luminary, and A B the illuminated part of the object, reflecting the light over all the shady part of the concavity opposite to it. The light which reflects upon F will be placed between equal angles. But E at the base will not be reflected by equal angles, as it is evident that the angle E A B is more obtuse than the angle E B A. The angle A F B however, though it is between angles of less quality than the angle E, and has a common base B A, is between angles more nearly equal than E, therefore it will be lighter in F than in E; and it will also be brighter, because it is nearer to the part which gives them light. According to the 6th rule, which says, that part of the body is to be the lightest, which is nearest to the luminary. Chap. CCXIX.— Of the Termination of Reflexes on their Grounds. The termination of a reflected light on a ground lighter than that reflex, will not be perceivable; but if such a reflex terminates upon a ground darker than itself, it will be plainly seen; and the more so in proportion as that ground is darker, and . vice versa Chap. CCXX.— Of double and treble Reflexions of Light. Double reflexes are stronger than single ones, and the shadows which interpose between the common light and these reflexes are very faint. For instance, let A be the luminous body, A N, A S, are the direct rays, and S N the parts which receive the light from them. O and E are the places enlightened by the reflexion of that light in those parts. A N E is a single reflex, but A N O, A S O is the double reflex. The single reflex is that which proceeds from a single light, but the double reflexion is produced by two different lights. The single one E is produced by the light striking on B D, while the double one O proceeds from the enlightened bodies B D and D R co-operating together; and the shadows which are between N O and S O will be very faint. Chap. CCXXI.— Reflexes in the Water, and particularly those of the Air. The only portion of air that will be seen reflected in the water, will be that which is reflected by the surface of the water to the eye between equal angles; that is to say, the angle of incidence must be equal to the angle of reflexion. About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. da Vinci Leonardo (2014). A Treatise on Painting. Urbana, Illinois: Project Gutenberg. Retrieved https://www.gutenberg.org/cache/epub/46915/pg46915-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at , located at . www.gutenberg.org https://www.gutenberg.org/policy/license.html

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Of Objects placed on a light Ground, and why such a Practice is useful in Painting

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Leonardo Da Vinci

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Of Objects placed on a light Ground, and why such a Practice is useful in Painting

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