The Nike Air Max 1 ’86 OG “Museum Masterpiece” Should Be Displayed in Galleries: The work of art releases in early March 2023.

The Nike Air Max 1 ’86 OG “Museum Masterpiece” Should Be Displayed in Galleries

For Michael Jordan, he took care of business on the basketball court. It’s where he walked the walk and put his money where his mouth is, as he strived for greatness. However, for those who aren’t Michael Jordan, Nike offers up new limited-edition Air Jordan 1 Retro High OGs to “stand ...

Nike Drops New Limited-Edition Air Jordan 1 Retro High OG Sneakers: Here’s Where to Get A Pair Online

The New Nike Air Jordan 1 Retro High OG sneakers come in black and white and drop on Saturday, Feb. 24 — Here&#x27;s where to find and buy a pair online.

The rollout of the new uniforms this spring is starting to resemble a fashion crime wave.

Nike's new MLB uniforms not a fit with all players

Major League Baseball is showing off new uniforms during this year&#x27;s spring training. The biggest problem is they might be showing too much.

Why the MLB has a pants problem with its new Nike uniforms | FOX Sports

Kanye West rocked Nike apparel at Milan Fashion Week amid his dispute with Adidas. The rapper was spotted wearing Nike shoes and gloves alongside his scantily-clad wife Bianca Cesori.

Kanye West shows love for Nike by wearing brand's gloves and shoes alongside wife Bianca Censori at Milan Fashion Week... amid feud with Adidas | Daily Mail Online

It&#x27;s that time of the year when bits of information about the new kits for Premier League clubs start to emerge across the internet

Everything we know about new Tottenham Nike kits for 2024/25 season with some surprising shirts - football.london

The players’ association has relayed a number of concerns about the Nike-generated, Fanatics-produced uniforms including the translucent appearance of the trousers

MLB baseball players condemn Nike see-through uniforms | The Independent

Tired of seeing annoying ads (like this one!) on Uni Watch? There’s a simple solution: Join Uni Watch Plus. You’ll get an ad-free site experience, plus exclusive access to our UW+ discussion forums, push notifications whenever a new blog post has been published, a special UW+ badge accompanying ...

Balls in Play: MLB/Nike Pants Fiasco Hits Hilarious New Low

The Nike Kobe 4 Protro &quot;Gold Medal&quot; Returns This Year: 15 years after first hitting shelves, the Olympics-ready colorway is making a comeback.

Nike Kobe 4 Protro Gold Medal FQ3544-100 Release Info | Hypebeast

NILE

nile

I have indeed created an NFT out of my 2019 US Copyright of my screenplay, “FREEDOMCOIN,” and I’m trying to sell it. However! The fact that I’m doing so creates lasting ramifications for the blockchain community and raises certain legal questions, if I may say so … myself. Will The Rule of Law Ever Be Programmable? The possibility is absolutely there. One of the most promising projects I’ve come across is OpenLaw ( ). While the project is still gaining momentum, it’s implications are nothing but extraordinary. It allows the means to integrate blockchain code into common legal agreements. openlaw.io This means that legal contracts can become dynamic and smart contracts can now be smart legal contracts. The entire blockchain ecosystem could potentially become legally enforceable. And similar to the many industries blockchain is now revolutionizing, legal processes could be automated, saving a ton of money. Also, as we all know, with blockchain use cases never before imagined could very well become reality. My specific use case, though basic, I think exemplifies these aspects of smart legal contracts. I’ve drafted a legal agreement between myself and whoever owns my screenplay’s NFT. It simply states, in not so few words, that whoever owns the NFT, owns the associated rights of my screenplay. I haven’t sold it yet, so the owner of the NFT is still me. However, once sold, whoever owns 0x495f947276749Ce646f68AC8c248420045cb7b5e (my NFT contract’s address), will essentially own my screenplay. I have drafted the agreement myself, in good faith, and can’t see any reason that the legality of the transfer of rights would come into question. This serves several advantages over transferring the rights off-chain. First, a single transfer of rights can be used multiple times and the transfers can be processed much faster. This isn’t so revolutionary in and of itself, except maybe to save some time and paper, but it lends itself to the second advantage: scarcity. By creating a provably unique (non-fungible token) out of my copyright, I can turn it into a commodity. Sure, I could have blasted on Instagram or wherever that I’m selling my screenplay without it being an NFT. But the fact that it is already previously guaranteed to be transferable creates value in the commodity. It becomes an investment, which is the whole point of NFTs … just mine has legal backing, but still. Cool, I think. Check it: . https://opensea.io/collection/nilescreenplays

Why I'm Selling the US Copyright to My Screenplay As an NFT

Five Weeks in a Balloon by Jules Verne, is part of the HackerNoon Books Series. You can jump to any chapter in this book . Chapter XIX here CHAPTER NINETEENTH. The Nile.—The Trembling Mountain.—A Remembrance of the Country.—The Narratives of the Arabs.—The Nyam-Nyams.—Joe’s Shrewd Cogitations.—The Balloon runs the Gantlet.—Aerostatic Ascensions.—Madame Blanchard. “Which way do we head?” asked Kennedy, as he saw his friend consulting the compass. “North-northeast.” “The deuce! but that’s not the north?” “No, Dick; and I’m afraid that we shall have some trouble in getting to Gondokoro. I am sorry for it; but, at last, we have succeeded in connecting the explorations from the east with those from the north; and we must not complain.” The balloon was now receding gradually from the Nile. “One last look,” said the doctor, “at this impassable latitude, beyond which the most intrepid travellers could not make their way. There are those intractable tribes, of whom Petherick, Arnaud, Miuni, and the young traveller Lejean, to whom we are indebted for the best work on the Upper Nile, have spoken.” “Thus, then,” added Kennedy, inquiringly, “our discoveries agree with the speculations of science.” “Absolutely so. The sources of the White Nile, of the Bahr-el-Abiad, are immersed in a lake as large as a sea; it is there that it takes its rise. Poesy, undoubtedly, loses something thereby. People were fond of ascribing a celestial origin to this king of rivers. The ancients gave it the name of an ocean, and were not far from believing that it flowed directly from the sun; but we must come down from these flights from time to time, and accept what science teaches us. There will not always be scientific men, perhaps; but there always will be poets.” “We can still see cataracts,” said Joe. “Those are the cataracts of Makedo, in the third degree of latitude. Nothing could be more accurate. Oh, if we could only have followed the course of the Nile for a few hours!” “And down yonder, below us, I see the top of a mountain,” said the hunter. “That is Mount Longwek, the of the Arabs. This whole country was visited by Debono, who went through it under the name of Latif-Effendi. The tribes living near the Nile are hostile to each other, and are continually waging a war of extermination. You may form some idea, then, of the difficulties he had to encounter.” Trembling Mountain The wind was carrying the balloon toward the northwest, and, in order to avoid Mount Longwek, it was necessary to seek a more slanting current. “My friends,” said the doctor, “here is where passage of the African Continent really commences; up to this time we have been following the traces of our predecessors. Henceforth we are to launch ourselves upon the unknown. We shall not lack the courage, shall we?” our “Never!” said Dick and Joe together, almost in a shout. “Onward, then, and may we have the help of Heaven!” At ten o’clock at night, after passing over ravines, forests, and scattered villages, the aëronauts reached the side of the Trembling Mountain, along whose gentle slopes they went quietly gliding. In that memorable day, the 23d of April, they had, in fifteen hours, impelled by a rapid breeze, traversed a distance of more than three hundred and fifteen miles. But this latter part of the journey had left them in dull spirits, and complete silence reigned in the car. Was Dr. Ferguson absorbed in the thought of his discoveries? Were his two companions thinking of their trip through those unknown regions? There were, no doubt, mingled with these reflections, the keenest reminiscences of home and distant friends. Joe alone continued to manifest the same careless philosophy, finding it that home should not be there, from the moment that he left it; but he respected the silent mood of his friends, the doctor and Kennedy. quite natural About ten the balloon anchored on the side of the Trembling Mountain, so called, because, in Arab tradition, it is said to tremble the instant that a Mussulman sets foot upon it. The travellers then partook of a substantial meal, and all quietly passed the night as usual, keeping the regular watches. On awaking the next morning, they all had pleasanter feelings. The weather was fine, and the wind was blowing from the right quarter; so that a good breakfast, seasoned with Joe’s merry pranks, put them in high good-humor. The region they were now crossing is very extensive. It borders on the Mountains of the Moon on one side, and those of Darfur on the other—a space about as broad as Europe. “We are, no doubt, crossing what is supposed to be the kingdom of Usoga. Geographers have pretended that there existed, in the centre of Africa, a vast depression, an immense central lake. We shall see whether there is any truth in that idea,” said the doctor. “But how did they come to think so?” asked Kennedy. “From the recitals of the Arabs. Those fellows are great narrators—too much so, probably. Some travellers, who had got as far as Kazeh, or the great lakes, saw slaves that had been brought from this region; interrogated them concerning it, and, from their different narratives, made up a jumble of notions, and deduced systems from them. Down at the bottom of it all there is some appearance of truth; and you see that they were right about the sources of the Nile.” “Nothing could be more correct,” said Kennedy. “It was by the aid of these documents that some attempts at maps were made, and so I am going to try to follow our route by one of them, rectifying it when need be.” “Is all this region inhabited?” asked Joe. “Undoubtedly; and disagreeably inhabited, too.” “I thought so.” “These scattered tribes come, one and all, under the title of Nyam-Nyams, and this compound word is only a sort of nickname. It imitates the sound of chewing.” “That’s it! Excellent!” said Joe, champing his teeth as though he were eating; “Nyam-Nyam.” “My good Joe, if you were the immediate object of this chewing, you wouldn’t find it so excellent.” “Why, what’s the reason, sir?” “These tribes are considered man-eaters.” “Is that really the case?” “Not a doubt of it! It has also been asserted that these natives had tails, like mere quadrupeds; but it was soon discovered that these appendages belonged to the skins of animals that they wore for clothing.” “More’s the pity! a tail’s a nice thing to chase away mosquitoes.” “That may be, Joe; but we must consign the story to the domain of fable, like the dogs’ heads which the traveller, Brun-Rollet, attributed to other tribes.” “Dogs’ heads, eh? Quite convenient for barking, and even for man-eating!” “But one thing that has been, unfortunately, proven true, is, the ferocity of these tribes, who are really very fond of human flesh, and devour it with avidity.” “I only hope that they won’t take such a particular fancy to mine!” said Joe, with comic solemnity. “See that!” said Kennedy. “Yes, indeed, sir; if I have to be eaten, in a moment of famine, I want it to be for your benefit and my master’s; but the idea of feeding those black fellows—gracious! I’d die of shame!” “Well, then, Joe,” said Kennedy, “that’s understood; we count upon you in case of need!” “At your service, gentlemen!” “Joe talks in this way so as to make us take good care of him, and fatten him up.” “Maybe so!” said Joe. “Every man for himself.” In the afternoon, the sky became covered with a warm mist, that oozed from the soil; the brownish vapor scarcely allowed the beholder to distinguish objects, and so, fearing collision with some unexpected mountain-peak, the doctor, about five o’clock, gave the signal to halt. The night passed without accident, but in such profound obscurity, that it was necessary to use redoubled vigilance. The monsoon blew with extreme violence during all the next morning. The wind buried itself in the lower cavities of the balloon and shook the appendage by which the dilating-pipes entered the main apparatus. They had, at last, to be tied up with cords, Joe acquitting himself very skilfully in performing that operation. He had occasion to observe, at the same time, that the orifice of the balloon still remained hermetically sealed. “That is a matter of double importance for us,” said the doctor; “in the first place, we avoid the escape of precious gas, and then, again, we do not leave behind us an inflammable train, which we should at last inevitably set fire to, and so be consumed.” “That would be a disagreeable travelling incident!” said Joe. “Should we be hurled to the ground?” asked Kennedy. “Hurled! No, not quite that. The gas would burn quietly, and we should descend little by little. A similar accident happened to a French aëronaut, Madame Blanchard. She ignited her balloon while sending off fireworks, but she did not fall, and she would not have been killed, probably, had not her car dashed against a chimney and precipitated her to the ground.” “Let us hope that nothing of the kind may happen to us,” said the hunter. “Up to this time our trip has not seemed to me very dangerous, and I can see nothing to prevent us reaching our destination.” “Nor can I either, my dear Dick; accidents are generally caused by the imprudence of the aëronauts, or the defective construction of their apparatus. However, in thousands of aërial ascensions, there have not been twenty fatal accidents. Usually, the danger is in the moment of leaving the ground, or of alighting, and therefore at those junctures we should never omit the utmost precaution.” “It’s breakfast-time,” said Joe; “we’ll have to put up with preserved meat and coffee until Mr. Kennedy has had another chance to get us a good slice of venison.” About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Jules Verne (2002). Five Weeks in a Balloon. Urbana, Illinois: Project Gutenberg. Retrieved October 2022 https://www.gutenberg.org/cache/epub/3526/pg3526-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at , located at . www.gutenberg.org https://www.gutenberg.org/policy/license.html

The Nile

A Peer-to-Peer Live Video Streaming Library built on WebTorrent Intro We built , a peer-to-peer live video streaming library designed to handle scaling. Our library uses , a distributed file delivery protocol inspired by and built with . We chose WebTorrent as our means of broadcasting the stream because video streams can get progressively stronger as more peers join the stream. This also makes it a better fit than implementing typical WebRTC peer connections due to the approximately 10 to 20 connection limit per peer that WebTorrent has been able to mitigate. Nile.js WebTorrent BitTorrent WebRTC How we use WebTorrent to stream First, torrent files used by WebTorrent are immutable, making it less than ideal for live streaming. To emulate streaming, we take the video stream and split it into clips that are distributed to viewers through their own generated torrent files. Once the WebTorrent client begins to seed, a magnet link (an identifier in the form of a string) is generated. We propagate the magnet to the viewing peers through a series of WebSocket and WebRTC connections. The magnet is first passed to a Node/Express server which is connected to a limited number of WebSockets. The server emits the magnet to the initial WebSocket connections which pass the magnet along through WebRTC peers in a linked list structure. After receiving the magnet, each viewer client will begin to leech (download) and seed (upload) the stream. Distributed Video Streaming via WebTorrent Considerations Because of the linked list structure of our WebSocket to WebRTC connection, if a peer disconnects, the chain would be broken. Our library is designed to automatically reconnect on service disruptions. The disconnected webRTC peer will open a WebSocket connection with server, where it will be reassigned to a new WebSocket peer. If there are only a few peers viewing the stream, initial upload speed is highly dependent on the broadcaster’s bandwidth and network speed, creating a major bottleneck. To offset this poor initial performance, we allowed the broadcaster enough time to send each peer enough data to view without missing a second. From this experience, we further acknowledge the effectiveness of combining peer-to-peer delivery with a CDN, a la , to handle the spectrum of low to high numbers of viewers. Peer5 Problems As we rack up the number WebTorrent seeds on the broadcaster side, there seems to be a client side memory leak which eventually causes the browser to crash. We’ve checked the CPU and memory usage but have found no error messages or anomalies. Unsuccessful approaches that we have taken to solve the issue: Server side seeding in place of client side seeding Seeding with Web Workers Seeding in iframes Destroying WebTorrent client on each new seed Destroying WebTorrent file on each new seed One solution that we have found, is browser specific. If using Chrome Canary to test the library, it seems to run indefinitely. If anyone in the open source community is able to provide some insight, please make a pull request on our repo. GitHub Conclusion As a proof of concept, we would like other developers to try our library and leave feedback on how we can improve the project or even build upon it. Come check us out at , and . our website GitHub npm Nile.js is Derek Miranda , Kevin Qiu , and Justin Pierson .

Introducing Nile.js

Authors:
(1) STUART KAUFFMAN;
(2) ANDREA ROL. Table of Links Abstract and Introduction Part I. A Definition of Life Part II. The first Miracle: The emergence of life is an expected phase transition – TAP and RAF. Part III. The Second Miracle: The evolution of the biosphere is a propagating, non-deducible construction, not an entailed deduction. There is no Law. Evolution is ever-creative Part IV. New Observations and Experiments: Is There Life in the Cosmos? Conclusion and Acknowledgments Figures and References Conclusion We have sought the source of life in all our creation myths among all the peoples of the earth, perhaps back to Neanderthal 500,000 years ago. The issue of the Origin of Life as a scientific problem arose with Pasture’s claim: Life only comes from life, (55). Experimental efforts have been underway since Haldane and Oparin, (56,57), then the famous Miller Urey experiments in 1953, (58). Intense efforts based on the conviction that life must be based on template replication of polynucleotides have been carried out, (4,5,6). So far, no case of molecular reproduction has been found on this sensible pathway. The concept of the emergence of collectively autocatalytic sets was first formulated in 1971, (14). Such reproducing chemical sets of DNA, of RNA, and of peptides have been engineered using evolved polymer sequences. Xavier has now found small molecule collectively autocatalytic sets containing no DNA, RNA or peptide polymers in all 6700 prokaryotes, (11,12). This strongly suggests, but does not prove, that such systems may be the earliest form of molecular reproduction in the universe. Well established mathematical theory demonstrates that such systems can arise as a first-order phase transition in a universe where the diversity and atomic complexity of molecules increases. If this is correct, as we claim, the emergence of life is an expected phase transition in the evolving universe. Since Newton, basic science has rested on the powerful Newtonian Paradigm. This paradigm requires a prestated and knowable phase space of all the values of the relevant variables. But living organisms are Kantian Wholes that achieve Catalytic Closure, Constraint Closure, and Spatial Closure. Stunningly, we can use no mathematics based on Set Theory – all of mathematics it seems – to deduce the ever-creative evolution of the biosphere. Life is an expected miracle in the universe whose ways of becoming are literally numberless. The 20th Century saw the emergence of the atomic Age, the mushroom cloud, and mutually assured destruction. With Gödel, the 20th century also saw the End of Certainty, (59). In this, the first quarter of the 21st Century, we begin barely to glimpse the astonishing blossoming creativity of the biosphere of which we are members. We are, truly, Of Nature, not Above Nature. Acknowledgments We are truly grateful to Ingemar Ernberg, Carlos Gershenson, Wim Hordijk, Niles Lehman, and Ricard Solé for advice and comments. This paper is available on arxiv under CC BY 4.0 DEED license. Authors: (1) STUART KAUFFMAN; (2) ANDREA ROL. Authors: Authors: (1) STUART KAUFFMAN; (2) ANDREA ROL. Table of Links Abstract and Introduction Abstract and Introduction Part I. A Definition of Life Part I. A Definition of Life Part II. The first Miracle: The emergence of life is an expected phase transition – TAP and RAF. Part II. The first Miracle: The emergence of life is an expected phase transition – TAP and RAF. Part III. The Second Miracle: The evolution of the biosphere is a propagating, non-deducible construction, not an entailed deduction. There is no Law. Evolution is ever-creative Part III. The Second Miracle: The evolution of the biosphere is a propagating, non-deducible construction, not an entailed deduction. There is no Law. Evolution is ever-creative Part IV. New Observations and Experiments: Is There Life in the Cosmos? Part IV. New Observations and Experiments: Is There Life in the Cosmos? Conclusion and Acknowledgments Conclusion and Acknowledgments Figures and References Figures and References Conclusion We have sought the source of life in all our creation myths among all the peoples of the earth, perhaps back to Neanderthal 500,000 years ago. The issue of the Origin of Life as a scientific problem arose with Pasture’s claim: Life only comes from life, (55). Experimental efforts have been underway since Haldane and Oparin, (56,57), then the famous Miller Urey experiments in 1953, (58). Intense efforts based on the conviction that life must be based on template replication of polynucleotides have been carried out, (4,5,6). So far, no case of molecular reproduction has been found on this sensible pathway. The concept of the emergence of collectively autocatalytic sets was first formulated in 1971, (14). Such reproducing chemical sets of DNA, of RNA, and of peptides have been engineered using evolved polymer sequences. Xavier has now found small molecule collectively autocatalytic sets containing no DNA, RNA or peptide polymers in all 6700 prokaryotes, (11,12). This strongly suggests, but does not prove, that such systems may be the earliest form of molecular reproduction in the universe. Well established mathematical theory demonstrates that such systems can arise as a first-order phase transition in a universe where the diversity and atomic complexity of molecules increases. If this is correct, as we claim, the emergence of life is an expected phase transition in the evolving universe. Since Newton, basic science has rested on the powerful Newtonian Paradigm. This paradigm requires a prestated and knowable phase space of all the values of the relevant variables. But living organisms are Kantian Wholes that achieve Catalytic Closure, Constraint Closure, and Spatial Closure. Stunningly, we can use no mathematics based on Set Theory – all of mathematics it seems – to deduce the ever-creative evolution of the biosphere. Life is an expected miracle in the universe whose ways of becoming are literally numberless. The 20th Century saw the emergence of the atomic Age, the mushroom cloud, and mutually assured destruction. With Gödel, the 20th century also saw the End of Certainty, (59). In this, the first quarter of the 21st Century, we begin barely to glimpse the astonishing blossoming creativity of the biosphere of which we are members. We are, truly, Of Nature, not Above Nature. Acknowledgments We are truly grateful to Ingemar Ernberg, Carlos Gershenson, Wim Hordijk, Niles Lehman, and Ricard Solé for advice and comments. This paper is available on arxiv under CC BY 4.0 DEED license. This paper is available on arxiv under CC BY 4.0 DEED license. available on arxiv

The Limitations of Set Theory in Understanding Biological Evolution

Deep Lake, a Lakehouse for Deep Learning: Conclusions, Acknowledgement, and References

গভীর লেক, গভীর শিক্ষার জন্য একটি লেকহাউস: উপসংহার, স্বীকৃতি, এবং উল্লেখ

Deep Lake, ein Lakehouse für Deep Learning: Schlussfolgerungen, Danksagungen und Referenzen

Deep Lake, una casa de lago para el aprendizaje profundo: conclusiones, reconocimientos y referencias

Deep Lake, un Lakehouse pour le Deep Learning : conclusions, remerciements et références

डीप लेक, डीप लर्निंग के लिए एक लेकहाउस: निष्कर्ष, स्वीकृति और संदर्भ

ディープラーニングのためのレイクハウス、Deep Lake: 結論、謝辞、参考文献

딥 러닝을 위한 레이크하우스인 Deep Lake: 결론, 감사의 말씀, 참고 자료

Deep Lake, um Lakehouse para Deep Learning: Conclusões, Reconhecimento e Referências

Deep Lake, домик у озера для глубокого обучения: выводы, признательность и ссылки

Deep Lake, Derin Öğrenme için Bir Göl Evi: Sonuçlar, Teşekkür ve Referanslar

Deep Lake, Lakehouse cho Deep Learning: Kết luận, Lời cảm ơn và Tài liệu tham khảo

Deep Lake，深度学习的 Lakehouse：结论、致谢和参考文献

Why PostgreSQL Is the Bedrock for the Future of Data

কেন PostgreSQL ডেটার ভবিষ্যতের ভিত্তি

Warum PostgreSQL das Fundament für die Zukunft der Daten ist

Por qué PostgreSQL es la base del futuro de los datos

Pourquoi PostgreSQL est le fondement de l'avenir des données

PostgreSQL डेटा के भविष्य का आधार क्यों है?

PostgreSQL がデータの未来の基盤となる理由

PostgreSQL이 데이터 미래의 기반인 이유

Por que o PostgreSQL é a base para o futuro dos dados

Почему PostgreSQL является основой будущего данных

PostgreSQL Neden Verinin Geleceğinin Temel Taşıdır?

Tại sao PostgreSQL là nền tảng cho tương lai của dữ liệu

为什么 PostgreSQL 是未来数据的基石

581 Stories To Learn About Non Fiction

Startups of The Year 2023 Winners: North America 

In today's rapidly evolving digital landscape, the WEMIX Foundation has made a significant stride with the launch of 'una Wallet' ( ). This official wallet service of unagi marks a pivotal step in simplifying the management of digital assets across multiple blockchain networks. https://unagi.io/una-wallet The announcement was made on January 17, 2024, highlighting the wallet's capability to support a range of major protocols, including Arbitrum, Avalanche, BNB Smart Chain, Ethereum, Kroma, Optimism, Polygon, and WEMIX3.0. 'una Wallet' emerges as a solution to the growing complexity of managing digital assets dispersed across various chains. By allowing users to access all their assets in one place, it ensures a more streamlined and convenient omnichain experience. This development aligns with the September-announced 'unagi' initiative (unagi.io/), an ambitious project to construct an all-encompassing ecosystem that transcends the limitations of diverse blockchains. The initiative focuses on integrating, connecting, and encompassing multiple networks to foster an environment where they coexist harmoniously. Key Features of una Wallet: Comprehensive Asset Management: Users can have a detailed view of their assets across multiple chains, including information like market prices and transaction history. Seamless Transfer and Transaction: The wallet facilitates easy transfer and transaction of tokens and NFTs across blockchain networks, offering an efficient trading experience. Optimized Transaction Routes for Token Swaps: Users have the most favorable conditions for swapping tokens, reducing cost and complexity. MPC Technology for Secure Social Login: The wallet incorporates MPC (Multi-Party Computation) technology, allowing users to manage private keys securely and conveniently through social login without complex recovery seed phrase management. The 'una Wallet' can be installed from the and , with in-browser extensions planned for leading web browsers like Brave Browser, Google Chrome, Microsoft Edge, and Opera Web Browser. Google Play Store Apple App Store , the force behind WEMIX, is renowned in the game development industry and is leading the charge in integrating blockchain technology into gaming. With initiatives like WEMIX PLAY, a global blockchain gaming platform, Wemade is at the forefront of the blockchain revolution in the gaming sector. Wemade The blockchain mega-ecosystem includes a variety of innovative services like WEMIX$, a fully collateralized stablecoin; WEMIX PLAY, the largest blockchain gaming platform; NILE (NFT Is Life Evolution), a DAO & NFT platform; , a DeFi platform offering various financial services; and Kurrency, a decentralized financial service, among others. WEMIX WEMIX.Fi For more information on unagi and una Wallet, visit and check out their . https://unagi.io video tutorials

Revolutionizing Digital Asset Management: WEMIX Foundation Launches 'una Wallet'

বিপ্লবী ডিজিটাল সম্পদ ব্যবস্থাপনা: WEMIX ফাউন্ডেশন 'una Wallet' চালু করেছে

Revolutionierung des Digital Asset Managements: WEMIX Foundation führt „una Wallet“ ein

Revolucionando la gestión de activos digitales: la Fundación WEMIX lanza 'una Wallet'

Révolutionner la gestion des actifs numériques : la Fondation WEMIX lance « una Wallet »

डिजिटल संपत्ति प्रबंधन में क्रांति: WEMIX फाउंडेशन ने 'उना वॉलेट' लॉन्च किया

デジタル資産管理に革命を起こす: WEMIX 財団が「una Wallet」を開始

디지털 자산 관리의 혁명: 위믹스재단, '우나월렛' 출시

Revolucionando o gerenciamento de ativos digitais: Fundação WEMIX lança 'una Wallet'

Революция в управлении цифровыми активами: Фонд WEMIX запускает «una Wallet»

Dijital Varlık Yönetiminde Devrim Yaratıyor: WEMIX Vakfı 'una Wallet'ı Piyasaya Sürüyor

Cách mạng hóa việc quản lý tài sản kỹ thuật số: WEMIX Foundation ra mắt 'una Wallet'

彻底改变数字资产管理：WEMIX 基金会推出“una 钱包”

This paper is available on arxiv under CC 4.0 license. . Authors: Gemini Team, Google Table of Links Abstract and Introduction Model Architecture Training Infrastructure Training Dataset Evaluation Responsible Deployment Discussion and Conclusion, References Contributions and Acknowledgments Appendix 8. Contributions and Acknowledgments Leads Rohan Anil, Co-Lead, Text Sebastian Borgeaud, Co-Lead, Text Yonghui Wu, Co-Lead, Text Jean-Baptiste Alayrac, Co-Lead, MM Vision Jiahui Yu, Co-Lead, MM Vision Radu Soricut*, Co-Lead, MM Vision* Johan Schalkwyk, Lead, MM Audio Andrew M. Dai, Co-Lead, Data Anja Hauth*, Co-Lead, Data* Katie Millican, Co-Lead, Data David Silver, Co-Lead, Fine-Tuning Slav Petrov, Co-Lead, Fine-Tuning Melvin Johnson, Lead, Instruction Tuning Ioannis Antonoglou*, Co-Lead, RL Techniques* Julian Schrittwieser, Co-Lead, RL Techniques Amelia Glaese, Lead, Human Data Jilin Chen, Lead, Safety Emily Pitler, Co-Lead, Tool Use Timothy Lillicrap, Co-Lead, Tool Use Angeliki Lazaridou, Co-Lead, Eval Orhan Firat, Co-Lead, Eval James Molloy, Co-Lead, Infra Michael Isard, Co-Lead, Infra Paul R. Barham, Co-Lead, Infra Tom Hennigan, Co-Lead, Infra Benjamin Lee, Co-Lead, Codebase & Parallelism Fabio Viola, Co-Lead, Codebase & Parallelism Malcolm Reynolds, Co-Lead, Codebase & Parallelism Yuanzhong Xu, Co-Lead, Codebase & Parallelism Ryan Doherty, Lead, Ecosystem Eli Collins, Lead, Product Clemens Meyer, Co-Lead, Operations Eliza Rutherford, Co-Lead, Operations Erica Moreira, Co-Lead, Operations Kareem Ayoub, Co-Lead, Operations Megha Goel, Co-Lead, Operations Core Contributors George Tucker Enrique Piqueras Maxim Krikun Iain Barr Nikolay Savinov Ivo Danihelka Becca Roelofs Core Contributors Anaïs White Anders Andreassen Tamara von Glehn Lakshman Yagati Mehran Kazemi Lucas Gonzalez Misha Khalman Jakub Sygnowski Alexandre Frechette Charlotte Smith Laura Culp Lev Proleev Yi Luan Xi Chen James Lottes Nathan Schucher Federico Lebron Alban Rrustemi Natalie Clay Phil Crone Tomas Kocisky Jeffrey Zhao Bartek Perz Dian Yu Heidi Howard Adam Bloniarz Jack W. Rae Han Lu Laurent Sifre Marcello Maggioni Fred Alcober Dan Garrette Megan Barnes Shantanu Thakoor Jacob Austin Gabriel Barth-Maron William Wong Rishabh Joshi Rahma Chaabouni Deeni Fatiha Arun Ahuja Ruibo Liu Yunxuan Li Sarah Cogan Jeremy Chen Core Contributors Chao Jia Chenjie Gu Qiao Zhang Jordan Grimstad Ale Jakse Hartman Martin Chadwick Gaurav Singh Tomar Xavier Garcia Evan Senter Emanuel Taropa Thanumalayan Sankaranarayana Pillai Jacob Devlin Michael Laskin Diego de Las Casas Dasha Valter Connie Tao Lorenzo Blanco Adrià Puigdomènech Badia David Reitter Mianna Chen Jenny Brennan Clara Rivera Sergey Brin Shariq Iqbal Gabriela Surita Jane Labanowski Abhi Rao Stephanie Winkler Emilio Parisotto Yiming Gu Kate Olszewska Yujing Zhang Ravi Addanki Antoine Miech Annie Louis Laurent El Shafey Denis Teplyashin Geoff Brown Elliot Catt Nithya Attaluri Jan Balaguer Jackie Xiang Pidong Wang Zoe Ashwood Anton Briukhov Albert Webson Sanjay Ganapathy Smit Sanghavi Core Contributors Ajay Kannan Ming-Wei Chang Axel Stjerngren Josip Djolonga Yuting Sun Ankur Bapna Matthew Aitchison Pedram Pejman Henryk Michalewski Tianhe Yu Cindy Wang Juliette Love Junwhan Ahn Dawn Bloxwich Kehang Han Peter Humphreys Thibault Sellam James Bradbury Varun Godbole Sina Samangooei Bogdan Damoc Alex Kaskasoli Sébastien M. R. Arnold Vijay Vasudevan Shubham Agrawal Jason Riesa Dmitry Lepikhin Richard Tanburn Srivatsan Srinivasan Hyeontaek Lim Sarah Hodkinson Pranav Shyam Johan Ferret Steven Hand Ankush Garg Tom Le Paine Jian Li Yujia Li Minh Giang Alexander Neitz Zaheer Abbas Sarah York Machel Reid Elizabeth Cole Aakanksha Chowdhery Dipanjan Das Dominika Rogozińska Vitaly Nikolaev Core Contributors Pablo Sprechmann Zachary Nado Lukas Zilka Flavien Prost Luheng He Marianne Monteiro Gaurav Mishra Chris Welty Josh Newlan Dawei Jia Miltiadis Allamanis Clara Huiyi Hu Raoul de Liedekerke Justin Gilmer Carl Saroufim Shruti Rijhwani Shaobo Hou Disha Shrivastava Anirudh Baddepudi Alex Goldin Adnan Ozturel Albin Cassirer Yunhan Xu Daniel Sohn Devendra Sachan Reinald Kim Amplayo Craig Swanson Dessie Petrova Shashi Narayan Arthur Guez Siddhartha Brahma Jessica Landon Miteyan Patel Ruizhe Zhao Kevin Villela Luyu Wang Wenhao Jia Matthew Rahtz Mai Giménez Legg Yeung Hanzhao Lin James Keeling Petko Georgiev Diana Mincu Boxi Wu Salem Haykal Rachel Saputro Kiran Vodrahalli Core Contributors James Qin Zeynep Cankara Abhanshu Sharma Nick Fernando Will Hawkins Behnam Neyshabur Solomon Kim Adrian Hutter Priyanka Agrawal Alex Castro-Ros George van den Driessche Tao Wang Fan Yang Shuo-yiin Chang Paul Komarek Ross McIlroy Mario Lučić Guodong Zhang Wael Farhan Michael Sharman Paul Natsev Paul Michel Yong Cheng Yamini Bansal Siyuan Qiao Kris Cao Siamak Shakeri Christina Butterfield Justin Chung Paul Kishan Rubenstein Shivani Agrawal Arthur Mensch Kedar Soparkar Karel Lenc Timothy Chung Aedan Pope Loren Maggiore Jackie Kay Priya Jhakra Shibo Wang Joshua Maynez Mary Phuong Taylor Tobin Andrea Tacchetti Maja Trebacz Kevin Robinson Yash Katariya Sebastian Riedel Core Contributors Paige Bailey Kefan Xiao Nimesh Ghelani Lora Aroyo Ambrose Slone Neil Houlsby Xuehan Xiong Zhen Yang Elena Gribovskaya Jonas Adler Mateo Wirth Lisa Lee Music Li Thais Kagohara Jay Pavagadhi Sophie Bridgers Anna Bortsova Sanjay Ghemawat Zafarali Ahmed Tianqi Liu Richard Powell Vijay Bolina Mariko Iinuma Polina Zablotskaia James Besley Da-Woon Chung Timothy Dozat Ramona Comanescu Xiance Si Jeremy Greer Guolong Su Martin Polacek Raphaël Lopez Kaufman Simon Tokumine Hexiang Hu Elena Buchatskaya Yingjie Miao Mohamed Elhawaty Aditya Siddhant Nenad Tomasev Jinwei Xing Christina Greer Helen Miller Shereen Ashraf Aurko Roy Zizhao Zhang Ada Ma Angelos Filos Core Contributors Milos Besta Rory Blevins Ted Klimenko Chih-Kuan Yeh Soravit Changpinyo Jiaqi Mu Oscar Chang Mantas Pajarskas Carrie Muir Vered Cohen Charline Le Lan Krishna Haridasan Amit Marathe Steven Hansen Sholto Douglas Rajkumar Samuel Mingqiu Wang Sophia Austin Chang Lan Jiepu Jiang Justin Chiu Jaime Alonso Lorenzo Lars Lowe Sjösund Sébastien Cevey Zach Gleicher Thi Avrahami Anudhyan Boral Hansa Srinivasan Vittorio Selo Rhys May Konstantinos Aisopos Léonard Hussenot Livio Baldini Soares Kate Baumli Michael B. Chang Adrià Recasens Ben Caine Alexander Pritzel Filip Pavetic Fabio Pardo Anita Gergely Justin Frye Vinay Ramasesh Dan Horgan Kartikeya Badola Nora Kassner Subhrajit Roy Ethan Dyer Core Contributors Víctor Campos Alex Tomala Yunhao Tang Dalia El Badawy Elspeth White Basil Mustafa Oran Lang Abhishek Jindal Sharad Vikram Zhitao Gong Sergi Caelles Ross Hemsley Gregory Thornton Fangxiaoyu Feng Wojciech Stokowiec Ce Zheng Phoebe Thacker Çağlar Ünlü Zhishuai Zhang Mohammad Saleh James Svensson Max Bileschi Piyush Patil Ankesh Anand Roman Ring Katerina Tsihlas Arpi Vezer Marco Selvi Toby Shevlane Mikel Rodriguez Tom Kwiatkowski Samira Daruki Keran Rong Allan Dafoe Nicholas FitzGerald Keren Gu-Lemberg Mina Khan Lisa Anne Hendricks Marie Pellat Vladimir Feinberg James Cobon-Kerr Tara Sainath Maribeth Rauh Sayed Hadi Hashemi Richard Ives Yana Hasson YaGuang Li Eric Noland Core Contributors Yuan Cao Nathan Byrd Le Hou Qingze Wang Thibault Sottiaux Michela Paganini Jean-Baptiste Lespiau Alexandre Moufarek Samer Hassan Kaushik Shivakumar Joost van Amersfoort Amol Mandhane Pratik Joshi Anirudh Goyal Matthew Tung Andrew Brock Hannah Sheahan Vedant Misra Cheng Li Nemanja Rakićević Mostafa Dehghani Fangyu Liu Sid Mittal Junhyuk Oh Seb Noury Eren Sezener Fantine Huot Matthew Lamm Nicola De Cao Charlie Chen Contributors Gamaleldin Elsayed Ed Chi Mahdis Mahdieh Ian Tenney Nan Hua Ivan Petrychenko Patrick Kane Dylan Scandinaro Rishub Jain Jonathan Uesato Romina Datta Adam Sadovsky Oskar Bunyan Dominik Rabiej Shimu Wu John Zhang Contributors Gautam Vasudevan Edouard Leurent Mahmoud Alnahlawi Ionut Georgescu Nan Wei Ivy Zheng Betty Chan Pam G Rabinovitch Piotr Stanczyk Ye Zhang David Steiner Subhajit Naskar Michael Azzam Matthew Johnson Adam Paszke Chung-Cheng Chiu Jaume Sanchez Elias Afroz Mohiuddin Faizan Muhammad Jin Miao Andrew Lee Nino Vieillard Sahitya Potluri Jane Park Elnaz Davoodi Jiageng Zhang Jeff Stanway Drew Garmon Abhijit Karmarkar Zhe Dong Jong Lee Aviral Kumar Luowei Zhou Jonathan Evens William Isaac Zhe Chen Johnson Jia Anselm Levskaya Zhenkai Zhu Chris Gorgolewski Peter Grabowski Yu Mao Alberto Magni Kaisheng Yao Javier Snaider Norman Casagrande Paul Suganthan Evan Palmer Contributors Geoffrey Irving Edward Loper Manaal Faruqui Isha Arkatkar Nanxin Chen Izhak Shafran Michael Fink Alfonso Castaño Irene Giannoumis Wooyeol Kim Mikołaj Rybiński Ashwin Sreevatsa Jennifer Prendki David Soergel Adrian Goedeckemeyer Willi Gierke Mohsen Jafari Meenu Gaba Jeremy Wiesner Diana Gage Wright Yawen Wei Harsha Vashisht Yana Kulizhskaya Jay Hoover Maigo Le Lu Li Chimezie Iwuanyanwu Lu Liu Kevin Ramirez Andrey Khorlin Albert Cui Tian LIN Marin Georgiev Marcus Wu Ricardo Aguilar Keith Pallo Abhishek Chakladar Alena Repina Xihui Wu Tom van der Weide Priya Ponnapalli Caroline Kaplan Jiri Simsa Shuangfeng Li Olivier Dousse Fan Yang Jeff Piper Nathan Ie Contributors Minnie Lui Rama Pasumarthi Nathan Lintz Anitha Vijayakumar Lam Nguyen Thiet Daniel Andor Pedro Valenzuela Cosmin Paduraru Daiyi Peng Katherine Lee Shuyuan Zhang Somer Greene Duc Dung Nguyen Paula Kurylowicz Sarmishta Velury Sebastian Krause Cassidy Hardin Lucas Dixon Lili Janzer Kiam Choo Ziqiang Feng Biao Zhang Achintya Singhal Tejasi Latkar Mingyang Zhang Quoc Le Elena Allica Abellan Dayou Du Dan McKinnon Natasha Antropova Tolga Bolukbasi Orgad Keller David Reid Daniel Finchelstein Maria Abi Raad Remi Crocker Peter Hawkins Robert Dadashi Colin Gaffney Sid Lall Ken Franko Egor Filonov Anna Bulanova Rémi Leblond Vikas Yadav Shirley Chung Harry Askham Luis C. Cobo Contributors Kelvin Xu Felix Fischer Jun Xu Christina Sorokin Chris Alberti Chu-Cheng Lin Colin Evans Hao Zhou Alek Dimitriev Hannah Forbes Dylan Banarse Zora Tung Jeremiah Liu Mark Omernick Colton Bishop Chintu Kumar Rachel Sterneck Ryan Foley Rohan Jain Swaroop Mishra Jiawei Xia Taylor Bos Geoffrey Cideron Ehsan Amid Francesco Piccinno Xingyu Wang Praseem Banzal Petru Gurita Hila Noga Premal Shah Daniel J. Mankowitz Alex Polozov Nate Kushman Victoria Krakovna Sasha Brown MohammadHossein Bateni Dennis Duan Vlad Firoiu Meghana Thotakuri Tom Natan Anhad Mohananey Matthieu Geist Sidharth Mudgal Sertan Girgin Hui Li Jiayu Ye Ofir Roval Reiko Tojo Contributors Michael Kwong James Lee-Thorp Christopher Yew Quan Yuan Sumit Bagri Danila Sinopalnikov Sabela Ramos John Mellor Abhishek Sharma Aliaksei Severyn Jonathan Lai Kathy Wu Heng-Tze Cheng David Miller Nicolas Sonnerat Denis Vnukov Rory Greig Jennifer Beattie Emily Caveness Libin Bai Julian Eisenschlos Alex Korchemniy Tomy Tsai Mimi Jasarevic Weize Kong Phuong Dao Zeyu Zheng Frederick Liu Fan Yang Rui Zhu Mark Geller Tian Huey Teh Jason Sanmiya Evgeny Gladchenko Nejc Trdin Andrei Sozanschi Daniel Toyama Evan Rosen Sasan Tavakkol Linting Xue Chen Elkind Oliver Woodman John Carpenter George Papamakarios Rupert Kemp Sushant Kafle Tanya Grunina Rishika Sinha Contributors Alice Talbert Abhimanyu Goyal Diane Wu Denese Owusu-Afriyie Cosmo Du Chloe Thornton Jordi Pont-Tuset Pradyumna Narayana Jing Li Saaber Fatehi John Wieting Omar Ajmeri Benigno Uria Tao Zhu Yeongil Ko Laura Knight Amélie Héliou Ning Niu Shane Gu Chenxi Pang Dustin Tran Yeqing Li Nir Levine Ariel Stolovich Norbert Kalb Rebeca Santamaria-Fernandez Sonam Goenka Wenny Yustalim Robin Strudel Ali Elqursh Balaji Lakshminarayanan Charlie Deck Shyam Upadhyay Hyo Lee Mike Dusenberry Zonglin Li Xuezhi Wang Kyle Levin Raphael Hoffmann Dan Holtmann-Rice Olivier Bachem Summer Yue Sho Arora Eric Malmi Daniil Mirylenka Qijun Tan Christy Koh Soheil Hassas Yeganeh Contributors Siim Põder Steven Zheng Francesco Pongetti Mukarram Tariq Yanhua Sun Lucian Ionita Mojtaba Seyedhosseini Pouya Tafti Ragha Kotikalapudi Zhiyu Liu Anmol Gulati Jasmine Liu Xinyu Ye Bart Chrzaszcz Lily Wang Nikhil Sethi Tianrun Li Ben Brown Shreya Singh Wei Fan Aaron Parisi Joe Stanton Chenkai Kuang Vinod Koverkathu Christopher A. Choquette-Choo Yunjie Li TJ Lu Abe Ittycheriah Prakash Shroff Pei Sun Mani Varadarajan Sanaz Bahargam Rob Willoughby David Gaddy Ishita Dasgupta Guillaume Desjardins Marco Cornero Brona Robenek Bhavishya Mittal Ben Albrecht Ashish Shenoy Fedor Moiseev Henrik Jacobsson Alireza Ghaffarkhah Morgane Rivière Alanna Walton Clément Crepy Alicia Parrish Contributors Yuan Liu Zongwei Zhou Clement Farabet Carey Radebaugh Praveen Srinivasan Claudia van der Salm Andreas Fidjeland Salvatore Scellato Eri Latorre-Chimoto Hanna Klimczak-Plucińska David Bridson Dario de Cesare Tom Hudson Piermaria Mendolicchio Lexi Walker Alex Morris Ivo Penchev Matthew Mauger Alexey Guseynov Alison Reid Seth Odoom Lucia Loher Victor Cotruta Madhavi Yenugula Dominik Grewe Anastasia Petrushkina Tom Duerig Antonio Sanchez Steve Yadlowsky Amy Shen Amir Globerson Adam Kurzrok Lynette Webb Sahil Dua Dong Li Preethi Lahoti Surya Bhupatiraju Dan Hurt Haroon Qureshi Ananth Agarwal Tomer Shani Matan Eyal Anuj Khare Shreyas Rammohan Belle Lei Wang Chetan Tekur Mihir Sanjay Kale Jinliang Wei Contributors Ruoxin Sang Brennan Saeta Tyler Liechty Yi Sun Yao Zhao Stephan Lee Pandu Nayak Doug Fritz Manish Reddy Vuyyuru John Aslanides Nidhi Vyas Martin Wicke Xiao Ma Taylan Bilal Evgenii Eltyshev Daniel Balle Nina Martin Hardie Cate James Manyika Keyvan Amiri Yelin Kim Xi Xiong Kai Kang Florian Luisier Nilesh Tripuraneni David Madras Mandy Guo Austin Waters Oliver Wang Joshua Ainslie Jason Baldridge Han Zhang Garima Pruthi Jakob Bauer Feng Yang Riham Mansour Jason Gelman Yang Xu George Polovets Ji Liu Honglong Cai Warren Chen XiangHai Sheng Emily Xue Sherjil Ozair Adams Yu Christof Angermueller Contributors Xiaowei Li Weiren Wang Julia Wiesinger Emmanouil Koukoumidis Yuan Tian Anand Iyer Madhu Gurumurthy Mark Goldenson Parashar Shah MK Blake Hongkun Yu Anthony Urbanowicz Jennimaria Palomaki Chrisantha Fernando Kevin Brooks Ken Durden Harsh Mehta Nikola Momchev Elahe Rahimtoroghi Maria Georgaki Amit Raul Sebastian Ruder Morgan Redshaw Jinhyuk Lee Komal Jalan Dinghua Li Ginger Perng Blake Hechtman Parker Schuh Milad Nasr Mia Chen Kieran Milan Vladimir Mikulik Trevor Strohman Juliana Franco Tim Green Program Leads Demis Hassabis Koray Kavukcuoglu Overall Technical Leads (equal contribution) Jeffrey Dean Oriol Vinyals The roles are defined as below: • : Individual(s) responsible for the sub-team throughout the project. Lead Individual that had significant impact throughout the project. • Core Contributor: : Individual that had contributions to the project and was partially involved with the effort. • Contributor Responsible for the organizational aspects of the Gemini effort • Program Lead: Responsible for the technical direction of the overall Gemini effort • Overall Technical Lead: Within each role, contributions are equal, and are listed in a randomized order. Ordering within each role does not indicate ordering of the contributions. Gemini is a cross-Google effort, with members from Google DeepMind (GDM), Google Research (GR), Knowledge and Information (K&I), Core ML, Cloud, Labs, and more. We thank our reviewers and colleagues for their valuable discussions and feedback on the report— Alexandra Belias, Arielle Bier, Eleanor Tomlinson, Emily Hossellman, Gaby Pearl, Helen King, Hollie Dobson, Jaclyn Konzelmann, Jennifer Beroshi, Joel Moss, Jon Small, Jonathan Fildes, Oli Gaymond, Rebecca Bland, Reena Jana, and Tom Lue. Our work is made possible by the dedication and efforts of numerous teams at Google. We would like to acknowledge the support from Abhi Mohan, Adekunle Bello, Aishwarya Nagarajan, Alaa Saade, Alejandro Lince, Alexander Chen, Alexander Kolbasov, Alexander Schiffhauer, Amar Subramanya, Ameya Shringi, Amin Vahdat, Anda Rabatić, Anthonie Gross, Antoine Yang, Anthony Green, Anton Ruddock, Art Khurshudov, Artemis Chen, Arthur Argenson, Avinatan Hassidim, Beiye Liu, Benjamin Schroeder, Bin Ni, Brett Daw, Bryan Chiang, Burak Gokturk, Carl Crous, Carrie Grimes Bostock, Charbel Kaed, Charlotte Banks, Che Diaz, Chris Larkin, Christy Lian, Claire Cui, Clare Bycroft, Corentin Tallec, Daniel Herndon, Dave Burke, David Battle, David Engel, Dipannita Shaw, Donghyun Koo, Doug Ritchie, Dragos Stefanescu, Elissa Wolf, Emre Sargin, Eran Ofek, Eric Herren, Estella King, Fatema Alkhanaizi, Felix Gimeno, Fernando Pereira, Florent Altché, Gabriel Carvajal, Gaurav Gandhi, George Powell, Goran Pavičić, Harry Richardson, Hassan Wassel, Hongji Li, Idan Szpektor, Igor Ivanisevic, Ivan Jambrešić, Ivan Jurin, Jade Fowler, James Assiene, Jay Yagnik, Jeanbastien Grill, Jeff Seibert, Jenna LaPlante, Jessica Austin, Jianxing Lu, Jim O’Keeffe, Jin Huang, Joe Heyward, Johannes Welbl, John Jumper, Jonathan Caton, Josh Woodward, Joshua Foster, Kathryn Tunyasuvunakool, Katrina Wong, Kavya Kopparapu, Kelvin Nguyen, Kira Yin, Konstantin Sharlaimov, Kun Li, Lee Hong, Lilly Taylor, Longfei Shen, Luc Mercier, Maciej Mikuła, Mania Abdi, Manuel Sanchez, Maria Ines Aranguren, Mario Carlos Cortes III, Matthew Tait, Matthias Lochbrunner, Mehdi Ghissassi, Micah Mosley, Michael Bendersky, Michael Figurnov, Michael Harris, Michael Mathieu, Michael O’Neill, Michael Vorburger, Mihir Paradkar, Nandita Dukkipati, Nathan Carter, Nathan Watson, Neil Rabinowitz, Nikhil Dandekar, Nishant Ranka, Obaid Sarvana, Olcan Sercinoglu, Olivier Lacombe, Ottavia Bertolli, Paul Caron, Pranesh Srinivasan, Praveen Kumar, Rahul Sukthankar, Raia Hadsell, Rajagopal Ananthanarayanan, Roberto Lupi, Rosie Zou, Sachin Menezes, Sadegh Jazayeri, Sam Cheung, Sameer Bidichandani, Sania Alex, Sanjiv Kumar, Sara Wiltberger, Sarah Fitzgerald, Saz Basu, Sebastian Nowozin, Shannon Hepburn, Shayne Cardwell, Sissie Hsiao, Srinivasan Venkatachary, Sugato Basu, Sundar Pichai, Sundeep Tirumalareddy, Susannah Young, Swetha Vijayaraghavan, Tania Bedrax-Weiss, Taylor Applebaum, Teiva Harsanyi, Terry Chen, Tim Blyth, Ting Liu, Tom Cobley, Tomas Izo, Trystan Upstill, Varun Singhai, Vedrana Klarić Trupčević, Victor Cai, Vladimir Pudovkin, Vu Dang, Wenbo Zhao, Wesley Crow, Wesley Szeng, Xiaodan Song, Yazhou Zu, Ye Tian, Yicong Wang, Yixing Wang, Yossi Matias, Yunlong Jiao, Zachary Jessup, Zhenchuan Pang, Žiga Avsec, Zimeng Yang, and Zoubin Ghahramani. We’d also like to recognize the AlphaCode team, the Borg Scheduling team, the Facilities team, the Gemini Demo Team, the Global Server Ops (GSO) team, the JAX team, the the Legal team, ML SRE team, the ML Supercomputer (MLSC) team, the PartIR team, the Platforms Infrastructure Engineering (PIE) team, and the XLA Compiler team. We thank everyone at Google not explicitly mentioned above, who have shared excitement, given feedback on early Gemini models or created interesting demo uses of Gemini, and worked with or supported the core Gemini team on many aspects of this project.

Stories, News & Mentions about NILE

Nile’s Stories on HackerNoon

Nile's News & Mentions