Best match

Most recent

Microsoft

Campaign

Imagine yourself as an executive casually browsing the state of the job market on Indeed, and you receive an email for a job listing that looks particularly interesting. The email looks like it's from Indeed and there is a genuine Indeed link - nothing out ...

This devious phishing campaign uses Indeed.com job searches to target Microsoft 365 accounts

Targets

Phishing

A new EvilProxy phishing attack has taken aim at the job search platform Indeed while focusing on executives in various industries.

EvilProxy Phishing Attack Strikes Indeed, Targets Executives

https://www.bing.com/th?id=ODF.LdFsadk-OiIDJTwcW2x8KQ&pid=news

Infosecurity-magazine.com

South Carolina

C-level staff working across a range of industries were lured to phishing sites via redirect links purportedly from the popular Indeed job-search site.

US executives targeted in EvilProxy recruitment phishing campaign

https://www.bing.com/th?id=ODF.BU93lFI8FgIyW5ZaNrlHlw&pid=news

SC Media

In this comparison of Indeed vs. LinkedIn, we’ll cover the pros and cons of each platform and how to decide which is the best place to connect with job applicants for your company. Indeed and ...

Indeed Vs. LinkedIn: Which Job Board Will Help You Score Your Next Hire?

Forbes

Get the most recent info and news about Indeed.com on HackerNoon, where 10k+ technologists publish stories for 4M+ monthly readers.

Indeed is the #1 job site in the world* with over 250M unique visitors every month. Indeed strives to put job seekers first, giving them free access to search for jobs, post resumes, and research companies. Every day, we connect millions of people to new opportunities.

*ComScore, Total Visits, March 2021

Indeed.com

A Floating City and The Blockade Runners by Jules Verne, is part of the HackerNoon Books Series. You can jump to any chapter in this book . CHAPTER III here CHAPTER III. The “Great Eastern” was indeed preparing to sail. Already volumes of black smoke were issuing from the five chimneys, and hot steam filled the engine-rooms. Some sailors were brightening up the four great fog-cannons which were to salute Liverpool as we sailed by. The top-men climbed the yards, disentangled the rigging, and tightened the shrouds on the thick ropes fastened to the barricades. About eleven o’clock the carpenters and painters put the finishing touches to their work, and then embarked on board the tender which awaited them. As soon as there was a sufficient pressure, the steam rushed into the cylinders of the rudder engine, and the engineers had the pleasure of seeing that this ingenious contrivance was an entire success. The weather was fine, with bright gleams of sunshine darting through the rapidly-moving clouds. There must have been a strong breeze at sea, but we did not feel it. The officers were all dispersed about the deck, making preparations for getting under sail. The ship’s officers were composed of the Captain, the first officer, two assistant officers, five lieutenants, of whom one was a Frenchman, M. H——, and a volunteer who was also French. Captain Anderson holds a high place in the commercial marine of England. It is to him we are indebted for the laying of the Transatlantic cable, though it is true that if he succeeded where his predecessors had failed, it was because he worked under more favourable circumstances, having the “Great Eastern” at his command. Be it as it may, his success gained for him the title of “Sir.” I found him to be a very agreeable commander. He was a man of about fifty years of age, with that tawny complexion which remains unchanged by weather or age; a thorough Englishman, with a tall figure, a broad smiling face, and merry eyes; walking with a quiet dignified step, his hands never in his pockets, always irreproachably gloved and elegantly dressed, and invariably with a little piece of his white handkerchief peeping out of the pocket of his blue and gold-laced overcoat. The first officer presented a singular contrast to Captain Anderson, and his appearance is easily described:—an active little man, with a very sunburnt skin, a black beard almost covering his face, and legs which defied every lurch of the vessel. A skilful, energetic seaman, he gave his orders in a clear, decided tone, the boatswain repeating them with a voice like the roaring of a hoarse lion. The second officer’s name was W——: I think he was a naval officer, on board the “Great Eastern” by special permission; he had all the appearance of a regular “Jack-tar.” Besides the ship officers, the engines were under the command of a chief engineer, assisted by eight or ten engineering officers, and a battalion of two hundred and fifty men, some stokers, others oilers, who hardly ever left the engine-rooms. This army of men was well occupied night and day, having ten boilers with ten furnaces and about a hundred fires to attend to. As for the crew of the steam-ship proper, what with quartermasters, top-men, steersmen, and cabin-boys, it comprised about one hundred men, and besides these, there were two hundred stewards employed for serving the passengers. Every man was at his post; the pilot who was to conduct the vessel out of the Mersey had been on board since the evening before. I saw also a French pilot, who was to make the passage with us, and on her return to take the steam-ship into anchorage at Brest. “I begin to think we shall sail to-day,” said I to Lieutenant H—. “We are only waiting for our passengers,” replied my countryman. “Are there many?” “Twelve or thirteen hundred.” At half-past eleven the tender was hailed, laden with passengers, who, as I afterwards learnt, were Californians, Canadians, Americans, Peruvians, English, Germans, and two or three Frenchmen. Among the most distinguished were the celebrated Cyrus Field of New York, the Honourable John Rose of Canada, the Honourable J. Mac Alpine of New York, Mr. and Mrs. Alfred Cohen of San Francisco, Mr. and Mrs. Whitney of Montreal, Captain Mc Ph—— and his wife. Among the French was the founder of the “Great Eastern Freight Company,” M. Jules D——, representative of the “Telegraph Construction and Maintenance Company,” who had made a contribution of twenty thousand pounds to the fund. The tender ranged herself at the foot of a flight of steps, and then began the slow, interminable ascent of passengers and luggage. The first care of each passenger, when he had once set foot on the steamer, was to go and secure his place in the dining-room; his card, or his name written on a scrap of paper, was enough to insure his possession. I remained on deck in order to notice all the details of embarkation. At half-past twelve the luggage was all on board, and I saw thousands of packages of every description, from chests large enough to contain a suite of furniture, to elegant little travelling-cases and fanciful American and English trunks, heaped together pell-mell. All these were soon cleared from the deck, and stowed away in the store-rooms; workmen and porters returned to the tender, which steered off, after having blackened the side of the “Great Eastern” with her smoke. I was going back towards the bows, when suddenly I found myself face to face with the young man I had seen on Prince’s Landing-Stage. He stopped on seeing me, and held out his hand, which I warmly shook. “You, Fabian!” I cried. “You here?” “Even so, my dear friend.” “I was not mistaken, then; it was really you I saw on the quay a day or two since.” “It is most likely,” replied Fabian, “but I did not see you.” “And you are going to America?” “Certainly! Do you think I could spend a month’s leave better than in travelling?” “How fortunate that you thought of making your tour in the ‘Great Eastern’!” “It was not chance at all, my dear fellow. I read in the newspaper that you were one of the passengers; and as we have not met for some years now, I came on board, in order to make the passage with you.” “Have you come from India?” “Yes, by the ‘Godavery,’ which arrived at Liverpool the day before yesterday.” “And you are travelling, Fabian?” I asked, noticing his pale, sad face. “To divert my mind, if I can,” interrupted Captain Mac Elwin, warmly pressing my hand. About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Jules Verne (2022). A Floating City and The Blockade Runners. Urbana, Illinois: Project Gutenberg. Retrieved October 2022 https://www.gutenberg.org/files/67829/67829-h/67829-h.htm This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at , located at . www.gutenberg.org https://www.gutenberg.org/policy/license.html

The “Great Eastern” was indeed preparing to sail

Little Essays of Love and Virtue by Havelock Ellis is part of the HackerNoon Books Series. You can jump to any chapter in this book here . PREFACE PREFACE In these Essays—little, indeed, as I know them to be, compared to the magnitude of their subjects—I have tried to set forth, as clearly as I can, certain fundamental principles, together with their practical application to the life of our time. Some of these principles were stated, more briefly and technically, in my larger Studies of sex; others were therein implied but only to be read between the lines. Here I have expressed them in simple language and with some detail. It is my hope that in this way they may more surely come into the hands of young people, youths and girls at the period of adolescence, who have been present to my thoughts in all the studies I have written of sex because I was myself of that age when I first vaguely planned them. I would prefer to leave to their judgment the question as to whether this book is suitable to be placed in the hands of older people. It might only give them pain. It is in youth that the questions of mature age can alone be settled, if they ever are to be settled, and unless we begin to think about adult problems when we are young all our thinking is likely to be in vain. There are but few people who are able when youth is over either on the one hand to re-mould themselves nearer to those facts of Nature and of Society they failed to perceive, or had not the courage to accept, when they were young, or, on the other hand, to mould the facts of the exterior world nearer to those of their own true interior world. One hesitates to bring home to them too keenly what they have missed in life. Yet, let us remember, even for those who have missed most, there always remains the fortifying and consoling thought that they may at least help to make the world better for those who come after them, and the possibilities of human adjustment easier for others than it has been for themselves. They must still remain true to their own traditions. We could not wish it to be otherwise. The art of making love and the art of being virtuous;—two aspects of the great art of living that are, rightly regarded, harmonious and not at variance—remain, indeed, when we cease to misunderstand them, essentially the same in all ages and among all peoples. Yet, always and everywhere, little modifications become necessary, little, yet, like so many little things, im mense in their significance and results. In this way, if we are really alive, we flexibly adjust ourselves to the world in which we find ourselves, and in so doing simultaneously adjust to ourselves that ever-changing world, ever-changing, though its changes are within such narrow limits that it yet remains substantially the same. It is with such modification that we are concerned in these Little Essays. H.E. London, 1921 About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Havelock Ellis (2005). Little Essays of Love and Virtue. Urbana, Illinois: Project Gutenberg. Retrieved October 2022 https://www.gutenberg.org/cache/epub/13615/pg13615-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org , located at https://www.gutenberg.org/policy/license.html .

In these Essays—little, indeed, as I know them to be, compared to the magnitude of their subjects—

The Moon Metal by Garrett Putman Serviss is part of the HackerNoon Books Series. You can jump to any chapter in this book here . A MYSTERY INDEED! A MYSTERY INDEED! When President Boon had heard our story he promptly approved Hall’s dismissal of the men. He expressed great surprise that Dr. Syx should have resorted to a deception which had been so disastrous to innocent people, and at first he talked of legal proceedings. But, after thinking the matter over, he concluded that Syx was too powerful to be attacked with success, especially when the only evidence against him was that he had claimed to find artemisium in his mine at a time when, as everybody knew, artemisium actually was found outside the mine. There was no apparent motive for the deception, and no proof of malicious intent. In short, Mr. Boon decided that the best thing for him and his stockholders to do was to keep silent about their losses and await events. And, at Hall’s suggestion, he also determined to say nothing to anybody about the discovery we had made. “It could do no good,” said Hall, in making the suggestion, “and it might spoil a plan I have in mind.” “What plan?” asked the president. “I prefer not to tell just yet,” was the reply. I observed that, in our interview with Mr. Boon, Hall made no reference to the side tunnel to which he had appeared to attach so much importance, and I concluded that he now regarded it as lacking significance. In this I was mistaken. A few days afterwards I received an invitation from Hall to accompany him once more into the abandoned tunnel. “I have found out what that sidetrack means,” he said, “and it has plunged me into another mystery so dark and profound that I cannot see my way through it. I must beg you to say no word to any one concerning the things I am about to show you.” I gave the required promise, and we entered the tunnel, which nobody had visited since our former adventure. Having extinguished our lamp, my companion opened the peep-hole, and a thin ray of light streamed through from the tunnel on the opposite side of the wall. He applied his eye to the hole. “Yes,” he said, quickly stepping back and pushing me into his place, “they are still at it. Look, and tell me what you see.” “I see,” I replied, after placing my eye at the aperture, “a gang of men unloading a car which has just come out of the side tunnel, and putting its contents upon another car standing on the track of the main tunnel.” “Yes, and what are they handling?” “Why, ore, of course.” “And do you see nothing significant in that?” “To be sure!” I exclaimed. “Why, that ore—” “Hush! hush!” admonished Hall, putting his hand over my mouth; “don’t talk so loud. Now go on, in a whisper.” “The ore,” I resumed, “may have come back from the furnace-room, because the side tunnel turns off so as to run parallel with the other.” “It not only may have come back, it actually has come back,” said Hall. “How can you be sure?” “Because I have been over the track, and know that it leads to a secret apartment directly under the furnace in which Dr. Syx pretends to melt the ore!” For a minute after hearing this avowal I was speechless. “Are you serious?” I asked at length. “Perfectly serious. Run your finger along the rock here. Do you perceive a seam? Two days ago, after seeing what you have just witnessed in the Syx tunnel, I carefully cut out a section of the wall, making an aperture large enough to crawl through, and, when I knew the workmen were asleep, I crept in there and examined both tunnels from end to end. But in solving one mystery I have run myself into another infinitely more perplexing.” “How is that?” “Why does Dr. Syx take such elaborate pains to deceive his visitors, and also the government officers? It is now plain that he conducts no mining operations whatever. This mine of his is a gigantic blind. Whenever inspectors or scientific curiosity seekers visit his mill his mute workmen assume the air of being very busy, the cars laden with his so-called ‘ore’ rumble out of the tunnel, and their contents are ostentatiously poured into the furnace, or appear to be poured into it, really dropping into a receptacle beneath, to be carried back into the mine again. And then the doctor leads his gulled visitors around to the other side of the furnace and shows them the molten metal coming out in streams. Now what does it all mean? That’s what I’d like to find out. What’s his game? For, mark you, if he doesn’t get artemisium from this pretended ore, he gets it from some other source, and right on this spot, too. There is no doubt about that. The whole world is supplied by Syx’s furnace, and Syx feeds his furnace with something that comes from his ten acres of Grand Teton rock. What is that something? How does he get it, and where does he hide it? These are the things I should like to find out.” “Well,” I replied, “I fear I can’t help you.” “But the difference between you and me,” he retorted, “is that you can go to sleep over it, while I shall never get another good night’s rest so long as this black mystery remains unsolved.” “What will you do?” “I don’t know exactly what. But I’ve got a dim idea which may take shape after a while.” Hall was silent for some time; then he suddenly asked: “Did you ever hear of that queer magic-lantern show with which Dr. Syx entertained Mr. Boon and the members of the financial commission in the early days of the artemisium business?” “Yes, I’ve heard the story, but I don’t think it was ever made public. The newspapers never got hold of it.” “No, I believe not. Odd thing, wasn’t it?” “Why, yes, very odd, but just like the doctor’s eccentric ways, though. He’s always doing something to astonish somebody, without any apparent earthly reason. But what put you in mind of that?” “Free artemisium put me in mind of it,” replied Hall, quizzically. “I don’t see the connection.” “I’m not sure that I do either, but when you are dealing with Dr. Syx nothing is too improbable to be thought of.” Hall thereupon fell to musing again, while we returned to the entrance of the tunnel. After he had made everything secure, and slipped the key into his pocket, my companion remarked: “Don’t you think it would be best to keep this latest discovery to ourselves?” “Certainly.” “Because,” he continued, “nobody would be benefited just now by knowing what we know, and to expose the worthlessness of the ‘ore’ might cause a panic. The public is a queer animal, and never gets scared at just the thing you expect will alarm it, but always at something else.” We had shaken hands and were separating when Hall stopped me. “Do you believe in alchemy?” he asked. “That’s an odd question from you,” I replied. “I thought alchemy was exploded long ago.” “Well,” he said, slowly, “I suppose it has been exploded, but then, you know, an explosion may sometimes be a kind of instantaneous education, breaking up old things but revealing new ones.” About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Garrett Putman Serviss (2005). The Moon Metal. Urbana, Illinois: Project Gutenberg. Retrieved October 2022 https://www.gutenberg.org/cache/epub/8199/pg8199-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org , located at https://www.gutenberg.org/policy/license.html .

A MYSTERY INDEED!

In 2022 crypto sentiments cooled down, but not the opportunities in the crypto market. As demand for cryptocurrencies continues to rise to new levels, so do job openings. According to a , crypto-related job postings saw more than a 110% increase since September 2020. recent report While job listings are exploding, not only crypto companies are on a hiring spree, but mainstream giants are also opening special blockchain and crypto departments and onboarding talent to lead them. So, if you want to make cryptocurrency your occupation, here’s the way to make it into this growing space. Choose a Sector Crypto has grown a lot over these past few years, and now entering the market isn’t as easy. To get started in the crypto sector, you need to first consider the scope. Every job position requires its own special set of qualifications and skills. One of the highest paying roles in crypto is blockchain developer with main programming languages in the sector, including C++, C#, Solidity, GO, JavaScript, and Python. According to the 2021 , the global demand for blockchain developers is expected to increase as much as 500% yearly. Global Blockchain Employment Report For a tech-focused career in crypto, you can look at mining companies where jobs are centered around maintaining the data centers and mining plants, but it doesn’t just cover data center technicians, and mining process engineers but also includes content creators, PR managers, business developers and marketing assistants. If you are not a blockchain developer, no worries, as there are tons of opportunities for the position like a content writer, research analyst, social media manager, product manager, community manager and assistant editor. Other bright and competitive opportunities in crypto are present in the venture capital sector in the form of investment analysts, research associates, and junior portfolio analysts. Now, where do you find these jobs? Crypto Job Resources Here’s a list of top resources that will help you find the perfect job in crypto. CoinMarketCap This crypto data tracking site, which is owned by the largest crypto exchange Binance, also has an official job board. You just have to put in the right keyword and your preferred location, and you’ll be able to see all the available job openings. The “Distance” option on the website will calculate the distance from the location to your workplace. Cryptocurrency Jobs This job listing also allows you to filter your search by a keyword, role, company, and specialization, as well as the option to choose between a location or remote offering. It further tells when the job has just been listed as many times companies are no longer active but don’t remove their postings. This site also sends out email alerts about new postings in your field. Crypto Job A recruitment platform for specialists within the crypto space that says it is “on a mission to connect talented individuals to the best blockchain projects.” As is the case in crypto, the majority of the positions are remote here. This easy-to-use website allows you to filter jobs to your specifications and also offers a newsletter that sends you jobs as soon as they’re posted. Coin Jobs List Crypto Jobs List has a vast number of jobs available on its website that features a tracker to identify your location and refine your searches based on that. You can further broaden the search or even look for remote jobs. This job board is displayed in such a manner that you can see how many people have already looked and applied for a job. Blockchain Jobs This one connects users with all sorts of companies; startups, large enterprises, and decentralized projects that are looking for blockchain experts. Here, you have to sign up and create a profile before you can access all the available opportunities. This relatively small website also allows employers to view your profile. Work in Crypto This site curates a list of jobs in the cryptocurrency industry and has different job categories right on the homepage to look through. It also sends out a weekly email with all the latest job opportunities. AngelList This startup-focused website has career opportunities specified for different roles. There are thousands of companies currently hiring on the website and ensures that you can see your salary up-front. Candidates also communicate directly to the hiring company instead of recruiters. Indeed A popular job board for all kinds of roles in all sorts of industries, Indeed also caters to the crypto space with a dedicated section. Compared to other sites that are crypto-specific, you may not find many roles here but could find jobs that are not on other websites. Much like Indeed, a big job board LinkedIn can be good for crypto job listings though you would have to search for specific keywords. Now that you are equipped with all the resources to begin your career in the cryptocurrency industry, you can begin the process to familiarize yourself with the sector and get deeper. You can do so by using different crypto projects and trying out crypto platforms. One more important piece of advice from me is . In the cryptocurrency industry, it is incredibly important. The industry is developing very quickly and people move from one project to another, gathering teams and track records of many acquaintances in the industry for years. networking Besides being up-to-date with all that is going on in this past-pace industry, it would do you good to interact with others on crypto Twitter and attend in-person meetups, and conferences. It will help you network and improve your chances of getting hired. And the last important thing is that we are in a bear market and this is not the point to be upset about. The best thing you can do is to sharpen your crypto skills. Many successful projects were built during previous bear markets (e.g. Coinbase, Uniswap, Solana, OpenSea). Every wave of new people in cryptocurrency comes during a bull market. By 2024, you should have 2 to 3 years of experience in the crypto space! Disclosure: This story was submitted to HackerNoon by an independent contributor. Hence the information contained therein has also been researched and compiled independently.

Find A Job in Crypto: CoinMarketCap Vs. AngelList Vs. Indeed

Introduction We spoke to Rob Pike, the co-author of the Go programming language, about a career spanning four decades, the evolution of Go over the last ten years, and into the future. The Interview Unlike many developers today, you started your career decades ago at Bell Labs. What’s been the biggest change in the way we develop software that you can think of, given your rare perspective? Evrone: The scale is much bigger today. Not just of the computers and the network, but the programs themselves. All of Unix version 6 (circa 1975) fits comfortably on a single RK05 disk pack, which has just over 2MB of storage, with lots of room left over for user software. And that was a fine computing environment, or at least seemed like one at the time. Although I can, of course, explain much of the growth, it is astonishing and perhaps not all of it is justified. Rob: Given the "resistance to change" and "promise of compatibility" ideas, how do you see the next 10 years for the Go programming language and its ecosystem? What is the best future you envision for your technology? Evrone: Although it's far from certain, after over a decade of work it looks like a design for parametric polymorphism, what is colloquially but misleadingly called generics, is coming in the next year or two. It was a very hard problem to find a design that works within the existing language and feels as if it belongs, but Ian Taylor invested a phenomenal amount of energy into the problem and it looks like the answer is now in reach. Rob: How that affects the libraries, the ecosystem, and the community will be fascinating to watch. With "gradual typing" being introduced into "dynamically typed" languages and "type inference" into "statically typed", the line between two is now blurred. What is your opinion on a type system for a modern programming language? Evrone: I am a big fan of static typing because of the stability and safety it brings. Rob: I am a big fan of dynamic typing because of the fun and lightweight feel it brings. (As a side note, the big push for integrated unit testing can be credited to languages like Python, which drove testing to demonstrate correctness that the typing system failed to provide.) I am not a fan of type-driven programming, type hierarchies and classes and inheritance. Although many hugely successful projects have been built that way, I feel the approach pushes important decisions too early into the design phase, before experience can influence it. In other words, I prefer composition to inheritance. However, I say to those who are comfortable using inheritance to structure their programs: pay no attention and please continue to use what works for you. Sometimes people use technologies in strange ways. For example, to generate efficient Go code from the high-level Python or Ruby code (yes, we saw that happening!) Over the years, what is the strangest, most creative or amusing Go usage have you seen? What surprised you the most? Evrone: The biggest surprise was when we learned that Go was being used to write malware. You can't control who will use your work or what they will do with it. Rob: You created a number of text editors. What do you think about the Visual Studio code? With technologies like LSP, the line between "text editor" and IDE is blurred now. Do you think software developers need full-featured IDEs like GoLand or using VSCode is fine? Evrone: I am from a different time, before IDEs, but there was talk early in the project about whether Go needed an IDE to succeed. No one on the team had the right skill set, though, so we did not try to create one. However, we did create core libraries for parsing and printing Go code, which soon enabled high-quality plugins for all manner of editor and IDE, and that was a serendipitous success. Rob: More recently, we've been working hard on an LSP server for Go called gopls, which can be used by any editor or IDE that supports that protocol to improve the experience working with the language. Perhaps because of our comfort working with simpler styles of editor, we made sure that one could work comfortably in Go without heavy lifting from the programming environment. An IDE can certainly help, though: most of those I see working in Go today use one, or at least an editor with custom Go support, and get much value from it. The question of what style of editor to use is a matter of taste, colored by the culture of the language you work in. Software developers tend to label things, such as Dart being a "frontend language", and C being a "system low-level language", and so on. How would you term the Go programming language now, given its feature set and usage? Evrone: Go is a general-purpose programming language. Write whatever you want in it and don't worry about pinning the language, or any other technology for that matter, to a single problem domain. Rob: What other modern programming languages do you personally like? Evrone: The Go experience has taught me that people love to opine about languages, perhaps more than almost any other element of our field. And I have certainly done so myself. But I am tired of the negativity that often results, so now I try to avoid judging things for others. Rob: There has been a real renaissance in language design over the last 10 years or so, after a period where very few new languages were arriving and succeeding. It's great to see this and the innovation it brings. How does being a Google employee help you develop and guide the Go language? How important is it to be able to ask "tell us how you use our language" on Twitter and get responses from the biggest companies all over the world? Is it just a nice addition or an essential part of language development? How does Google help you? Evrone: Google has been very generous in its support for the Go project, for which I am very grateful. And of course the language was created because we thought Google needed it; what became called "cloud computing" needed a language with good support for concurrency and easy deployment, among other things. But Google has not directed the project in any significant way. It supports us and lets us do what we think is best. Rob: Regarding other companies and other users, input from the community is a vital part of understanding how the project, by which I mean the language, compiler, tools, runtime, library, environment — all of it — advances. After 10 years of Go development and observing how it is used, what can you name the biggest design success and, opposite, biggest design failure for the language? It's strongest and weakest points, respectively? Evrone: I would like to call out two things, one technical and one political. Rob: The technical one is first-class support for concurrent computation. Go is only a decade or so old, but when it was being developed, "threading" and concurrency were not widely appreciated in the programming community. In fact a major reason for creating Go was the difficulty of doing concurrent computation in C++ at the time. It became clear shortly after launch that the concurrency support was a major attraction, one that compensated for what some felt were weaknesses in other parts of the language. Concurrency struck a nerve. And once people played with the concurrency, they started exploring the other things about the language and learned that there was more there than they originally thought. Support for concurrency was the gateway. As John Graham-Cumming of Cloudflare says, "I came for the easy concurrency, I stayed for the easy composition". Go changed the conversation around how to program multicore computers. The political success was the firm promise made about compatibility for Go version 1. Once we, and the community, had used Go for a few years, we had a long list of things we wanted to fix, but change is disruptive. So we did a careful program of updates, with the "go fix" command to pull the community along, and once that was done, not only did we stop, we promised to stay stopped. That stability — Go programs written in 2012 will still compile and run perfectly today — was a huge enabler for growth. Companies could use the language with confidence that we would not break their software. The adoption rate increased dramatically after version 1 and its compatibility promise appeared. And although we have since learned of many other things we would like to change, we can't break existing programs, and we are fine with that. What does your work-life balance look like? There are lots of talks about "burn-outs" right now, and the epidemic situation does not help at all. Any hints from your 40-year journey for new generations of developers? Evrone: The best way to avoid burnout is to do something you truly enjoy in an environment that supports you. I've been very lucky in that regard through my whole career, but I realize not everyone is as fortunate. If you're feeling stressed by work, you should feel free to take a break or change direction, especially in our current situation. Rob: In hindsight, the popularity of many technologies is credited to so-called "killer apps" that made them popular. Can you name such a "killer app(s)" for the Go programming language and what do you think about such a "killer app" idea as a whole? Evrone: A few years ago, Danny Berkholz called Go "the emerging language of cloud infrastructure," and that is no accident. Go was designed by people working at Google to make it easier to write Google-relevant software, in particular network-resident servers. That's what we call "cloud" today. (Some of the motivation for the design is in my Splash keynote from 2012, Go at Google: Language Design in the Service of Software Engineering.) Rob: So although it was gratifying and important to see Docker, Kubernetes, and many other components of written in Go, it's perhaps not too surprising. Go has indeed become the language of cloud infrastructure. cloud computing What competition do you see for the Go programming language right now and in what area? What is your opinion about Rust with its "no-garbage-collection" ideas and compile-time guarantees? Evrone: Rust is an intriguing language and I watch its development with interest. Beyond that, I offer no opinion, as I said above. Rob: Go has just reached 70k stars on GitHub! How do you see different social activities like GitHub, Reddit, Twitter, offline and online conferences, webinars etc influence the language? Are they important for the language's success or they just reflect it? Evrone: The people we have met through conferences and social media have been a critical part of the development of Go and all its elements. Many, many contributors have affected the development in positive ways, including the original port to Windows and a number of non-x86 architectures, development of tools and libraries, thoughtful discussions of technical proposals, and much more. Rob: And it goes the other way, as the Go team reaches out to the community to start discussions, pose questions, and ask for help and guidance. One thing that I think is important is to engage with the community as one voice, to speak as a team rather than as individuals. A consistent message is more easily understood. How being the author of one of the popular programming languages has changed your life? Evrone: A correction: I am a co-author, not the author. Ken Thompson and Robert Griesemer started the project with me, and many others contributed massively. So please don't single me out as "the author". Rob: To answer your question, Go has certainly raised my public profile and introduced me to a new and vibrant community but beyond that it hasn't had much effect. I've had a long career with other successes (and innumerable failures). Imagine that you have an opportunity to travel back in time and give only one piece of advice to your younger self, at around the time you’ve started to design the Go language spec. What advice would you give to yourself and your colleagues? Evrone: That's easy: Ignore the haters. Just listen to the voices that understand and share your goals; they're the ones to care about. Not everyone agrees with what you're doing, and that's OK. But those who engage in advancing what you're trying to do can be a fantastic source of ideas, energy, and inspiration. Rob: We will always be thankful to our passionate community. https://github.com/golang/go

“Go Has Indeed Become The Language Of Cloud Infrastructure“ - Rob Pike

Well, check yourself if you are. You have an obsession of this. It’s reasonable to come down to the event and compete for these awards. 2. Every time when they put the sarcastic talk by Gary Bernhardt at the beginning of the event: Author’s note: The embedded video was taken down due to copyright reasons. For the video link, please go . here It just never gets old, do you think? 3. Or Silicon Valley ‘Scrum’ Scene: https://www.youtube.com/watch?v=oyVksFviJVE Make sure the plan goes smooth and accordingly. 4. That one hacker that seems happy all the time: CodeDay Houston at White Space Spring 2014. He literally to come and hack your awesome idea. wants you 5. If you have a Oculus Rift or Google Cardboard, build something like this: https://www.youtube.com/watch?v=KNrSNcaYiZg#t=104 How cool is that? Since you are competing for the best projects and teams, you got intensive battles to go through: I hope I see you guys at the event in Houston! For more information, click the link below.

5 Signs That You Are Indeed a CodeDay Enthusiast

“HASTE TO THE WEDDING.”

Fractional ownership, which might sound like a complex term initially, is a simple concept. Imagine owning a piece of fancy artwork like the Mona Lisa, but you don't have to buy the whole painting; you can own a part. That's the essence of fractional ownership. It's like going in on a big purchase with friends, but instead of a house or a car, it's a piece of art. Now, how does this apply to digital art? In the digital art world, it's all about using . This technology lets you break down a digital artwork into smaller pieces, like dividing a pizza into slices. Each slice represents a share of the artwork, and it's stored securely on a blockchain. blockchain technology These fractions, or tokens, are tradable, so they can be sold, bought, or traded just like stocks or cryptocurrency. The benefits of fractionalized digital art are pretty exciting, too. First off, it makes art ownership way more accessible. Imagine you've always dreamed of owning a famous digital artwork, but it's way too expensive. With fractionalized ownership, you can chip in with others to collectively own it, making art investment affordable to a broader audience. It's like a group buy for a masterpiece. Fractionalized digital art also offers diversification. Instead of putting all your money into a single artwork, you can spread it across different pieces. Like in the stock market, diversifying your investments can help spread risk. Plus, digital art tokens are highly divisible, so you can choose how much you want to invest in each piece, making it easy to build a diverse portfolio. There's also the potential for these digital art tokens to increase in value. That means you might see a return on your investment if you decide to sell your tokens down the line. Plus, the beauty of blockchain technology is that it allows for quick and easy buying and selling, so you can take advantage of market trends as they happen. So, in a nutshell, fractionalized digital art is all about making art more accessible, providing diversification for investors, and offering the potential for some nice returns on your investments, all thanks to the wonders of blockchain technology. It's like bringing art ownership to the digital age, making it available to everyone with a love for art and curiosity about the crypto and blockchain world. The author acknowledges a vested interest in the organization(s) highlighted in this story. However, the views expressed within are delivered impartially and without bias. Disclosure: The Current State of the Fractionalized Digital Art Market The fractionalized digital art market is truly captivating right now. Some big-name artists and their artworks have taken center stage in this space. Think about Beeple, who made headlines with his Artists like him have embraced the concept of fractionalized ownership, making it more mainstream. So, owning a share in one of their digital masterpieces has become quite the trend. digital artwork sale for $69 million. But here's the thing: the market can be quite volatile. Prices can swing dramatically The fractionalized digital art market is an exciting space to own a piece of digital art history. It's attracted some big players and seen impressive valuations. But it's not without its challenges. The market's volatility can be both a blessing and a curse, and legal and ethical considerations are still being figured out. due to market sentiment and the artist's reputation. So, if you're thinking about diving into this world, do your homework and approach it with a blend of excitement and caution. After all, it's a new frontier in the art and investment world, and who knows where it might lead next! Notable Fractionalized Art Projects Fractionalized ownership of fine art is indeed an exciting development, and it has created unique investment opportunities in the art world. Let's explore some real-world examples highlighting the growing fractionalized fine art trend. Andy Warhol's "14 Small Electric Chairs" was among the pioneering pieces in this new approach. In 2018, Maecenas, a digital securities platform, collaborated with Dadiani Fine Art to offer shares in this iconic Warhol artwork, Through this partnership, investors could acquire fractional ownership by purchasing digital tokens, democratizing access to the masterpiece of one of the most renowned artists in history. This innovative approach blurred the lines between traditional art ownership and modern technology. valued at approximately $5.6 million. Another example of fractional art investment relates to the 1982 Jean-Michel Basquiat painting "The Warrior," which became available for investment on the Masterworks platform. Initially, investors could acquire shares of this artwork for a modest $20 per share. Eventually, the painting was for the investors who were involved. auctioned for over $41 million, which translated into a 32% return This venture provided art enthusiasts and investors with a unique opportunity to hold a piece of Baquiat's artistic legacy, made possible through blockchain technology. In a recent example, on September 11th, 2023, to their collaboration of a fractionalized digital art collection by the globally acclaimed artist Sacha Jafri, showcased in a teaser film. Artfi introduced the public Rolls Royce contacted Sacha Jafri about working together on a project involving six Phantom Rolls Royce cars. While the luxury automobile maker was involved in creating the vehicles and artwork, Arfti was responsible for tokenizing and fractionalizing the artwork. Jafri made the cars and created a collection of six artworks symbolizing the six fundamental elements: Among the 10,000 available fractions, each purchaser of an Artfi Genesis NFT pass will receive a fraction of one of the real paintings from the Element collection. Additionally, they can participate in the public sale and receive free tokens via an airdrop. Earth, Air, Fire, Water, Wind, and Humanity. How investors can potentially benefit So, first things first, building a portfolio of fractionalized digital art can be a smart move. Diversification is a key strategy here. Like in the traditional investment world, spreading your investments across different artworks can help spread the risk. Each digital art piece might have unique potential, and owning a diverse portfolio can protect your overall investment. This way, if one artwork's value takes a hit, it won't disproportionately impact your entire portfolio. Doing your homework is equally crucial. Before you add a piece to your portfolio, ensure you've done thorough research and due diligence. Check out the artist's reputation and the history of the artwork, and see if there's a strong demand for it. It is also good to look at historical sales data and market trends. Keep in mind that the fractionalized market is still relatively young, so staying informed and conducting your research is important when it comes to helping you make informed investment decisions. digital art Now, let's talk about navigating the secondary market. This is where you can make some significant moves to maximize your profits. When you decide to sell, timing is everything. Keep an eye on the market sentiment and price trends to identify the right moment to sell and get the best returns on your investment. Conversely, when buying, consider picking up tokens of artworks with growth potential or undervalued. Digital art auctions can also be a lucrative option. Participating in these auctions can be both thrilling and rewarding. But remember, it's not just about jumping in and bidding blindly. Establish a clear bidding strategy based on your budget and objectives. Be prepared for competition, and avoid getting caught up in a bidding war that might lead you to overpay. Bidding strategically, knowing your limits, and staying patient can help you secure digital art tokens at favorable prices. Lastly, there's the choice between long-term investment and short-term speculation. Your decision here depends on your goals and how comfortable you are with risk. Long-term investment means holding onto your digital art tokens for a while, betting on their value to grow. It's a patient game. On the other hand, short-term speculation involves buying and selling tokens to profit from price swings in the near future. It's more active and can be riskier due to market volatility. Ultimately, success in the fractionalized digital art market comes down to a thoughtful approach. Diversify your portfolio, do your research, and be diligent. When navigating the secondary market, time your buys and sells strategically, and consider auctions as an option. And finally, choose your investment strategy wisely, whether it's for the long haul or quick gains. It's a dynamic and exciting space, but it's important to proceed with knowledge and strategy like any investment.

Indeed.com

indeed.com

10K+ employees

Since 2004

COMPANY RANKING

Indeed.com

EVERGREEN INDEX #2994

See more notable links about Indeed.com

Apply to get your Tech Company News Page live on HackerNoon.com today!

Read More Tech Stories Related to #Indeed.com

Indeed.com

Indeed.com

indeed.com

10K+ employees

Since 2004

COMPANY RANKING

Indeed.com

EVERGREEN INDEX #2994

Related CompaniesRank

Indeed.com Story MentionsComplete List

See more notable links about Indeed.com

Apply to get your Tech Company News Page live on HackerNoon.com today!

Read More Tech Stories Related to #Indeed.com

Indeed.com