Night fell, and from the Molo to the Mergellinaby@alexandredumas

Night fell, and from the Molo to the Mergellina

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Night fell, and from the Molo to the Mergellina, from the Capuano Castle to the hill of St. Elmo, deep silence had succeeded the myriad sounds that go up from the noisiest city in the world. Charles of Durazzo, quickly walking away from the square of the Correggi, first casting one last look of vengeance at the Castel Nuovo, plunged into the labyrinth of dark streets that twist and turn, cross and recross one another, in this ancient city, and after a quarter of an hour’s walking, that was first slow, then very rapid, arrived at his ducal palace near the church of San Giovanni al Mare. He gave certain instructions in a harsh, peremptory tone to a page who took his sword and cloak. Then Charles shut himself into his room, without going up to see his poor mother, who was weeping, sad and solitary over her son’s ingratitude, and like every other mother taking her revenge by praying God to bless him. The Duke of Durazzo walked up and down his room several times like a lion in a cage, counting the minutes in a fever of impatience, and was on the point of summoning a servant and renewing his commands, when two dull raps on the door informed him that the person he was waiting for had arrived. He opened at once, and a man of about fifty, dressed in black from head to foot, entered, humbly bowing, and carefully shut the door behind him. Charles threw himself into an easy-chair, and gazing fixedly at the man who stood before him, his eyes on the ground and his arms crossed upon his breast in an attitude of the deepest respect and blind obedience, he said slowly, as though weighing each word—
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@alexandredumas

Alexandre Dumas

Many of my historical novels of high adventure were originally published as serials, including The Count of Monte Cristo


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