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The Secret of Chimneys by Agatha Christie, is part of the HackerNoon Books Series. You can jump to any chapter in this book here . Introducing a Very Charming Lady IV. Introducing a Very Charming Lady George Lomax returned straightway to Whitehall. As he entered the sumptuous apartment in which he transacted affairs of State, there was a scuffling sound. Mr. Bill Eversleigh was assiduously filing letters, but a large arm-chair near the window was still warm from contact with a human form. A very likeable young man, Bill Eversleigh. Age at a guess, twenty-five, big and rather ungainly in his movements, a pleasurably ugly face, a splendid set of white teeth and a pair of honest brown eyes. “Richardson sent up that report yet?” “No, sir. Shall I get on to him about it?” “It doesn’t matter. Any telephone messages?” “Miss Oscar is dealing with most of them. Mr. Isaacstein wants to know if you can dine with him at the Savoy to-morrow.” “Tell Miss Oscar to look in my engagement-book. If I’m not engaged, she can ring up and accept.” “Yes, sir.” “By the way, Eversleigh, you might ring up a number for me now. Look it up in the book. Mrs. Revel, 487, Pont Street.” “Yes, sir.” Bill seized the telephone-book, ran an unseeing eye down a column of M’s, shut the book with a bang and moved to the instrument on the desk. With his hand upon it, he paused, as though in sudden recollection. “Oh, I say, sir, I’ve just remembered. Her line’s out of order. Mrs. Revel’s, I mean. I was trying to ring her up just now.” George Lomax frowned. “Annoying,” he said, “distinctly annoying.” He tapped the table undecidedly. “If it’s anything important, sir, perhaps I might go round there now in a taxi. She’s sure to be in at this time in the morning.” George Lomax hesitated, pondering the matter. Bill waited expectantly, poised for instant flight, should the reply be favourable. “Perhaps that would be the best plan,” said Lomax at last. “Very well, then, take a taxi there, and ask Mrs. Revel if she will be at home this afternoon at four o’clock as I am very anxious to see her about an important matter.” “Right, sir.” Bill seized his hat and departed. Ten minutes later, a taxi deposited him at 487, Pont Street. He rang the bell and executed a loud rat-tat on the knocker. The door was opened by a grave functionary to whom Bill nodded with the ease of long acquaintance. “Morning, Chilvers, Mrs. Revel in?” “I believe, sir, that she is just going out.” “Is that you, Bill?” called a voice over the banisters. “I thought I recognized that muscular knock. Come up and talk to me.” Bill looked up at the face that was laughing down on him, and which was always inclined to reduce him—and not him alone—to a state of babbling incoherency. He took the stairs two at a time and clasped Virginia Revel’s out-stretched hands tightly in his. “Hullo, Virginia!” “Hullo, Bill!” Charm is a very peculiar thing; hundreds of young women, some of them more beautiful than Virginia Revel, might have said “Hullo, Bill,” with exactly the same intonation, and yet have produced no effect whatever. But those two simple words, uttered by Virginia, had the most intoxicating effect upon Bill. Virginia Revel was just twenty-seven. She was tall and of an exquisite slimness—indeed, a poem might have been written to her slimness, it was so exquisitely proportioned. Her hair was of real bronze, with the greenish tint in its gold; she had a determined little chin, a lovely nose, slanting blue eyes that showed a gleam of deepest cornflower between the half-closed lids, and a delicious and quite indescribable mouth that tilted ever so slightly at one corner in what is known as “the signature of Venus.” It was a wonderfully expressive face, and there was a sort of radiant vitality about her that always challenged attention. It would have been quite impossible ever to ignore Virginia Revel. She drew Bill into the small drawing-room which was all pale and mauve and green and yellow, like crocuses surprised in a meadow. “Bill, darling,” said Virginia, “isn’t the Foreign Office missing you? I thought they couldn’t get on without you.” “I’ve brought a message for you from Codders.” Thus irreverently did Bill allude to his chief. “And by the way, Virginia, in case he asks, remember that your telephone was out of order this morning.” “But it hasn’t been.” “I know that. But I said it was.” “Why? Enlighten me as to this Foreign Office touch.” Bill threw her a reproachful glance. “So that I could get here and see you, of course.” “Oh, darling Bill, how dense of me! And how perfectly sweet of you!” “Chilvers said you were going out.” “So I was—to Sloane Street. There’s a place there where they’ve got a perfectly wonderful new hip band.” “A hip band?” “Yes, Bill, H.I.P. hip, B.A.N.D. band. A band to confine the hips. You wear it next the skin.” “I blush for you, Virginia. You shouldn’t describe your underwear to a young man to whom you are not related. It isn’t delicate.” “But, Bill dear, there’s nothing indelicate about hips. We’ve all got hips—although we poor women are trying awfully hard to pretend we haven’t. This hip band is made of red rubber and comes just to above the knee, and it’s simply impossible to walk in it.” “How awful!” said Bill. “Why do you do it?” “Oh, because it gives one such a noble feeling to suffer for one’s silhouette. But don’t let’s talk about my hip band. Give me George’s message.” “He wants to know whether you’ll be in at four o’clock this afternoon.” “I shan’t. I shall be at Ranelagh. Why this sort of formal call? Is he going to propose to me, do you think?” “I shouldn’t wonder.” “Because, if so, you can tell him that I much prefer men who propose on impulse.” “Like me?” “It’s not an impulse with you, Bill. It’s habit.” “Virginia, won’t you ever——” “No, no, no, Bill. I won’t have it in the morning before lunch. Do try and think of me as a nice motherly person approaching middle age who has your interests thoroughly at heart.” “Virginia, I do love you so.” “I know, Bill, I know. And I simply love being loved. Isn’t it wicked and dreadful of me? I should like every nice man in the world to be in love with me.” “Most of them are, I expect,” said Bill gloomily. “But I hope George isn’t in love with me. I don’t think he can be. He’s so wedded to his career. What else did he say?” “Just that it was very important.” “Bill, I’m getting intrigued. The things that George thinks important are so awfully limited. I think I must chuck Ranelagh. After all, I can go to Ranelagh any day. Tell George that I shall be awaiting him meekly at four o’clock.” Bill looked at his wrist watch. “It seems hardly worth while to go back before lunch. Come out and chew something, Virginia.” “I’m going out to lunch somewhere or other.” “That doesn’t matter. Make a day of it, and chuck everything all round.” “It would be rather nice,” said Virginia, smiling at him. “Virginia, you’re a darling. Tell me, you do like me rather, don’t you? Better than other people.” “Bill, I adore you. If I had to marry some one—simply had to—I mean if it was in a book and a wicked mandarin said to me ‘Marry some one or die by slow torture,’ I should choose you at once—I should indeed. I should say, ‘Give me little Bill.’” “Well, then——” “Yes, but I haven’t got to marry any one. I love being a wicked widow.” “You could do all the same things still. Go about, and all that. You’d hardly notice me about the house.” “Bill, you don’t understand. I’m the kind of person who marries enthusiastically if they marry at all.” Bill gave a hollow groan. “I shall shoot myself one of these days, I expect,” he murmured gloomily. “No, you won’t, Bill darling. You’ll take a pretty girl out to supper—like you did the night before last.” Mr. Eversleigh was momentarily confused. “If you mean Dorothy Kirkpatrick, the girl who’s in Hooks and Eyes, I—well, dash it all, she’s a thoroughly nice girl, straight as they make ’em. There was no harm in it.” “Bill, darling, of course there wasn’t. I love you to enjoy yourself. But don’t pretend to be dying of a broken heart, that’s all.” Mr. Eversleigh recovered his dignity. “You don’t understand at all, Virginia,” he said severely. “Men——” “Are polygamous! I know they are. Sometimes I have a shrewd suspicion that I am polyandrous. If you really love me, Bill, take me out to lunch quickly.” About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Agatha Christie (1998). The Secret of Chimneys. Urbana, Illinois: Project Gutenberg. Retrieved https://www.gutenberg.org/cache/epub/65238/pg65238-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org , located at https://www.gutenberg.org/policy/license.html .

Introducing a Very Charming Lady

Building .NET Document API Layouts Using Flat Element Hierarchy

THE BEAR LARINUS

A LITTLE HERO

THE FIRST BATTLE

THE CHANGE

Ann Veronica A Modern Love Story: Chap 15. THE LAST DAYS AT HOME

Welcome to part two of the vanilla JavaScript adventure! If you missed part one and would like to give it a try, click here. for the starter code to part two, if you didn't complete part one or don't have the code anymore. Click here Why CSS? HTML and CSS are the peanut butter and jelly of the web development world; they always go hand in hand. Since the basis of part one was using JavaScript in lieu of HTML, learning how to use JavaScript in lieu of CSS seems like a logical next step. If you know basic HTML and basic JavaScript, chances are you have come in contact with CSS as well. CSS (short for Cascading Style Sheets) essentially controls the stylistic/visual component of the elements on the webpage: colors, fonts, text decoration, animations (sometimes), and more. If you need a more thorough explanation of CSS . check out this MDN article Let's continue where we left off with our part one code, and take a look at how to use CSS within JavaScript. Using CSS in your JavaScript file As explained in previous articles, having separate files for HTML and CSS as well as many different files for different JavaScript components of your project is standard practice, and for good reason. Adhering to the principle of allows for clearer organization of code, as well as reducing the chances of breaking changes occurring in the whole project because of a single faulty edit in one module. As in part one, we will still be using our `index.js` file for all of our CSS, to immerse fully into the JavaScript experience. However, please remember that 99% of projects you work on will not follow this practice, we are only doing it for the sake of learning how! separation of concerns The general principle of styling in JavaScript is actually quite simple. The majority of this part of the tutorial will just be learning the most essential style features that you will probably need. The basic pattern of styling in JavaScript is: <element to be styled>.style.<style property> = "desired outcome"; That wasn't very well-explained. Let me give you a more concrete example to demonstrate; the next line of code will result in my turning green: header header.style.color = "green"; That looks better. In that example, is the element being acted upon, is usually the keyword for accessing style properties, is the style property that is being accessed, and is the new desired color. header style color green With our basic pattern of styling elements in mind, let's segue into our first CSS essential: color. CSS Essential #1: Color Color is one of the most important style elements in visual design. As such, there is substantial functionality built into CSS to support color; however, covering every aspect of using color in your styling could be an entire tutorial series by itself, so we will only be exploring a few basics. Let's start by taking the example from the previous section and applying it here: change the color of your . Use my code above, but instead of you can select any basic color you like. Think color wheel/kindergarten colors, not the wackiest color you remember from the crayon box you used to have. For example: header green header.style.color = "orange"; Your display should now look something like this, depending on what color you chose: Nicely done. The property can be applied to text, backgrounds, borders, and pretty much any element on your webpage that you can think of. color Before we move on, go ahead and apply that same color you chose to your and elements. text1 text2 Cool, now let's think about background color. White background is cool and all, but let's decide on something a little more exciting. Use this code to modify your background color (you can substitute my color for a color of your choosing), then read on for an explanation: document.body.style.backgroundColor = "red"; Good! Although this might seem quite different from changing the color of our header, it still follows our same basic pattern: <element to be styled>.style.<style property> = "desired outcome"; For our background color styling, is the element to be styled, the keyword is still used, is the style attribute we are modifying, and is my desired outcome. document.body style backgroundColor red One important distinction between CSS and JavaScript styling becomes relevant when modifying styling attributes that are more than one word (such as background color). In CSS, the syntax for such attributes is kebab-case (i.e. ). For JavaScript, the syntax is camelCase (i.e. ). background-color backgroundColor Now then, with my choice of orange text and red background, my example looks like this: Bleh. That is not an attractive color combination, but more importantly it is quite difficult to read, even for users with standard vision. For users with vision impairments, this would be extremely difficult if not impossible to read. Always keep in mind when selecting color combinations! There are several tools ( ) that help web developers/designers select color combinations that are appropriate for users of all vision levels. web accessibility standards like this one With that in mind, I'm going to change my background color to something that will contrast the bright orange a little better. document.body.style.backgroundColor = "black"; Much better! We can use more colors than just the primary ones, however. To be precise, we have (although some may argue that because of transparency options, ). 16,777,216 color options we actually have a great deal more than that There are three ways to specify color in web design: 1. Keyword 2. RGB value 3. Hex code In the interest of brevity, click on any of the three items above to learn more. The "Keyword" link leads to a list of all keywords that can be used in your color styling. The "RGB value" and "Hex code" links lead to respective explanations of the concepts, if you are unfamiliar. Here are a couple examples of how each approach would look syntactically. Keyword: header.style.color = ;
text1.style.color = ;
text2.style.color = ; .body.style.backgroundColor = ; "cornflowerblue" "chartreuse" "lightsalmon" document "dimgray" RGB: header.style.color = ;
text1.style.color = ;
text2.style.color = ; .body.style.backgroundColor = ; "rgb(100, 149, 237)" "rgb(127, 255, 0)" "rgb(255, 160, 122)" document "rgb(105, 105, 105)" Hex code: header.style.color = ;
text1.style.color = ;
text2.style.color = ; .body.style.backgroundColor = ; "#6495ed" "#7fff00" "#ffa07a" document "#696969" These three examples are visually identical, and should all display like this: This wraps up our color section, but you will continue to get practice with it along with other style elements. CSS Essential #2a: background-color In the previous section, we learned that we can modify the background color of the page with . There is another important tidbit to know about the background color property, which is that it can be applied to individual elements as well. For example: document.body.style.backgroundColor = "color_goes_here"; header = .createElement( );
header.textContent = ;
header.style.backgroundColor = ; .body.appendChild(header); text1 = .createElement( );
text1.textContent = ;
text1.style.backgroundColor = ; .body.appendChild(text1); text2 = .createElement( );
text2.textContent = ;
text2.style.backgroundColor = ; .body.appendChild(text2); const document 'h1' 'Vanilla JS practice' "red" document const document 'p' 'Go hang a salami, I\'m a lasagna hog.' "yellow" document const document 'p' 'Read the previous sentence backwards.' "green" document CSS Essential #2b: background-image In addition to a solid color, we can use images as backgrounds as well. Say, for example, we wanted to use this yummy-looking lasagna as a background image: We can use this image as our background one of two ways. 1. Image file saved to local filesystem .body.style.backgroundImage = ; document 'url("lasagna.jpg")' 2. Image file is online .body.style.backgroundImage = ; document 'url("https://imgur.com/TUQLNdi.jpg")' CSS Essential #2c: background-repeat Oftentimes our background image does not perfectly match the size of the display. Therefore, we often have to stretch or repeat the image to make the background look complete. The two main style properties that affect this are and . background-repeat background-size has four options: background-repeat 1. (image renders one time, default location is top left corner) no-repeat .body.style.backgroundImage = ; .body.style.backgroundRepeat = ; document "url('https://biologydictionary.net/wp-content/uploads/2020/09/Walrus-1.jpg')" document "no-repeat" 2. (image repeats horizontally across the screen) repeat-x .body.style.backgroundImage = ; .body.style.backgroundRepeat = ; document "url('https://biologydictionary.net/wp-content/uploads/2020/09/Walrus-1.jpg')" document "repeat-x" 3. (image repeats vertically across the screen) repeat-y .body.style.backgroundImage = ; .body.style.backgroundRepeat = ; document "url('https://biologydictionary.net/wp-content/uploads/2020/09/Walrus-1.jpg')" document "repeat-y" 4. (default behavior; image repeats horizontally and vertically to fill the entire screen) repeat .body.style.backgroundImage = ; .body.style.backgroundRepeat = ; document "url('https://biologydictionary.net/wp-content/uploads/2020/09/Walrus-1.jpg')" document "repeat" CSS Essential #2d: background-size has two main options: background-size 1. (default behavior; image renders at its original size) auto .body.style.backgroundImage = ; .body.style.backgroundRepeat = ; .body.style.backgroundSize = ; document "url('https://biologydictionary.net/wp-content/uploads/2020/09/Walrus-1.jpg')" document "no-repeat" document "auto" 2. (a single image stretches to cover the entire screen) cover .body.style.backgroundImage = ; .body.style.backgroundRepeat = ; .body.style.backgroundSize = ; document "url('https://biologydictionary.net/wp-content/uploads/2020/09/Walrus-1.jpg')" document "no-repeat" document "cover" CSS Essential #3: Text emphasis The main types of text/typographical emphasis include , , and underline. bold italic To make text , set the property to the value "bold". bold font-weight text1.style.fontWeight = ; "bold" To make text , set the property to the value "italic". italic font-style text2.style.fontStyle = ; "italic" To make text underlined, set the property to the value "underline". text-decoration In addition to underlined text, the property can also overline and strikethrough text. text-decoration header.textContent = ;
header.style.textDecoration = ;

text1.textContent = ;
text1.style.fontWeight = ;
text1.style.textDecoration = ;

text2.textContent = ;
text2.style.fontStyle = ;
text2.style.textDecoration = ; 'Vanilla JS practice' "underline" 'Go hang a salami, I\'m a lasagna hog.' "bold" "overline" 'Read the previous sentence backwards.' "italic" "line-through" CSS Essential #4: Borders Borders have several properties, which can be set and modified individually. However, in my experience most developers use the shorthand property, which combines the , , and properties. Instead of writing three lines of code... border border-width border-style border-color header.style.borderWidth = ;
header.style.borderStyle = ;
header.style.borderColor = ; "5px" "dotted" "salmon" ...one could write one line of code: header.style.border = ; "5px dotted salmon" When using the property, the only parameter that is required is . and are optional, and default to 3px and black respectively. border border-style border-width border-color As with color, borders are a big topic with lots of different options for customization and specification. Rather than explain and show all the options in this tutorial, . click here if you wish to learn more about CSS border properties and options Try it yourself – Task Congrats on getting this far! To try to synthesize the information presented in this tutorial, try this task on your own. Of course, if you need to refer back to earlier parts of this article for information, you are encouraged to do so! : Make a square on the screen, below your text.</span> This is very open-ended, and there are nearly limitless ways to do this. Your task : If you complete this task, try to complete it one or two MORE times using different approaches. Extra credit Before you get started, you should do some independent Google research on CSS and properties. I didn't cover those properties in this tutorial, but you may need them now. height width If you get stuck, scroll down for a few hints, and down to the next section for a couple sample answers. Good luck! : The first step to completing this task is to create a new element, likely a . From there, you can use a combination of the style properties you learned in this tutorial to make a square. Hint #1 <div> : Have you looked up the and properties yet? You may need to set those properties on your new element to give it a defined area. Hint #2 height width : If you can't get a square to appear on the screen, re-check the basic stuff: Hint #3 - Have you used ? document.body.appendChild(YOUR_SQUARE_HERE) - Have you given your square some sort of style feature that makes it visible? Double-check your syntax for every line. Try it yourself – Example solutions I hope you were able to make a square! If you were not, or if you want to see some more ways to do it, check out some example solutions: 1. Using the property: border newSquare = .createElement( );
newSquare.style.border = ;
newSquare.style.height = ;
newSquare.style.width = ; .body.appendChild(newSquare); const document 'div' "solid" "200px" "200px" document 2. Using the property: background-color newSquare = .createElement( );
newSquare.style.backgroundColor = ;
newSquare.style.height = ;
newSquare.style.width = ; .body.appendChild(newSquare); const document 'div' "red" "200px" "200px" document 3. Using the property: background-image newSquare = .createElement( );
newSquare.style.backgroundImage = newSquare.style.height = ;
newSquare.style.width = ; .body.appendChild(newSquare); const document 'div' "url('purple-square.png')" "200px" "200px" document Conclusion That was but a introduction to all that CSS has to offer, and how to implement it in JavaScript. I hope you learned a lot that you can apply in your own projects! Be sure to check out the third part of this tutorial, which will (I think) cover modals in JavaScript. brief Attributions: Peanut butter and jelly image by Freddy G, linked from Unsplash Colorful festival image by Robert Katzki, linked from Unsplash Lasagna image by sunorwind, linked from Unsplash Horseback rider image by Mikayla Storms, linked from Unsplash Patrick Star gif is the property of ViacomCBS, Inc. Linked from GIPHY Previously published at https://shinetechnicallywrites.netlify.app/blog/vanilla-js-tutorial-part-two/

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CURBFLOW

curbflow.com

11-50 employees

Since 2018

COMPANY RANKING

CURBFLOW

EVERGREEN INDEX #2823

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