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OFX, aka , is an open standard for creating 2D visual effects and video compositing. It operates in a plugin-like application development model. Essentially, it serves as both a Host - an application providing a set of methods, and a Plug-in - an application or module implementing this set. OFX Image Processing API This configuration offers the potential for unlimited expansion of the host application's functionality. DaVinci Resolve and Metal Applications such as Final Cut X and DaVinci Resolve Studio, starting from version 16, fully support Apple Metal pipelines. Similar to OpenCL and Cuda, in the case of OFX, you can obtain a descriptor or handler of a platform-specific command queue. The host system also takes responsibility for allocating a pool of such queues and balancing calculations on them. Moreover, it places the source and target image clip data in GPU memory, significantly simplifying the development of extensible functionality. OFX Version Support in Resolve With Resolve, things are slightly more complicated. DaVinci announces support for OFX v1.4, albeit with some limitations. Specifically, some methods for working with interface functions are not available for use. To determine which method is available, OFX allows you to examine the supported suite through key/value queries. Publishing methods in the plugin code are based on . But we will use the OpenFXS C++ shell adapted for C++17. For convenience, I've compiled everything into one repository: taken from the open-source . C calls dehancer-external Dehancer project OFXS Concept In this project, I will be using OpenFXS, a C++ extension to OpenFX that was originally written by and has become popular over time in commercial and open-source video processing projects. Bruno Nicoletti The original was not adapted to modern C++ dialects, so I updated it to make it compatible with . OpenFXS C++17 OFX, and consequently OFXS, is a standalone software module that is dynamically loaded by the host program. Essentially, it is a dynamic library that is loaded when the main application starts. OpenFXS, like OFX, must publish method signatures. Hence, we use one C method from the code. To start developing in OpenFXS, you need to agree to a few common sets of classes that are used to create new functionality in your application. Typically, in a new project, you need to inherit from these classes and implement or override some virtual methods. To create your own plugin on the host system, let's start by familiarizing ourselves with the following public classes and the same method: is a basic template for creating a plugin's data structure suite and control panel (although it can be left empty). The inherited class creates a singleton object that registers a set of parameters and presets in the host system, with which the developer registers his module; OFX::PluginFactoryHelper - base container class for creating and storing structure properties; OFX::ParamSetDescriptor - a container of properties used when manipulating graphic data when calling data processing procedures. Used by the host application to save the context of processing parameters in the internal database and work with plugin properties defined for each of its instances; OFX::ImageEffectDescriptor - a set of settings that allows you to manipulate the registered data structure; OFX::ParamSet - a set of settings for effects on graphical data, inherited from OFX::ParamSet; OFX::ImageEffect - in the child class, it is necessary to implement data stream processing: images or videos; OFX::MultiThread::Processor - method of registering a plugin (factory) in the host application; OFX::Plugin::getPluginIDs False Color One feature that distinguishes the process of shooting video from simply capturing an image in a photo is the dynamic change of scenes and lighting of both scenes as a whole and areas in the image. This determines the way exposure is controlled during the shooting process. In digital video, there is a control monitor mode for operators in which the exposure level of areas is mapped into a limited set of zones, each tinted with its own color. This mode is sometimes called "predator" or False Color mode. The scales are usually referenced to the IRE scale. Such a monitor allows you to see the exposure zones and avoid significant mistakes when setting camera shooting parameters. Something similar in meaning is used when exposing in photography - zoning according to Adams, for example. You can measure a specific target with an exposure meter and see in which zone it is located, and in real-time we see the zones, neatly tinted for ease of perception. The number of zones is determined by the objectives and capabilities of the control monitor. For instance, a monitor used with cameras can incorporate up to 6 zones. Arri Alexa Adding Extensions Before proceeding with the example, we need to add some simple proxy classes to implement OpenFXS as a platform for processing source data, such as Metal textures. These classes include: : A proxy class for OFX clip data. imetalling::Image : A functor for transferring data from the clip buffer into a Metal texture. From DaVinci, you can extract a buffer of any structure and packaging of image channel values into the plugin, and it should be returned in a similar form. imetalling::Image2Texture To make working with the stream format in OFX easier, you can request the host to prepare data of a specific type in advance. I will use floats packed in RGBA - red/green/blue/alpha. : A reverse functor for transforming a stream into a host system buffer. As you can see, there is potential for significant optimization of calculations if you teach the Metal computing cores to work not with the texture, but directly with the buffer. imetalling::ImageFromTexture We inherit the OFXS base classes and write our functionality without going into the details of how the Metal core works: : Here, we implement the stream transformation and initiate the processing. imetalling::falsecolor::Processor : This will be our specific part of the suite description for the plugin. We need to implement several mandatory calls related to setting up the structure and create an instance of the OFX::ImageEffect class with specific functionality, which we divide into two subclasses in the implementation: Interaction and Plugin. imetalling::falsecolor::Factory : Implementation of the interactive part of working with effects. Essentially, this is the implementation of only virtual methods from OFX::ImageEffect related to processing changes in plugin parameters. imetalling::falsecolor::Interaction : Implementation of thread rendering, that is, launching imetalling::Processor. imetalling::falsecolor::Plugin Additionally, we will need several utility classes built on top of Metal to logically separate the host code and the kernel code on MSL. These include: : A base class that obscures work with the Metal command queue. The main parameter will be the name of the kernel in the MSL code, and the executor of the kernel call. imetalling::Function : A general class for transforming a source texture into a target texture, extending Function to simply set the parameters for calling the MSL kernel. imetalling:Kernel : Bypass kernel. imetalling::PassKernel : Our main functional class, a "predator" emulator that posterizes (downsamples) to a specified number of colors. imetalling::FalseColorKernel The kernel code for the "predator" mode could look like this: static constant float3 kIMP_Y_YUV_factor = {0.2125, 0.7154, 0.0721};
constexpr sampler baseSampler(address::clamp_to_edge, filter::linear, coord::normalized);
 
inline float when_eq(float x, float y) {
  return 1.0 - abs(sign(x - y));
}
 
static inline float4 sampledColor(
        texture2d<float, access::sample> inTexture,
        texture2d<float, access::write> outTexture,
        uint2 gid
){
  float w = outTexture.get_width();
  return mix(inTexture.sample(baseSampler, float2(gid) * float2(1.0/(w-1.0), 1.0/float(outTexture.get_height()-1))),
             inTexture.read(gid),
             when_eq(inTexture.get_width(), w) // whe equal read exact texture color
  );
}
 
kernel void kernel_falseColor(
        texture2d<float, access::sample> inTexture [[texture(0)]],
        texture2d<float, access::write> outTexture [[texture(1)]],
        device float3* color_map [[ buffer(0) ]],
        constant uint& level [[ buffer(1) ]],
        uint2 gid [[thread_position_in_grid]])
{
  float4  inColor = sampledColor(inTexture,outTexture,gid);
  float luminance = dot(inColor.rgb, kIMP_Y_YUV_factor);
  uint      index = clamp(uint(luminance*(level-1)),uint(0),uint(level-1));
  float4    color = float4(1);
 
  if (index<level)
    color.rgb = color_map[index];
 
  outTexture.write(color,gid);
} Initialization of the OFX Plugin We will begin by defining the class In this class, we will set a single parameter - the status of the monitor (either on or off). This is necessary for our example. imetalling::falsecolor::Factory. We will inherit from and overload five methods: OFX::PluginFactoryHelper : This method is invoked to globally configure the instance when the plugin is first loaded. Overloading this method is optional. load() : This method is invoked when an instance is unloaded, for instance, to clear memory. Overloading this method is also optional. unload() : This is the second method that the OFX host calls when the plugin is loaded. It is virtual and must be defined in our class. In this method, we need to set all the properties of the plugin, regardless of its context type. For more details about the properties, refer to the code. describe(ImageEffectDescriptor&) ImageEffectDescriptor : Similar to the method, this method is also called when the plugin is loaded and must be defined in our class. It should define properties associated with the current context. describeInContext(ImageEffectDescriptor&,ContextEnum) describe The context determines the type of operations the application works with, such as filter, paint, transition effect, or frame retimer in a clip. : This is the most crucial method that we overload. We return a pointer to an object of type . In other words, our in which we have defined all the functionalities, both with regard to user events in the host program and rendering (transforming) the source frame into the target one: createInstance(OfxImageEffectHandle, ContextEnum) ImageEffect imetalling::falsecolor::Plugin OFX::ImageEffect *Factory::createInstance(OfxImageEffectHandle handle,OFX::ContextEnum) {
     return new Plugin(handle);
   } Handling Events At this stage, if you compile a bundle with the OFX module, the plugin will already be available in the host application, and in DaVinci, it can be loaded onto the correction node. However, to work fully with a plugin instance, you need to define at least the interactive part and the part associated with processing the incoming video stream. To do this, we inherit from the class and overload virtual methods: OFX::ImageEffect - This method allows us to define the logic for handling the event. The event type is determined by the value of OFX::InstanceChangedArgs::reason and can be: eChangeUserEdit, eChangePluginEdit, eChangeTime - the event occurred as a result of a property being edited by the user, changed in a plugin or host application, or as a result of a change in the timeline. changedParam(const OFX::InstanceChangedArgs&, const std::string&) The second parameter specifies the string name that we defined at the plugin initialization stage, in our case, it is one parameter: . false_color_enabled_check_box - This method allows us to define the logic for reacting to an event, and return a state that determines whether something has changed and whether rendering makes sense. The method must return false or true. This is a way to optimize and reduce the number of unnecessary calculations. isIdentity(...) You can read the implementation of interactive interaction with OFX in the code. As you can see, we receive pointers to the clips: the source one and the memory area in which we will put the target transformation. Interaction.cpp Implementation of Rendering Launch We will add another logical layer on which we will define all the logic for launching the transformation. In our case, this is the only method for overriding so far: - Here, you can find out the properties of the clips and decide how to render them. Also, at this stage, the Metal command queue and some useful attributes associated with the current timeline properties become available to us. render(const OFX::RenderArguments& args) Processing At the launch stage, an object with useful properties became available to us: we have at least a pointer to the video stream (more precisely, a memory area with frame image data), and, most importantly, a queue of Metal commands. Now, we can construct a generic class that will bring us closer to a simple form of reusing kernel code. The OpenFXS extension already has such a class: OFX::ImageProcessor; we just need to overload it. In the constructor, it has the OFX::ImageEffect parameter, i.e., in it, we will receive not only the current state of the plugin parameters but everything necessary for working with the GPU. At this stage, we just need to overload the method and initiate the processing of kernels already implemented on Metal. processImagesMetal() Processor::Processor(
            OFX::ImageEffect *instance,
            OFX::Clip *source,
            OFX::Clip *destination,
            const OFX::RenderArguments &args,
            bool enabled
    ) :
            OFX::ImageProcessor(*instance),
            enabled_(enabled),
            interaction_(instance),
            wait_command_queue_(false),
            /// grab the current frame of a clip from OFX host memory
            source_(source->fetchImage(args.time)),
            /// create a target frame of a clip with the memory area already specified in OFX
            destination_(destination->fetchImage(args.time)),
            source_container_(nullptr),
            destination_container_(nullptr)
    {
 
      /// Set OFX rendering arguments to GPU
      setGPURenderArgs(args);
 
      /// Set render window
      setRenderWindow(args.renderWindow);
 
      /// Place source frame data in Metal texture
      source_container_ = std::make_unique<imetalling::Image2Texture>(_pMetalCmdQ, source_);
 
      /// Create empty target frame texture in Metal
      destination_container_ = std::make_unique<imetalling::Image2Texture>(_pMetalCmdQ, destination_);
 
      /// Get parameters for packing data in the memory area of the target frame
      OFX::BitDepthEnum dstBitDepth = destination->getPixelDepth();
      OFX::PixelComponentEnum dstComponents = destination->getPixelComponents();
 
      /// and original
      OFX::BitDepthEnum srcBitDepth = source->getPixelDepth();
      OFX::PixelComponentEnum srcComponents = source->getPixelComponents();
 
      /// show a message to the host system that something went wrong
      /// and cancel rendering of the current frame
      if ((srcBitDepth != dstBitDepth) || (srcComponents != dstComponents)) {
        OFX::throwSuiteStatusException(kOfxStatErrValue);
      }
 
      /// set in the current processor context a pointer to the memory area of the target frame
      setDstImg(destination_.get_ofx_image());
    }
 
    void Processor::processImagesMetal() {
 
      try {
 
        if (enabled_)
          FalseColorKernel(_pMetalCmdQ,
                           source_container_->get_texture(),
                           destination_container_->get_texture()).process();
        else
          PassKernel(_pMetalCmdQ,
                           source_container_->get_texture(),
                           destination_container_->get_texture()).process();

        ImageFromTexture(_pMetalCmdQ,
                         destination_,
                         destination_container_->get_texture(),
                         wait_command_queue_);
 
      }
      catch (std::exception &e) {
        interaction_->sendMessage(OFX::Message::eMessageError, "#message0", e.what());
      }
    } Building the Project To build the project, you will need CMake, and it must be at least version 3.15. Additionally, you will require Qt5.13, which aids in the easy and convenient assembly of the bundle with the plugin installer in the system directory. To initiate cmake, you must first create a build directory. After creating the build directory, you can execute the following command: cmake -DPRINT_DEBUG=ON -DQT_INSTALLER_PREFIX=/Users/<user>/Develop/QtInstaller -DCMAKE_PREFIX_PATH=/Users/<user>/Develop/Qt/5.13.0/clang_64/lib/cmake -DPLUGIN_INSTALLER_DIR=/Users/<user>/Desktop -DCMAKE_INSTALL_PREFIX=/Library/OFX/Plugins .. && make install Afterward, the installer, called , will appear in the directory that you specified in the parameter. Let's go ahead and launch it! Once the installation is successful, you can start DaVinci Resolve and begin using our new plugin. IMFalseColorOfxInstaller.app PLUGIN_INSTALLER_DIR You can find and select it in the OpenFX panel on the color correction page, and add it as a node. External links False Color OFX Plugin Code The Open Effects Association - OFX header file version and OFXS library code under Resolve + examples Download DaVinci Resolve

An Easy Way to Develop Your Own Apple Metal Plugin and Integrate It Into DaVinci Resolve

আপনার নিজস্ব অ্যাপল মেটাল প্লাগইন বিকাশ করার এবং এটিকে DaVinci সমাধানে সংহত করার একটি সহজ উপায়

Eine einfache Möglichkeit, Ihr eigenes Apple Metal Plugin zu entwickeln und es in DaVinci Resolve zu integrieren

Una forma sencilla de desarrollar su propio complemento Apple Metal e integrarlo en DaVinci Resolve

Un moyen simple de développer votre propre plugin Apple Metal et de l'intégrer dans DaVinci Resolve

अपना स्वयं का Apple मेटल प्लगइन विकसित करने और इसे DaVinci रिज़ॉल्यूशन में एकीकृत करने का एक आसान तरीका

独自の Apple Metal プラグインを開発して DaVinci Resolve に統合する簡単な方法

나만의 Apple Metal 플러그인을 개발하고 DaVinci Resolve에 통합하는 쉬운 방법

Uma maneira fácil de desenvolver seu próprio plug-in Apple Metal e integrá-lo ao DaVinci Resolve

Простой способ разработать собственный плагин Apple Metal и интегрировать его в DaVinci Resolve

Kendi Apple Metal Eklentinizi Geliştirmenin ve DaVinci Resolve'ye Entegre Etmenin Kolay Yolu

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开发您自己的 Apple Metal 插件并将其集成到 DaVinci Resolve 中的简单方法

Meet the Winners of Startups in North and Central America

DeOldify is a technique to colorize and restore old black and white images or even film footage. It was developed and is still getting updated by only one person, Jason Antic. It is now the state-of-the-art way to colorize black and white images. Best of all, everything is open-sourced! Watch the video References What are GANs: ​ https://youtu.be/ZnpZsiy_p2M GitHub with full code, in-depth explanation, and Colabs: ​ https://github.com/jantic/DeOldify Free DeepAI image colorization API using DeOldify: ​ https://deepai.org/machine-learning-m... MyHeritage colorization tool (the best version of DeOldify available, paid): ​ https://www.myheritage.com/incolor Follow me for more AI content: Instagram: ​ https://www.instagram.com/whats_ai/ LinkedIn: ​ https://www.linkedin.com/in/whats-ai/ Twitter: ​ https://twitter.com/Whats_AI Facebook: ​ https://www.facebook.com/whats.artifi... The best courses in AI: ​ https://www.omologapps.com/whats-ai Join Our Discord channel, Learn AI Together: ​ https://discord.gg/learnaitogether Chapters 0:00​ - Hey! Tap the Thumbs Up button and Subscribe. You'll learn a lot of cool stuff, I promise. 0:40​ - DeOldify explanation 3:22​ - How to use DeOldify Yourself 4:24​ - Old Movie Examples 5:06​ - Conclusion Video transcript 00:00 this ai can colorize and restore old 00:03 black and white images and even film 00:05 footage 00:06 this method is called de-aldefy and 00:09 works on pretty much 00:10 any picture if you don't believe me you 00:13 can even try it yourself for free as i 00:15 will show in the video 00:17 but first let's see how it works and 00:19 more amazing results to convince you to 00:22 try it 00:25 [Music] 00:29 this is what's ai and i share artificial 00:31 intelligence news every week 00:33 if you are new to the channel and want 00:34 to stay up to date please consider 00:36 subscribing to not miss any further news 00:40 the aldephi is a technique to colorize 00:42 and restore 00:43 old black and white images or even film 00:45 footage 00:46 it was developed and is still getting 00:48 updated by only one person 00:50 jason antique it is now the 00:53 state-of-the-art way to colorize black 00:55 and white images 00:56 and everything is open sourced but we 00:59 will get back to this in a bit 01:01 first let's see how he achieved that it 01:04 uses a new type of gun training method 01:07 called nogan that he developed himself 01:09 to solve the main problems that appeared 01:11 when training using a normal 01:13 adversarial network architecture 01:15 composed of a discriminator and a 01:17 generator 01:18 typically gun training works by both 01:21 training the discriminator and generator 01:23 at the same time 01:24 where the generator starts by being 01:26 completely random 01:27 and improves over time to fool the 01:29 discriminator 01:30 which tries to tell if the image is 01:32 generated or real 01:34 if this was just completely abstract to 01:36 you i invite you to watch the video i 01:38 made about cans 01:39 in the upper right corner right now and 01:41 linked in the description 01:43 before continuing this video his new 01:46 method 01:46 which he calls the nogan provides the 01:49 same benefits of this usual gun training 01:52 while having to spend way less time 01:54 training the gan architecture 01:56 which is typically pretty heavy in 01:58 computation time 01:59 instead he pre-trains the generator to 02:02 make it already more powerful 02:04 fast and reliable using a regular loss 02:07 function 02:08 this is done by training the generator 02:10 like a regular deep networks 02:12 architecture 02:13 such as resnet that way the model is 02:16 already pretty good at colorizing an 02:18 image 02:18 before training the complete gan 02:20 architecture 02:22 then it only needs a short amount of 02:24 this typical generator discriminator 02:26 gan training to optimize the realism of 02:29 the generated pictures 02:32 gaussian noise is also randomly applied 02:34 to images to generate 02:36 fake noise during training this is a 02:39 type of data augmentation that can be 02:41 performed on the training images to 02:43 improve the results and resistance 02:45 to noisy inputs using the same technique 02:48 as style transfer where the noise will 02:50 be the style of the image we want to 02:52 copy 02:53 and can be applied more or less to the 02:55 transformation 02:57 the whole architecture uses a basic 02:59 resnet backbone 03:00 on a u-net where the generator network 03:02 in the gun training 03:04 is the unet architecture right now 03:07 there is no complete explanation of how 03:09 this works 03:10 but the author is currently working on a 03:13 paper about 03:14 the aldephi where he will further 03:16 investigate 03:17 why and how his technique previously 03:20 found only by trials and errors 03:22 work you can find three things in the 03:25 description of the video 03:27 at first there's the github link with a 03:30 complete detailed explanation of the 03:31 technique and even google collab 03:33 tutorials 03:34 to use it yourself just look at how 03:37 simple this is 03:38 you can just run the few sections enter 03:41 the link of your image 03:43 and run it 04:04 then you can find a free api on deep ai 04:08 using dl defy where you can simply click 04:11 and try yourself 04:13 finally the third link is the most 04:15 advanced version of the aldify if you 04:17 are looking for the best results 04:20 it is on myheritage's website and is 04:23 paid to use 04:24 let's just take a minute to see how it 04:26 works on old movies before ending this 04:40 video 04:50 you better get on the job some of the 04:52 kids may be up this afternoon 04:53 oh jack we can get along without 04:55 dragging those young kids up here oh why 04:57 don't you button up your lip 04:59 you're always squawking about something 05:00 you got more static on the radio 05:07 please leave a like if you went this far 05:09 in the video 05:10 and since there are over 90 of you guys 05:13 watching that are not subscribed yet 05:15 consider subscribing to the channel to 05:17 not miss any further news clearly 05:19 explained 05:20 thank you for watching 05:23 [Music]

DeOldify can Colorize your Black & White Photos with Full Photorealistic Renders

154 Stories To Learn About Computer Science

Scientific American, Volume XXIV., No. 12, March 18, 1871 by Various, is part of the HackerNoon Books Series. You can jump to any chapter in this book . To Manufacturers of Knitted Goods. here To Manufacturers of Knitted Goods. is now in England, completing arrangements so as to be able to supply his American friends with his improved Knitting Machines with greater dispatch, and with all the latest improvements. He would beg to call especial attention to JOHN KENT The Improved Rib Top Frame, now so well known, and acknowledged to be the best rib top frame ever built, for speed and quality of goods produced. Price, delivered free in New York, $520, currency. The Improved Circular Web Frame, for drawers and shirts, built of any size and gage. Price for a 4-head set, 17 inch to 20 inch diameter, $810, currency, delivered free in New York. The Circular Stocking Frame, from 2 in. to 5½ in. diameter. These circular frames, with my last improvements, are as near perfection as possible. The Patent Full-fashioned Shirt, Drawers and Stocking Frames produce the most perfect goods ever made by steam-power machinery, and cost fifty per cent less to keep in repair than any other Knitting Machine. Built 10 to 24 gage, and from 30 to 140 inch wide, to order. The Improved Circular Looping Frame, for putting on shirt cuffs, drawers bands, clearing the top of circular shirts, &c., built to order, of any size, from 2 in. to 22 in. diameter, and of any gage. Steel Needles and Sinkers to pattern. Persons wishing to order while Mr. Kent is in England, will please address JOHN KENT, Nottingham, up to April 12th, or, if they prefer, may send through depot. Address JOHN KENT, 348 Pearl st., New York. PUMPS. —For Description, Price Lists etc., of the Best Centrifugal Pump ever invented, with Overwhelming Testimony in its favor, send for new illustrated pamphlet (40 pp.) to Messrs. HEALD, SISCO & CO., Baldwinsville, N. Y. BRICK PRESSES. **FOR RED AND FIRE BRICK.
\ Factory 309 S. Fifth street, Philadelphia, Pa. S. P. MILLER. ST. JOSEPH, Mo., Nov. 10, 1870. T. R. BAILEY & VAIL, Lockport, N. Y.: Gentlemen:—The Lathe you shipped me has arrived, and I have it in full operation. It works perfectly, and I think it the best lathe made in the world for Bedstead and Chair work. I would recommend it to any one desirous of obtaining such a lathe. Yours truly, H. R. BRISTOL. WOOLEN MILL FOR SALE. With House and 3 acres of land, Seymour, Ct., (Naugatuck Valley,) 2 miles from R. R. depot. Never-failing stream. 3 ft. fall, dam and wheel in good condition. Inquire of JAS. ORMSBEE, on the premises. Portable & Stationary Steam Engines AND HOISTING ENGINES. A good article at low prices. Every machine warranted. Send for descriptive Price List. H. B. BIGELOW & CO., New Haven, Conn. PATENT BANDSAW MACHINES Of the most approved kinds, of various sizes , to saw bevel as well as square, without inclining the table, by , 452 to 456 Tenth ave., New York. Price $250, $275, $350, and $400. At present (Oct. 16), there are in operation, in this city alone, 88 of our machines. Send for circular. Manufacture, also, an improved saw-filing apparatus; price, $30. Have also on hand a large stock of best French Bandsaw Blades. FIRST & PRYIBIL L. & J. W. FEUCHTWANGER, 55 Cedar st., New York, Chemists, Manufacturers, and Importers of Specialities, Silicates, Soda and Potash, Chloride of Calcium, Peroxide of Manganese, Hydrofluoric Acid, Metallic Oxides, Steel and Glass Makers' and Potters' Articles, Publishers of Treatises on "Soluble Glass," "Gems," and "Fermented Liquors." PIMLICO BRACES, SOMETHING NEW. THIS invention is based on a strictly scientific principle, and is a valuable improvement on old style suspenders. It is simple in construction, and combines the qualities of Brace and Suspender. They are unequaled for elegance, durability and comfort. Manufactured at the Monumental Silk Works, Baltimore. JOHN M. DAVIES & CO., Sole Agents, 384 & 386 B'd'y, N. Y. Dr. J. ARMSTRONG'S (Patent) Improved Heater, Filter, Lime Extractor, and Condenser Combined, For Steam Boilers. MANUFACTURED BY Toledo, Ohio. Armstrong & Starr, Send for Circulars. Formerly Armstrong & Welsh. —An Engine, 12x36 in. cylinder, and two Boilers, 4x15 feet, in good order, will be sold cheap. FOR SALE. J. J. TAYLOR & CO., 68 Courtlandt st., New York. Trapping and Fishing. All about it. Sent free. Address "Hunter," Hinsdale, N. H. HUNTING, First Premium awarded by Am. Inst., 1870 T. H. McALLISTER, Optician, 49 Nassau st., N. Y. Rare and Beautiful Flowers —AND— CHOICE VEGETABLES Can always be obtained by Sowing The Seventeenth Annual Edition of their celebrated "SEED CATALOGUE AND GUIDE TO THE FLOWER AND KITCHEN GARDEN," is now ready for distribution. It contains Four Beautifully Colored Lithographs, and about 300 choice Engravings of favorite Flowers and Vegetables, 136 pages of closely-printed matter, and a list of Twenty-five Hundred species and varieties of Flower and Vegetable Seeds, with explicit directions for their culture, and much other useful information upon the subject of Gardening. A copy will be mailed to all applicants inclosing 25 cts. Regular customers supplied gratis. Address B. K. BLISS & SONS, Nos. 23 Park Place, and 20 Murray st., P. O. Box No. 5712. New York. Science for the Million. THE Boston Journal of Chemistry, Devoted to the Science of Home Life, the Arts, Agriculture, and Medicine. JAMES R. NICHOLS, M.D., WILLIAM A. ROLFE, A.M., } Editors. ONE DOLLAR PER YEAR. A paper which commends itself at once to Physicians, Druggists, Chemists, Teachers, Farmers, Mechanics—in short, to Professional and Practical Men of every class. The Domestic Recipes and Formulæ for Art Processes are of themselves worth many times the cost of subscription. Specimen Copies Sent Free. Address **BOSTON JOURNAL OF CHEMISTRY,
\ 150 Congress st., Boston. FOOT LATHES, And all kinds of small tools. Illustrated catalogue free. GOODNOW & WIGHTMAN, 23 Cornhill, Boston, Mass. AGENTS WANTED.—To sell Stephens' which embraces a Rule, Level, Square, Plumb, Bevel, Slope Level, T Square, etc., in one compact tool. These instruments retail at $3.50 each, and energetic salesmen can make money by selling them among mechanics. We warrant them in every particular, as the construction and graduation is faultless. Send for descriptive circular, cuts, and terms. Patent Combination Rule, STEPHENS & CO., Riverton, Conn. FELT. THE BEST, CHEAPEST and MOST DURABLE non-conductor known, for sale by the Original Manufacturer, at the BOILER FELTING WORKS, 46 Courtland st., New York. Universal Wood Worker. For Agricultural, Railroad, Car, Carriage, and Wagon Works, Planing Mill, Sash, Door and Blind, Bedstead, Cabinet and Furniture Factories. McBETH, BENTEL & MARGEDANT, Hamilton, O. , Inventor's Exchange 245 Broadway, N. Y., "Am. Agriculturist" Building. TANGIBLE INVENTIONS NEGOTIATED. No goods received unless ordered. B. F. KEMP, Proprietor. MACHINISTS' TOOLS, at greatly reduced prices. Also, some Woodworth Planers and Second-hand Tools. 97 to 113 R. R. ave., Newark, N. J. E. & R. J. GOULD, successors to Gould Machine Co. N. B. PATENTED Articles introduced. Also, State and County Rights sold for Inventors. STONE, PUGH & CO., 55 N. 6th st., Philadelphia. G OLDEN HILL Seminary for young ladies, Bridgeport, Conn. Miss Emily Nelson, Principal. 1826 USE THE VEGETABLE PULMONARY BALSAM. 1870 The old standard remedy for Coughs, Colds, Consumption. "Nothing Better." Cutler Bros. & Co., Boston. T HE CALVERT IRON ROLLING MILLS are offered at private sale. These mills are situated in the city of Baltimore, and cover 1½ acres of ground. The Machinery is of the most approved description, for making all sizes of round and square bar iron, from ¼ in. to 3 in. diameter, and flat bars of all widths, up to 7 inches. The buildings are ample and commodious. In addition to the Rolling Mills are two brick buildings (50x125 feet and 40x90 feet), now containing an 80 H.P. Engine, and Spike Machinery, but which could be used for the manufacture of Nails, Horseshoes, or any other branch of heavy hardware. This property offers an unusual opportunity to capitalists, and will be sold at a reasonable price. For further description address MARSHALL  P. SMITH, P. O. Box 1158, Baltimore, Md. BURDON IRON WORKS.—Manufacturers of Pumping Engines for Water Works, High & Low Pressure Engines, Portable Engines and Boilers, of all kinds, Sugar Mills, Screw, Lever, Drop, & Hydraulic Presses, Machinery in general. HUBBARD & WHITTAKER, 102 Front st., Brooklyn. ENGINES AND MACHINERY FOR SALE, at a great sacrifice. Two new Steam Engines, 12 and 20 horse power; 1 Faribain's Riveting Machine; 1 large Power Shears; 1 ditto Table Punch; 2 ditto Flange Punches; 1 set Power Bending Rolls; together with a large lot of Turning Lathes, Drilling Machines, Machinists' and Smiths' Hand Tools, Pulleys, Hangers, and 6 Fairbanks' Platform Scales. Send for catalogue, or apply at the South Brooklyn Steam Engine Works, cor. Imlay and Summit sts., Brooklyn. SHINGLE AND HEADING MACHINE— Law's Patent with Trevor & Co.'s Improvements. The Simplest and Best in use. Also, Shingle, Heading and Stave Jointers, Equalizers, Heading Turners, Planers etc. AddressTREVOR & CO., Lockport, N. Y. AGENTS WANTED—($225 A MONTH) by the AMERICAN KNITTING MACHINE CO. Boston, Mass., or St. Louis, Mo. THE UNITED STATES Brick Machine IS THE BEST IN THE WORLD, BECAUSE IT MAKES THE , , and GREATEST NUMBER THE BEST THE CHEAPEST BRICKS. It is the Perfection of Simplicity. It is Durable, and not likely to get out of Repair. See Scientific American, Sept. 17, 1870. For Descriptive Circular apply to F. C. WELLS, President, Room 13, 98 Madison st.,\CHICAGO. MACHINES can be seen in operation at the Company's Works, Chicago; at rear 59 Ann st., New York city; and at Novelty Iron Works, corner of Delord and Peter sts., New Orleans. PREPARED Asphalte Roofing Felt. This new prepared production is ready coated, and can be applied on the roof without further trouble. It is easy of application, and does not require any repairs for a long time. It is more durable than some slates, and has been found a suitable substitute for iron or tin roofs. It has a sanded or stony surface, which renders it Exposed to the most intense fire, and sparks falling upon it, it will not propagate the fire. Under the influence of the sun it will not run, which makes it specially adapted to hot climates. Its easy application and pleasing appearance have made it a favorite roofing material throughout all the Indies and other colonies. Being not cumbrous for transport, it is of invaluable service to settlers and farmers in far remote districts. When used for temporary purposes it may be taken off and applied again to another construction. It replaces common Asphalting on Terraces, Lobbies, Counting-houses, Office Floors, etc.; is a great preservative against dampness and vermin, and equalizes the temperature. It is 32 inches wide, and made in rolls of 25 yards each. Send for circular to UNINFLAMMABLE and FIRE-PROOF. E. H. MARTIN, 70 Maiden Lane and 9 Liberty St., N. Y. J. J. H. GREGORY'S Seed Catalogue. My Annual Illustrated Catalogue, containing a list of many new and rare Vegetables, some of which are not found in any other catalogue, and all the standard vegetables of the farm and garden (over one hundred of which I grow on my three seed farms), with a carefully selected list of flower seed, will be sent free to all. All my seed is sold under three warrants: 1st. That all money sent shall reach me. 2d. That all seed ordered shall reach the purchaser. 3d. That my seeds shall be fresh and true to name. JAMES J. H. GREGORY, Marblehead, Mass. THE NEW WILSON Under-Feed Shuttle\SEWING MACHINES! $25 cheaper than any other! For Simplicity, Durability and Beauty they stand For Stitching, Hemming, Tucking, Felling, Quilting, Cording, Binding, Braiding, Gathering, Gathering & sewing on gathers, For particulars address unrivalled! they are unexcelled! Wilson Sewing Machine Co., Cleveland, O., or St. Louis, Mo. , **NEW and 2d-HAND.—
\ Send for Circular. Chas. PLACE & CO., 60 Vesey st., New York. MACHINERY MACHINISTS. Illustrated Catalogue and Price List of all kinds of small Tools and Materials sent free to any address. GOODNOW & WIGHTMAN, 23 Cornhill, Boston, Mass. P. BLAISDELL & CO. MANUFACTURERS of the "BLAISDELL" PATENT DRILL PRESSES, with quick return motion, Agricultural Drills, Improved Engine Lathes, from 12 in. to 28 in. swing, Planers, Gear Cutters, Boring Mills, Hand Lathes, and other first-class Machinists' Tools. Jackson st., Worcester, Mass. Patent BEDSTEAD FASTENING. The and ever invented. Best, Cheapest, Strongest FASTENING Rights for States and Territories for sale. Address JOHN DOMINGOS and                     BENJAMIN ESSIG, Sacramento, Cal. BENT, GOODNOW & CO., Boston, Mass., Publishers of , sell Patent Rights and goods of all kinds. Orders solicited. "PATENT STAR" AGENTS WANTED. Send stamp for copy. TO THE WORKING CLASS.—We are now prepared to furnish all classes with constant employment at home, the whole of the time or for the spare moments. Business new, light and profitable. Persons of either sex easily earn from 50c. to $5 per evening, and a proportional sum by devoting their whole time to the business. Boys and girls earn nearly as much as men. That all who see this notice may send their address, and test the business, we make this unparalleled offer: To such as are not well satisfied, we will send $1 to pay for the trouble of writing. Full particulars, a valuable sample which will do to commence work on, and a copy of —one of the largest and best family newspapers published—all sent free by mail. Reader, if you want permanent, profitable work, address The People's Literary Companion D. C. ALLEN & CO., Augusta, Maine. IMPORTANT TO  MACHINISTS.—The Best Metal for all Machine Uses is the MARTIN STEEL, made by The New Jersey Steel and Iron Co., Trenton, N. J. This steel is made by an entirely different process from any other and is tougher than wrought iron. It can be turned without annealing, being entirely free from hard spots. Every one who uses it pronounces it just what they have long wanted, for a multitude of uses, such as Crank Pins, Lathe Spindles and Screws, Cotton Machinery Rollers, Saw and Fan Spindles, etc., etc. Also, particularly adapted for Firebox Plates. Prices low. Send for further information, or a sample, stating use to which it is to be applied. OTIS' SAFETY HOISTING\Machinery. **OTIS, BROS. & CO.
\ No. 309 BROADWAY, NEW YORK. Union Emery Wheels. Solid and with Stone Center. UNION STONE CO., Boston, Mass. Branch Office, 93 Liberty st., N. Y. General Agents for the Am. Twist Drill Co.'s Superior Grinder and other Emery Wheel Machinery and Tools. Send for Circular. \ WOODBURY'S PATENT** Planing and Matching and Molding Machines, Gray & Wood's Planers, Self-oiling Saw Arbors, and other wood working machinery. S. A. WOODS, Send for Circulars. } 91 Liberty street, N. Y.; 67 Sudbury street, Boston. RI**CHARDSON, MERIAM & CO.,
\ Manufacturers of the latest improved Patent Daniels' and Woodworth Planing Machines, Matching, Sash, and molding, Tenoning, Mortising, Boring, Shaping, Vertical, and Circular Re-sawing Machines, Saw Mills Saw Arbors, Scroll Saws, Railway, Cut-off, and Rip-saw Machines, Spoke and Wood Turning Lathes, and various other kinds of Wood-working Machinery. Catalogues and price lists sent on application. Manufactory, Worcester, Mass. Warehouse, 107 Liberty st., New York. 17 1 Reynolds' TURBINE WATER WHEELS. The Oldest and Newest. All others only imitations of each other in their strife after complications to confuse the public. We do not boast but quietly excel them all in staunch reliable, economical power. Beautiful pamphlet free. Geo. TALLCOT, 96 Liberty st., New York. Gearing, Shafting.

To Manufacturers of Knitted Goods

Scientific American, Volume XLIII., No. 25, December 18, 1880, by Various, is part of the HackerNoon Books Series. You can jump to any chapter in this book . VARIEGATION OF LEAVES. here VARIEGATION OF LEAVES. BY JAMES HOGG. At the meeting of the Association of Nurserymen in Chicago, last July, one of our prominent horticulturists described leaf variegation as a disease. Incidentally this brought up the question: Does the graft affect the stock upon which it is inserted? Much confusion of ideas exists upon this subject, largely due to a loose application of the term disease. Strictly speaking, this term is only applicable to that which shows the health of the plant to be impaired. It should be distinguished from aberrant or abnormal forms, for these are not necessarily indicative of disease. Nobody thinks of saying that red or striped roses are diseased because they are departures in color from the white flower of the type species; or that white, yellow, or striped roses are diseased when the color of the type species is red. Nobody thinks of saying that double flowers are evidences of disease in the plant, or that diminution in the size of leaves or variation in their form is a disease. Why then should it be said that because leaves may become of some other color than green, or become party-colored, therefore they are diseased? If it be said that flowers are not leaves, and that therefore the analogy is not a good one, the reply is, that flowers in all their parts, and fruits also, are only leaves differently developed from the type. This fact is a proven one, and so admitted to be by all botanists and vegetable physiologists of the present day. If it be objected that by becoming double, flowers lose the power of reproducing the variety or species, the answer is, that this loss of power is not necessarily the result of disease, but may arise from various other causes. Because an animal is castrated, it surely will not be claimed that therefore it is diseased. In man and in the higher animals the power of reproduction ceases at certain ages, but it cannot therefore be said that such men or animals are diseased. Neither is a redundancy of parts an unequivocal evidence of disease. Topknot fowls and ducks are as healthy as those which do not have such appendages, and a Shetland pony is as healthy as a Percheron horse, notwithstanding the difference in their size and weight. Again, color in block or in variegation is not positive evidence of disease in animal life. The white Caucasian is as healthy as the negro, the copper-colored Malay as the red Indian. The horse, ox, and hog run through white and red to black both in solid and party-color, and all are equally healthy; so with the rabbit, dog, cat, and others of our domestic animals. In wild animals, birds, reptiles, fishes, and insects, it is the same, so that mere difference in color or combinations of color are not evidence of disease. prima facie But some will say this may be true of animal life, but not of plant life. That there is a strong and evident analogy, the one with the other, is now universally admitted by physiologists. Formerly many physiologists considered leaf variegation a disease, because it generally ran in stripes lengthwise of the leaf or in spots. In the former case it was supposed to originate from disease in the leaf cells of the leaf stalk, which, as the cells grow longitudinally, naturally prolonged it to the end of the leaf. But the originating of varieties in which the variegation did not assume this form, with other considerations, has done much to upset this theory. In the variegated leaved snowberry we have the center and border of the leaf green, separated the one from the other by an isolated white or yellow zone. In the zebra-leaved eulalia and the zebra-leaved juncus, from Japan, we have the variegation of the leaf transversely instead of longitudinally, so that according to the old theory we have the anomaly of a healthy portion of the leaf producing an unhealthy portion, and that again a healthy one, and thus alternately along the whole length of the leaf. When we dissect a leaf in its primal development, we find that its cells contain colorless globules, by botanists called chlorophyl or phyto-color; these undergo changes according as they are acted upon by light, oxygen, or other agents, producing green, yellow, red, and other tints. This chlorophyl only exists in the outer or superficial cells of the parenchyma or cellular tissue of the leaf, and thus differs from starch and other substances produced in the internal cells, from which the light is more or less excluded. It is a fatty or wax-like substance, readily dissolved in alcohol or ether. The primal color of all leaves and flowers is white or a pale yellowish hue, as can readily be seen by cutting open a leaf or flower bud. The seed leaves of the French bean are white when they come out of the earth, but they become green an hour afterward under the influence of bright sunshine. A case is on record where in a certain section, some miles in extent, in this country, about the time of the trees coming into leaf, the sun did not shine for twenty days; the leaves developed to nearly their full size, but were of a pale or whitish color; finally, one forenoon the sun shone out fully, and by the middle of the afternoon the trees were in full summer dress. These facts show that the green color of leaves is due to the action of light. Variegation is sometimes produced independently of the chlorophyl, as in and , in which it is produced by a layer of air interposed between the epidermis or outer skin of the leaf and the cells beneath; this gives the leaf a bright, silvery appearance. Begonia argyrostigma Carduus marianus To what, then, are we to ascribe leaf variegation? I think that it is entirely due to diminished root power; by this I do not mean that the roots are diseased, but that they are either in an aberrant or abnormal state; but disease cannot be predicated upon either of these states. To explain: everybody knows to be a strong growing shrub, having umbels of rosy-colored flowers and strong, stout roots; the white flowered variety is quite dwarf, is more leafy and bushy than the species, and has more fibrous and delicate roots than the type; the crisp-leaved variety is still more dwarf, very bushy, and very leafy, and has very fine threadlike roots. This would indicate that the aberrance is in the roots; the two varieties are much more leafy in proportion to their size than the species, so that if the leaves controlled the roots, the latter should have been larger in proportion than those of the species. Again, once when, in the autumn, I was preparing my greenhouse plants for their winter quarters, I cut back a "Lady Plymouth" geranium, which chanced to be set away in a cool and somewhat damp cellar. When discovered the following February and started into growth in the greenhouse it produced nothing but solid green leaves, and never afterward produced a variegated leaf. This I attributed to its having gained greater root power during its long season of rest. By this I mean that the roots had grown and greatly increased in size, although there had not been any leaf growth. That roots under certain circumstances do so is well known. The roots of fir trees have been found alive and growing forty five years after the trunks were felled. The same has occurred in an ash tree after its trunk had been sawn off level with the ground. A root of has been known to keep on growing for twelve years after its top had been destroyed by frost; and in all that time it never made buds or leaves, yet it increased to seven times its original weight. The tuberous roots of some of the will continue to grow and increase in size after the tops have been accidentally broken off; and potatoes buried so deep in the earth that they cannot produce tops will produce a crop of new potatoes. Spirea callosa Ipomea sellowii Tropæolums On the other hand, I have had an oak-leaved geranium overlooked in a corner of the greenhouse until it was almost dried up for lack of water. When its branches were pruned back and it was started into growth only one branch showed the almost black center of the leaf, all the rest were clear green. This was an evident case of diminished root power, but the plant grew as thriftily as ever. The lack of the dark marking in the leaves was equivalent to the variegation in other varieties, only in a reverse direction. In practice, when gardeners wish to produce an abnormal condition in a tree or plant, they will, if they wish to dwarf it, graft it on a species or variety of diminished root power, and contrariwise, if they wish to increase its growth, will graft it upon a stock of strong root power. But in neither case can the graft be said to be diseased by the action of the roots of the stock. When this root power is so far diminished as to produce complete albinism, the shoots from such roots appear to partake of this diminished power, and to lose the power of making roots, and thus become very difficult to propagate. It is sometimes said that albino cuttings cannot be rooted at all, but this is a mistake, for I have succeeded in striking such cuttings from the variegated leaved . It required much care to do it; they did not, however, retain their albino character after they rooted and started into growth. Hydrangea Albinism and white variegation in leaves appear to be due to the chlorophyl in such leaves being able to resist the action of the three (red, yellow, and blue) rays of light. What we call color in any substance or thing is due to its reflecting these different rays in various proportions of combination and absorbing the rest of them, the various proportions giving the various shades of color. White is due to the reflection of all of them, and black to the absorption of them. In some plants with variegated foliage we have the curious fact that the cells containing chlorophyl reflecting one color produce cells which reflect an entirely different color. In the coleus "Lady Burrill," for instance, the lower half of the leaf is of a deep violet-crimson color, and the upper half is golden yellow. In other varieties of coleus, in , and other plants, we have foliage without a particle of green in it, and yet they are perfectly healthy. This shows that green leaves are not absolutely necessary to the health of a plant. Perilla nankiensis As a proof of leaf variegation being a disease, the speaker alluded to cited a case in which a green leaved abutilon, upon which a variegated leaved variety had been grafted, threw out a variegated leaved shoot below the graft. This can easily be explained. The growth of the trunk or stem of all exogenous plants, or those which increase in size on the outside of the stem, is brought about by the descent of certain formative tissue called cambium, elaborated by the leaves and descending between the old wood and the bark, where it is formed into alburnum or woody matter. Some think that it is also formed by the roots and ascends from them as well as descending from the leaves. Be this as it may, there is no doubt about its descent. In such comparatively soft-wooded, free growing plants as the abutilon the descent of the cambium is very free and in considerable quantity, so that the stock would soon be inclosed in a layer of it descending from the graft. When being converted into woody matter it also forms adventitious buds which under certain favorable circumstances will emit shoots of the same character as the graft from which it was derived. The graft is such cases may be said to inclose the stock in a tube of its own substance, leaving the stock unaffected otherwise. The variegated shoot in this case was in reality derived from the downward growth of the graft and not from the original stock, which was not therefore contaminated by the graft. In cases where the stock is of much slower growth than the graft, or the graft is inserted upon a stock of some other species, the descending cambium does not inclose the stock, but makes layers of wood on the stem of the graft, which thus, as is frequently seen, overgrows the stock, sometimes to such an extent as to make it unsightly. Nobody ever saw an apple shoot from a crab stock, a pear from a quince stock, or a peach shoot from a plum stock. This is one of the arguments in favor of the view that cambium also rises from the roots. Again, to show that the stock is not affected by the graft, or the graft by the stock, except as to root power, let any person graft a white beet upon a red beet, or contrariwise, when about the size of a goosequill, and when they have attained their full growth, by dividing the beet lengthwise he will find the line of demarkation between the colors perfectly distinct, neither of them running into the other. The theory that leaf variegation is a disease has been held by many distinguished botanists and is in nowise new. But this theory has been controverted, and we think successfully, by other botanists, and it is not now accepted by the more advanced vegetable physiologists. There are now so many acute and industrious students and observers in every department of science, and the accumulation of facts is so rapid and so great, that very many of the older theories are being set aside as not in accord with the newly discovered facts. A student brought up in institutions where the old theories are inculcated has afterward to spend half his time in unlearning what he had been previously taught, and the other half in studying the new facts brought to his notice and testing the theories promulgated by men of science. Botanical science does not wholly consist in the classification and nomenclature of plants, but largely consists in a knowledge of vegetable anatomy and physiology, and these require much study and some knowledge of other sciences, such as chemistry, meteorology, geology, etc. Without such general knowledge it is difficult to form a harmonious theory in regard to any of the phenomena of plant life. About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Various (2007). Scientific American, Volume XLIII., No. 25, December 18, 1880. Urbana, Illinois: Project Gutenberg. Retrieved https://www.gutenberg.org/cache/epub/21081/pg21081-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at , located at . www.gutenberg.org https://www.gutenberg.org/policy/license.html

VARIEGATION OF LEAVES

Scientific American, Volume XXXVI., No. 8, February 24, 1877 by Various, is part of the HackerNoon Books Series. You can jump to any chapter in this book . Proposed Cremation Temple here PROPOSED CREMATION TEMPLE. Cremation, in this country at least, is not popular. For a time, it occupied here some public attention, but only in a sensational way; and the sober discussion of the subject, which followed after its novelty had worn off, led to the general opinion that, while every one might be quite willing to see his dead neighbors cremated, no one would acquiesce in the disposal of his friends and relatives in so abnormal a manner. Hence, with the single exception of the late revolting exhibition in Pennsylvania, which we alluded to at the time, the dead in this country have continued to be deposited in their hallowed resting places, and have not been packed away, in an incinerated state, in labeled urns. In Europe, however, cremation still finds many warm adherents; and during last summer a congress of the "Friends of Cremation" (a society which, we are informed by , whence we take the annexed engravings, has branches in various parts of the world), was held in Dresden. Before this meeting, a large number of designs for cremation and mortuary buildings were brought in competition, and finally the prize was awarded to Mr. G. Lilienthal, a Berlin architect, for the imposing structure illustrated herewith. Engineering This will be the grand temple of cremation when it is erected—a proceeding to take place in the dim future: when or where not stated. On each side of a central chapel there is a circular memorial hall; and extending so as to inclose the garden of the establishment, on the sides of the halls are wings containing a large number of niches for the reception of funeral urns. The cremation ceremony is proposed to be as follows: The body, having been brought into the hall, is subjected to the usual medical examination; or when an inquest is necessary, it is removed to offices in another part of the building, where the required investigation can be held. When all is ready, the body, placed on the platform, B, Fig. 2, is raised by a lift into the hall, A, where visitors are gathered, and here the result of the medical examination is declared, and whatever preliminary religious ceremonies that are desired are performed. The body is then transported to the chapel, E, in front of the pulpit, F, where the burial service is performed. The bier is afterward lowered mechanically, and brought to the furnaces, which are arranged in a semicircle and partitioned for the reception of several biers. The ashes are subsequently placed in an urn, on which the name, etc., of the deceased are recorded, and which is set up in a suitable niche. The building, which we illustrate both in elevation, Fig. 1, and in plan, Fig. 2, is designed to contain 100,000 urns, and is adapted for a town of 200,000 inhabitants. The architect has certainly exhibited much taste in his design for the building, and has provided every convenience in the internal arrangement for carrying on a large business in the cremation line. About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Various (2006). Scientific American, Volume XXXVI., No. 8, February 24, 1877. Urbana, Illinois: Project Gutenberg. Retrieved https://www.gutenberg.org/cache/epub/19406/pg19406-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at , located at www.gutenberg.org https://www.gutenberg.org/policy/license.html

PROPOSED CREMATION TEMPLE

ATOMS, MOLECULES, AND ETHER WAVES

Scientific American, Vol. XXXVII.—No. 2. [New Series.], July 14, 1877 by Various, is part of the HackerNoon Books Series. You can jump to any chapter in this book . IMPROVED CURTAIN FIXTURE. here IMPROVED CURTAIN FIXTURE. ![Improved Curtain Fixture Figs. 1 and 2 ](https://cdn.hackernoon.com/images/gQK8BrKBD4ehL3obNS4vfM2m8RB2-be93wuv.jpeg) We illustrate herewith an improved curtain fixture, which may be adjusted to windows or curtains of different widths, and is adapted for use in connection with different means for raising and lowering the curtain. Fig. 1 represents the device in place, a portion of the cornice being broken away to exhibit it; and Fig. 2 shows the same in detail. Attached to the cornice are guides, A, in which are sliding loops, B. The latter may be adjusted to suit the position of the hooks placed in the window case to sustain the cornice, so that said hooks need not be set with any particularity. The curtain roller, C, has both its ends screw-threaded, to receive hollow pulleys, as shown. The spindles projecting from these pulleys are inclosed in coiled springs which press against the bearings, D, and so hold the shade in any position in which it may be placed. The bearings, D, are clasped in the ways, A, and are laterally adjustable. Sliding blocks are also arranged in said ways, and through each block passes a set screw, E. It will be perceived that the bearings may be readily adjusted to curtains of different widths, and the parts may afterward be locked in position by the set screws, E. The curtain may be raised or lowered by cords wound on the hollow pulleys. Patented December 5, 1876, by Mr. K. J. Pospisil. For further particulars relative to sale of patent, address the Penn Patent Agency, 133 South Second street, Philadelphia, Pa. About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Various (2012). Scientific American, Vol. XXXVII. —No. 2. [New Series.], July 14, 1877. Urbana, Illinois: Project Gutenberg. Retrieved https://www.gutenberg.org/cache/epub/38481/pg38481-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at , located at . www.gutenberg.org https://www.gutenberg.org/policy/license.html

IMPROVED CURTAIN FIXTURE

Scientific American, Volume XXXVI., No. 8, February 24, 1877 by Various, is part of the HackerNoon Books Series. You can jump to any chapter in this book . Improved Lathe Chuck here IMPROVED LATHE CHUCK. The annexed engravings represent a new lathe chuck, which may be constructed of any size, which holds tools with great firmness, and which is provided with an improved device for taking up wear and for the separate adjustment of the jaws. The implement is made of the best steel, by special machinery, so that its parts are interchangeable. Figs. 1 and 2 represent the chuck taken apart so as to exhibit the interior. Figs. 3 and 4 are sectional views. A is a collar which encircles the spindle, and has formed on its outer face a bevel gear wheel, B. C, Fig. 3, is the rear portion of the shell of the chuck inclosing the forward part of the collar, A. Also on said collar, A, is a washer, D, which rests against the shell, C, and a nut, E, which travels on a thread formed on the collar. As it is necessary, as will be explained further on, to turn the entire shell in order to move the jaws, the use of the nut just described is to jam the part, C, and the enlarged portion of the collar, A, tightly together, and so rigidly hold the jaws in any position in which they may be adjusted. Fig. 1 represents the outer face of the chuck with the jaws and their working mechanism. Within the chuck, each jaw has attached to it a screw, E. This enters a bevel wheel, F. As the jaws are incapable of any but radial motion, it follows that, when the chuck is rotated bodily and the bevel wheels engage on the motionless gear wheel, B, the effect of the rotation of said bevel wheels is to cause the jaws to travel toward or from the center of the chuck face. And it will be further clear that this motion must be simultaneous in all the jaws. As the outer portion of the chuck is rigidly secured to the shell, C, by screws, of course when that shell is jammed, as already stated, by the nut, E, it becomes impossible to turn the chuck bodily; and hence the bevel wheels cannot be rotated around the main gear wheel, and consequently the position of the jaws cannot be altered. The above comprises the mechanism proper of the device, that is to say, all that is necessary for moving or clamping the jaws. There is, however, another feature of considerable importance yet to be described, and that is the device for taking up any play of the jaws due to wear, and which enables each to be adjusted so that the motion of all may be uniform. By referring to Fig. 4, it will be seen that, above the bevel wheel, there is a projection, into the threaded interior of which, as already explained, the jaw screw enters. Surrounding this projection is a sleeve, G, the outer surface of which is threaded to fit a similarly threaded aperture, cut partly in the shell and partly in the face plate. The upper portion of the sleeve is notched to receive a wrench or driver; and beneath the sleeve an armed washer, H, is slipped over the projection. The arms of this washer enter recesses in the face plate. It will be evident that, by turning the sleeve, F, so that the screw works inward, the jaw and all its appendages will be moved bodily in corresponding direction. But its movement is limited by the arms of the washer, G, which, through the narrowness of the recesses, are allowed only just enough play to compensate for slight changes in the jaw. As the above device is applied to every jaw, it follows that any one of them may be nicely adjusted from the outside, so that all are caused to grasp the tool accurately. The spindle, instead of being solid as represented, may be made hollow. Patented to J.H. Vinton, August 18, 1874. For further information, address the manufacturer, Mr. F. Armstrong, Bridgeport, Conn. About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Various (2006). Scientific American, Volume XXXVI., No. 8, February 24, 1877. Urbana, Illinois: Project Gutenberg. Retrieved https://www.gutenberg.org/cache/epub/19406/pg19406-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at , located at www.gutenberg.org https://www.gutenberg.org/policy/license.html

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