Ciferon

ciferon

Startups Of The Year 2023: Asia Winners

This paper is available on arxiv under CC 4.0 license. . Authors: Gemini Team, Google Table of Links Abstract and Introduction Model Architecture Training Infrastructure Training Dataset Evaluation Responsible Deployment Discussion and Conclusion, References Contributions and Acknowledgments Appendix 8. Contributions and Acknowledgments Leads Rohan Anil, Co-Lead, Text Sebastian Borgeaud, Co-Lead, Text Yonghui Wu, Co-Lead, Text Jean-Baptiste Alayrac, Co-Lead, MM Vision Jiahui Yu, Co-Lead, MM Vision Radu Soricut*, Co-Lead, MM Vision* Johan Schalkwyk, Lead, MM Audio Andrew M. Dai, Co-Lead, Data Anja Hauth*, Co-Lead, Data* Katie Millican, Co-Lead, Data David Silver, Co-Lead, Fine-Tuning Slav Petrov, Co-Lead, Fine-Tuning Melvin Johnson, Lead, Instruction Tuning Ioannis Antonoglou*, Co-Lead, RL Techniques* Julian Schrittwieser, Co-Lead, RL Techniques Amelia Glaese, Lead, Human Data Jilin Chen, Lead, Safety Emily Pitler, Co-Lead, Tool Use Timothy Lillicrap, Co-Lead, Tool Use Angeliki Lazaridou, Co-Lead, Eval Orhan Firat, Co-Lead, Eval James Molloy, Co-Lead, Infra Michael Isard, Co-Lead, Infra Paul R. Barham, Co-Lead, Infra Tom Hennigan, Co-Lead, Infra Benjamin Lee, Co-Lead, Codebase & Parallelism Fabio Viola, Co-Lead, Codebase & Parallelism Malcolm Reynolds, Co-Lead, Codebase & Parallelism Yuanzhong Xu, Co-Lead, Codebase & Parallelism Ryan Doherty, Lead, Ecosystem Eli Collins, Lead, Product Clemens Meyer, Co-Lead, Operations Eliza Rutherford, Co-Lead, Operations Erica Moreira, Co-Lead, Operations Kareem Ayoub, Co-Lead, Operations Megha Goel, Co-Lead, Operations Core Contributors George Tucker Enrique Piqueras Maxim Krikun Iain Barr Nikolay Savinov Ivo Danihelka Becca Roelofs Core Contributors Anaïs White Anders Andreassen Tamara von Glehn Lakshman Yagati Mehran Kazemi Lucas Gonzalez Misha Khalman Jakub Sygnowski Alexandre Frechette Charlotte Smith Laura Culp Lev Proleev Yi Luan Xi Chen James Lottes Nathan Schucher Federico Lebron Alban Rrustemi Natalie Clay Phil Crone Tomas Kocisky Jeffrey Zhao Bartek Perz Dian Yu Heidi Howard Adam Bloniarz Jack W. Rae Han Lu Laurent Sifre Marcello Maggioni Fred Alcober Dan Garrette Megan Barnes Shantanu Thakoor Jacob Austin Gabriel Barth-Maron William Wong Rishabh Joshi Rahma Chaabouni Deeni Fatiha Arun Ahuja Ruibo Liu Yunxuan Li Sarah Cogan Jeremy Chen Core Contributors Chao Jia Chenjie Gu Qiao Zhang Jordan Grimstad Ale Jakse Hartman Martin Chadwick Gaurav Singh Tomar Xavier Garcia Evan Senter Emanuel Taropa Thanumalayan Sankaranarayana Pillai Jacob Devlin Michael Laskin Diego de Las Casas Dasha Valter Connie Tao Lorenzo Blanco Adrià Puigdomènech Badia David Reitter Mianna Chen Jenny Brennan Clara Rivera Sergey Brin Shariq Iqbal Gabriela Surita Jane Labanowski Abhi Rao Stephanie Winkler Emilio Parisotto Yiming Gu Kate Olszewska Yujing Zhang Ravi Addanki Antoine Miech Annie Louis Laurent El Shafey Denis Teplyashin Geoff Brown Elliot Catt Nithya Attaluri Jan Balaguer Jackie Xiang Pidong Wang Zoe Ashwood Anton Briukhov Albert Webson Sanjay Ganapathy Smit Sanghavi Core Contributors Ajay Kannan Ming-Wei Chang Axel Stjerngren Josip Djolonga Yuting Sun Ankur Bapna Matthew Aitchison Pedram Pejman Henryk Michalewski Tianhe Yu Cindy Wang Juliette Love Junwhan Ahn Dawn Bloxwich Kehang Han Peter Humphreys Thibault Sellam James Bradbury Varun Godbole Sina Samangooei Bogdan Damoc Alex Kaskasoli Sébastien M. R. Arnold Vijay Vasudevan Shubham Agrawal Jason Riesa Dmitry Lepikhin Richard Tanburn Srivatsan Srinivasan Hyeontaek Lim Sarah Hodkinson Pranav Shyam Johan Ferret Steven Hand Ankush Garg Tom Le Paine Jian Li Yujia Li Minh Giang Alexander Neitz Zaheer Abbas Sarah York Machel Reid Elizabeth Cole Aakanksha Chowdhery Dipanjan Das Dominika Rogozińska Vitaly Nikolaev Core Contributors Pablo Sprechmann Zachary Nado Lukas Zilka Flavien Prost Luheng He Marianne Monteiro Gaurav Mishra Chris Welty Josh Newlan Dawei Jia Miltiadis Allamanis Clara Huiyi Hu Raoul de Liedekerke Justin Gilmer Carl Saroufim Shruti Rijhwani Shaobo Hou Disha Shrivastava Anirudh Baddepudi Alex Goldin Adnan Ozturel Albin Cassirer Yunhan Xu Daniel Sohn Devendra Sachan Reinald Kim Amplayo Craig Swanson Dessie Petrova Shashi Narayan Arthur Guez Siddhartha Brahma Jessica Landon Miteyan Patel Ruizhe Zhao Kevin Villela Luyu Wang Wenhao Jia Matthew Rahtz Mai Giménez Legg Yeung Hanzhao Lin James Keeling Petko Georgiev Diana Mincu Boxi Wu Salem Haykal Rachel Saputro Kiran Vodrahalli Core Contributors James Qin Zeynep Cankara Abhanshu Sharma Nick Fernando Will Hawkins Behnam Neyshabur Solomon Kim Adrian Hutter Priyanka Agrawal Alex Castro-Ros George van den Driessche Tao Wang Fan Yang Shuo-yiin Chang Paul Komarek Ross McIlroy Mario Lučić Guodong Zhang Wael Farhan Michael Sharman Paul Natsev Paul Michel Yong Cheng Yamini Bansal Siyuan Qiao Kris Cao Siamak Shakeri Christina Butterfield Justin Chung Paul Kishan Rubenstein Shivani Agrawal Arthur Mensch Kedar Soparkar Karel Lenc Timothy Chung Aedan Pope Loren Maggiore Jackie Kay Priya Jhakra Shibo Wang Joshua Maynez Mary Phuong Taylor Tobin Andrea Tacchetti Maja Trebacz Kevin Robinson Yash Katariya Sebastian Riedel Core Contributors Paige Bailey Kefan Xiao Nimesh Ghelani Lora Aroyo Ambrose Slone Neil Houlsby Xuehan Xiong Zhen Yang Elena Gribovskaya Jonas Adler Mateo Wirth Lisa Lee Music Li Thais Kagohara Jay Pavagadhi Sophie Bridgers Anna Bortsova Sanjay Ghemawat Zafarali Ahmed Tianqi Liu Richard Powell Vijay Bolina Mariko Iinuma Polina Zablotskaia James Besley Da-Woon Chung Timothy Dozat Ramona Comanescu Xiance Si Jeremy Greer Guolong Su Martin Polacek Raphaël Lopez Kaufman Simon Tokumine Hexiang Hu Elena Buchatskaya Yingjie Miao Mohamed Elhawaty Aditya Siddhant Nenad Tomasev Jinwei Xing Christina Greer Helen Miller Shereen Ashraf Aurko Roy Zizhao Zhang Ada Ma Angelos Filos Core Contributors Milos Besta Rory Blevins Ted Klimenko Chih-Kuan Yeh Soravit Changpinyo Jiaqi Mu Oscar Chang Mantas Pajarskas Carrie Muir Vered Cohen Charline Le Lan Krishna Haridasan Amit Marathe Steven Hansen Sholto Douglas Rajkumar Samuel Mingqiu Wang Sophia Austin Chang Lan Jiepu Jiang Justin Chiu Jaime Alonso Lorenzo Lars Lowe Sjösund Sébastien Cevey Zach Gleicher Thi Avrahami Anudhyan Boral Hansa Srinivasan Vittorio Selo Rhys May Konstantinos Aisopos Léonard Hussenot Livio Baldini Soares Kate Baumli Michael B. Chang Adrià Recasens Ben Caine Alexander Pritzel Filip Pavetic Fabio Pardo Anita Gergely Justin Frye Vinay Ramasesh Dan Horgan Kartikeya Badola Nora Kassner Subhrajit Roy Ethan Dyer Core Contributors Víctor Campos Alex Tomala Yunhao Tang Dalia El Badawy Elspeth White Basil Mustafa Oran Lang Abhishek Jindal Sharad Vikram Zhitao Gong Sergi Caelles Ross Hemsley Gregory Thornton Fangxiaoyu Feng Wojciech Stokowiec Ce Zheng Phoebe Thacker Çağlar Ünlü Zhishuai Zhang Mohammad Saleh James Svensson Max Bileschi Piyush Patil Ankesh Anand Roman Ring Katerina Tsihlas Arpi Vezer Marco Selvi Toby Shevlane Mikel Rodriguez Tom Kwiatkowski Samira Daruki Keran Rong Allan Dafoe Nicholas FitzGerald Keren Gu-Lemberg Mina Khan Lisa Anne Hendricks Marie Pellat Vladimir Feinberg James Cobon-Kerr Tara Sainath Maribeth Rauh Sayed Hadi Hashemi Richard Ives Yana Hasson YaGuang Li Eric Noland Core Contributors Yuan Cao Nathan Byrd Le Hou Qingze Wang Thibault Sottiaux Michela Paganini Jean-Baptiste Lespiau Alexandre Moufarek Samer Hassan Kaushik Shivakumar Joost van Amersfoort Amol Mandhane Pratik Joshi Anirudh Goyal Matthew Tung Andrew Brock Hannah Sheahan Vedant Misra Cheng Li Nemanja Rakićević Mostafa Dehghani Fangyu Liu Sid Mittal Junhyuk Oh Seb Noury Eren Sezener Fantine Huot Matthew Lamm Nicola De Cao Charlie Chen Contributors Gamaleldin Elsayed Ed Chi Mahdis Mahdieh Ian Tenney Nan Hua Ivan Petrychenko Patrick Kane Dylan Scandinaro Rishub Jain Jonathan Uesato Romina Datta Adam Sadovsky Oskar Bunyan Dominik Rabiej Shimu Wu John Zhang Contributors Gautam Vasudevan Edouard Leurent Mahmoud Alnahlawi Ionut Georgescu Nan Wei Ivy Zheng Betty Chan Pam G Rabinovitch Piotr Stanczyk Ye Zhang David Steiner Subhajit Naskar Michael Azzam Matthew Johnson Adam Paszke Chung-Cheng Chiu Jaume Sanchez Elias Afroz Mohiuddin Faizan Muhammad Jin Miao Andrew Lee Nino Vieillard Sahitya Potluri Jane Park Elnaz Davoodi Jiageng Zhang Jeff Stanway Drew Garmon Abhijit Karmarkar Zhe Dong Jong Lee Aviral Kumar Luowei Zhou Jonathan Evens William Isaac Zhe Chen Johnson Jia Anselm Levskaya Zhenkai Zhu Chris Gorgolewski Peter Grabowski Yu Mao Alberto Magni Kaisheng Yao Javier Snaider Norman Casagrande Paul Suganthan Evan Palmer Contributors Geoffrey Irving Edward Loper Manaal Faruqui Isha Arkatkar Nanxin Chen Izhak Shafran Michael Fink Alfonso Castaño Irene Giannoumis Wooyeol Kim Mikołaj Rybiński Ashwin Sreevatsa Jennifer Prendki David Soergel Adrian Goedeckemeyer Willi Gierke Mohsen Jafari Meenu Gaba Jeremy Wiesner Diana Gage Wright Yawen Wei Harsha Vashisht Yana Kulizhskaya Jay Hoover Maigo Le Lu Li Chimezie Iwuanyanwu Lu Liu Kevin Ramirez Andrey Khorlin Albert Cui Tian LIN Marin Georgiev Marcus Wu Ricardo Aguilar Keith Pallo Abhishek Chakladar Alena Repina Xihui Wu Tom van der Weide Priya Ponnapalli Caroline Kaplan Jiri Simsa Shuangfeng Li Olivier Dousse Fan Yang Jeff Piper Nathan Ie Contributors Minnie Lui Rama Pasumarthi Nathan Lintz Anitha Vijayakumar Lam Nguyen Thiet Daniel Andor Pedro Valenzuela Cosmin Paduraru Daiyi Peng Katherine Lee Shuyuan Zhang Somer Greene Duc Dung Nguyen Paula Kurylowicz Sarmishta Velury Sebastian Krause Cassidy Hardin Lucas Dixon Lili Janzer Kiam Choo Ziqiang Feng Biao Zhang Achintya Singhal Tejasi Latkar Mingyang Zhang Quoc Le Elena Allica Abellan Dayou Du Dan McKinnon Natasha Antropova Tolga Bolukbasi Orgad Keller David Reid Daniel Finchelstein Maria Abi Raad Remi Crocker Peter Hawkins Robert Dadashi Colin Gaffney Sid Lall Ken Franko Egor Filonov Anna Bulanova Rémi Leblond Vikas Yadav Shirley Chung Harry Askham Luis C. Cobo Contributors Kelvin Xu Felix Fischer Jun Xu Christina Sorokin Chris Alberti Chu-Cheng Lin Colin Evans Hao Zhou Alek Dimitriev Hannah Forbes Dylan Banarse Zora Tung Jeremiah Liu Mark Omernick Colton Bishop Chintu Kumar Rachel Sterneck Ryan Foley Rohan Jain Swaroop Mishra Jiawei Xia Taylor Bos Geoffrey Cideron Ehsan Amid Francesco Piccinno Xingyu Wang Praseem Banzal Petru Gurita Hila Noga Premal Shah Daniel J. Mankowitz Alex Polozov Nate Kushman Victoria Krakovna Sasha Brown MohammadHossein Bateni Dennis Duan Vlad Firoiu Meghana Thotakuri Tom Natan Anhad Mohananey Matthieu Geist Sidharth Mudgal Sertan Girgin Hui Li Jiayu Ye Ofir Roval Reiko Tojo Contributors Michael Kwong James Lee-Thorp Christopher Yew Quan Yuan Sumit Bagri Danila Sinopalnikov Sabela Ramos John Mellor Abhishek Sharma Aliaksei Severyn Jonathan Lai Kathy Wu Heng-Tze Cheng David Miller Nicolas Sonnerat Denis Vnukov Rory Greig Jennifer Beattie Emily Caveness Libin Bai Julian Eisenschlos Alex Korchemniy Tomy Tsai Mimi Jasarevic Weize Kong Phuong Dao Zeyu Zheng Frederick Liu Fan Yang Rui Zhu Mark Geller Tian Huey Teh Jason Sanmiya Evgeny Gladchenko Nejc Trdin Andrei Sozanschi Daniel Toyama Evan Rosen Sasan Tavakkol Linting Xue Chen Elkind Oliver Woodman John Carpenter George Papamakarios Rupert Kemp Sushant Kafle Tanya Grunina Rishika Sinha Contributors Alice Talbert Abhimanyu Goyal Diane Wu Denese Owusu-Afriyie Cosmo Du Chloe Thornton Jordi Pont-Tuset Pradyumna Narayana Jing Li Saaber Fatehi John Wieting Omar Ajmeri Benigno Uria Tao Zhu Yeongil Ko Laura Knight Amélie Héliou Ning Niu Shane Gu Chenxi Pang Dustin Tran Yeqing Li Nir Levine Ariel Stolovich Norbert Kalb Rebeca Santamaria-Fernandez Sonam Goenka Wenny Yustalim Robin Strudel Ali Elqursh Balaji Lakshminarayanan Charlie Deck Shyam Upadhyay Hyo Lee Mike Dusenberry Zonglin Li Xuezhi Wang Kyle Levin Raphael Hoffmann Dan Holtmann-Rice Olivier Bachem Summer Yue Sho Arora Eric Malmi Daniil Mirylenka Qijun Tan Christy Koh Soheil Hassas Yeganeh Contributors Siim Põder Steven Zheng Francesco Pongetti Mukarram Tariq Yanhua Sun Lucian Ionita Mojtaba Seyedhosseini Pouya Tafti Ragha Kotikalapudi Zhiyu Liu Anmol Gulati Jasmine Liu Xinyu Ye Bart Chrzaszcz Lily Wang Nikhil Sethi Tianrun Li Ben Brown Shreya Singh Wei Fan Aaron Parisi Joe Stanton Chenkai Kuang Vinod Koverkathu Christopher A. Choquette-Choo Yunjie Li TJ Lu Abe Ittycheriah Prakash Shroff Pei Sun Mani Varadarajan Sanaz Bahargam Rob Willoughby David Gaddy Ishita Dasgupta Guillaume Desjardins Marco Cornero Brona Robenek Bhavishya Mittal Ben Albrecht Ashish Shenoy Fedor Moiseev Henrik Jacobsson Alireza Ghaffarkhah Morgane Rivière Alanna Walton Clément Crepy Alicia Parrish Contributors Yuan Liu Zongwei Zhou Clement Farabet Carey Radebaugh Praveen Srinivasan Claudia van der Salm Andreas Fidjeland Salvatore Scellato Eri Latorre-Chimoto Hanna Klimczak-Plucińska David Bridson Dario de Cesare Tom Hudson Piermaria Mendolicchio Lexi Walker Alex Morris Ivo Penchev Matthew Mauger Alexey Guseynov Alison Reid Seth Odoom Lucia Loher Victor Cotruta Madhavi Yenugula Dominik Grewe Anastasia Petrushkina Tom Duerig Antonio Sanchez Steve Yadlowsky Amy Shen Amir Globerson Adam Kurzrok Lynette Webb Sahil Dua Dong Li Preethi Lahoti Surya Bhupatiraju Dan Hurt Haroon Qureshi Ananth Agarwal Tomer Shani Matan Eyal Anuj Khare Shreyas Rammohan Belle Lei Wang Chetan Tekur Mihir Sanjay Kale Jinliang Wei Contributors Ruoxin Sang Brennan Saeta Tyler Liechty Yi Sun Yao Zhao Stephan Lee Pandu Nayak Doug Fritz Manish Reddy Vuyyuru John Aslanides Nidhi Vyas Martin Wicke Xiao Ma Taylan Bilal Evgenii Eltyshev Daniel Balle Nina Martin Hardie Cate James Manyika Keyvan Amiri Yelin Kim Xi Xiong Kai Kang Florian Luisier Nilesh Tripuraneni David Madras Mandy Guo Austin Waters Oliver Wang Joshua Ainslie Jason Baldridge Han Zhang Garima Pruthi Jakob Bauer Feng Yang Riham Mansour Jason Gelman Yang Xu George Polovets Ji Liu Honglong Cai Warren Chen XiangHai Sheng Emily Xue Sherjil Ozair Adams Yu Christof Angermueller Contributors Xiaowei Li Weiren Wang Julia Wiesinger Emmanouil Koukoumidis Yuan Tian Anand Iyer Madhu Gurumurthy Mark Goldenson Parashar Shah MK Blake Hongkun Yu Anthony Urbanowicz Jennimaria Palomaki Chrisantha Fernando Kevin Brooks Ken Durden Harsh Mehta Nikola Momchev Elahe Rahimtoroghi Maria Georgaki Amit Raul Sebastian Ruder Morgan Redshaw Jinhyuk Lee Komal Jalan Dinghua Li Ginger Perng Blake Hechtman Parker Schuh Milad Nasr Mia Chen Kieran Milan Vladimir Mikulik Trevor Strohman Juliana Franco Tim Green Program Leads Demis Hassabis Koray Kavukcuoglu Overall Technical Leads (equal contribution) Jeffrey Dean Oriol Vinyals The roles are defined as below: • : Individual(s) responsible for the sub-team throughout the project. Lead Individual that had significant impact throughout the project. • Core Contributor: : Individual that had contributions to the project and was partially involved with the effort. • Contributor Responsible for the organizational aspects of the Gemini effort • Program Lead: Responsible for the technical direction of the overall Gemini effort • Overall Technical Lead: Within each role, contributions are equal, and are listed in a randomized order. Ordering within each role does not indicate ordering of the contributions. Gemini is a cross-Google effort, with members from Google DeepMind (GDM), Google Research (GR), Knowledge and Information (K&I), Core ML, Cloud, Labs, and more. We thank our reviewers and colleagues for their valuable discussions and feedback on the report— Alexandra Belias, Arielle Bier, Eleanor Tomlinson, Emily Hossellman, Gaby Pearl, Helen King, Hollie Dobson, Jaclyn Konzelmann, Jennifer Beroshi, Joel Moss, Jon Small, Jonathan Fildes, Oli Gaymond, Rebecca Bland, Reena Jana, and Tom Lue. Our work is made possible by the dedication and efforts of numerous teams at Google. We would like to acknowledge the support from Abhi Mohan, Adekunle Bello, Aishwarya Nagarajan, Alaa Saade, Alejandro Lince, Alexander Chen, Alexander Kolbasov, Alexander Schiffhauer, Amar Subramanya, Ameya Shringi, Amin Vahdat, Anda Rabatić, Anthonie Gross, Antoine Yang, Anthony Green, Anton Ruddock, Art Khurshudov, Artemis Chen, Arthur Argenson, Avinatan Hassidim, Beiye Liu, Benjamin Schroeder, Bin Ni, Brett Daw, Bryan Chiang, Burak Gokturk, Carl Crous, Carrie Grimes Bostock, Charbel Kaed, Charlotte Banks, Che Diaz, Chris Larkin, Christy Lian, Claire Cui, Clare Bycroft, Corentin Tallec, Daniel Herndon, Dave Burke, David Battle, David Engel, Dipannita Shaw, Donghyun Koo, Doug Ritchie, Dragos Stefanescu, Elissa Wolf, Emre Sargin, Eran Ofek, Eric Herren, Estella King, Fatema Alkhanaizi, Felix Gimeno, Fernando Pereira, Florent Altché, Gabriel Carvajal, Gaurav Gandhi, George Powell, Goran Pavičić, Harry Richardson, Hassan Wassel, Hongji Li, Idan Szpektor, Igor Ivanisevic, Ivan Jambrešić, Ivan Jurin, Jade Fowler, James Assiene, Jay Yagnik, Jeanbastien Grill, Jeff Seibert, Jenna LaPlante, Jessica Austin, Jianxing Lu, Jim O’Keeffe, Jin Huang, Joe Heyward, Johannes Welbl, John Jumper, Jonathan Caton, Josh Woodward, Joshua Foster, Kathryn Tunyasuvunakool, Katrina Wong, Kavya Kopparapu, Kelvin Nguyen, Kira Yin, Konstantin Sharlaimov, Kun Li, Lee Hong, Lilly Taylor, Longfei Shen, Luc Mercier, Maciej Mikuła, Mania Abdi, Manuel Sanchez, Maria Ines Aranguren, Mario Carlos Cortes III, Matthew Tait, Matthias Lochbrunner, Mehdi Ghissassi, Micah Mosley, Michael Bendersky, Michael Figurnov, Michael Harris, Michael Mathieu, Michael O’Neill, Michael Vorburger, Mihir Paradkar, Nandita Dukkipati, Nathan Carter, Nathan Watson, Neil Rabinowitz, Nikhil Dandekar, Nishant Ranka, Obaid Sarvana, Olcan Sercinoglu, Olivier Lacombe, Ottavia Bertolli, Paul Caron, Pranesh Srinivasan, Praveen Kumar, Rahul Sukthankar, Raia Hadsell, Rajagopal Ananthanarayanan, Roberto Lupi, Rosie Zou, Sachin Menezes, Sadegh Jazayeri, Sam Cheung, Sameer Bidichandani, Sania Alex, Sanjiv Kumar, Sara Wiltberger, Sarah Fitzgerald, Saz Basu, Sebastian Nowozin, Shannon Hepburn, Shayne Cardwell, Sissie Hsiao, Srinivasan Venkatachary, Sugato Basu, Sundar Pichai, Sundeep Tirumalareddy, Susannah Young, Swetha Vijayaraghavan, Tania Bedrax-Weiss, Taylor Applebaum, Teiva Harsanyi, Terry Chen, Tim Blyth, Ting Liu, Tom Cobley, Tomas Izo, Trystan Upstill, Varun Singhai, Vedrana Klarić Trupčević, Victor Cai, Vladimir Pudovkin, Vu Dang, Wenbo Zhao, Wesley Crow, Wesley Szeng, Xiaodan Song, Yazhou Zu, Ye Tian, Yicong Wang, Yixing Wang, Yossi Matias, Yunlong Jiao, Zachary Jessup, Zhenchuan Pang, Žiga Avsec, Zimeng Yang, and Zoubin Ghahramani. We’d also like to recognize the AlphaCode team, the Borg Scheduling team, the Facilities team, the Gemini Demo Team, the Global Server Ops (GSO) team, the JAX team, the the Legal team, ML SRE team, the ML Supercomputer (MLSC) team, the PartIR team, the Platforms Infrastructure Engineering (PIE) team, and the XLA Compiler team. We thank everyone at Google not explicitly mentioned above, who have shared excitement, given feedback on early Gemini models or created interesting demo uses of Gemini, and worked with or supported the core Gemini team on many aspects of this project.

Gemini -  A Family of Highly Capable Multimodal Models: Contributions and Acknowledgments

Memoirs of Extraordinary Popular Delusions — Volume I by Charles Mackay, is part of the HackerNoon Books Series. You can jump to any chapter in this book here . RELICS RELICS. A fouth o' auld knick-knackets, Rusty airn caps and jinglin' jackets, Wad haud the Lothians three, in tackets, A towmond guid; An' parritch pats, and auld saut backets, Afore the flood. Burns. The love for relics is one which will never be eradicated as long as feeling and affection are denizens of the heart. It is a love which is most easily excited in the best and kindliest natures, and which few are callous enough to scoff at. Who would not treasure the lock of hair that once adorned the brow of the faithful wife, now cold in death, or that hung down the neck of a beloved infant, now sleeping under the sward? Not one. They are home-relics, whose sacred worth is intelligible to all; spoils rescued from the devouring grave, which, to the affectionate, are beyond all price. How dear to a forlorn survivor the book over whose pages he has pored with one departed! How much greater its value, if that hand, now cold, had written a thought, an opinion, or a name, upon the leaf! Besides these sweet, domestic relics, there are others, which no one can condemn; relics sanctified by that admiration of greatness and goodness which is akin to love; such as the copy of Montaigne's Florio, with the name of Shakspeare upon the leaf, written by the poet of all time himself; the chair preserved at Antwerp, in which Rubens sat when he painted the immortal "Descent from the Cross;" or the telescope, preserved in the Museum of Florence, which aided Galileo in his sublime discoveries. Who would not look with veneration upon the undoubted arrow of William Tell—the swords of Wallace or of Hampden—or the Bible whose leaves were turned by some stern old father of the faith? Thus the principle of reliquism is hallowed and enshrined by love. But from this germ of purity how numerous the progeny of errors and superstitions! Men, in their admiration of the great, and of all that appertained to them, have forgotten that goodness is a component part of true greatness, and have made fools of themselves for the jaw-bone of a saint, the toe-nail of an apostle, the handkerchief a king blew his nose in, or the rope that hanged a criminal. Desiring to rescue some slight token from the graves of their predecessors, they have confounded the famous and the infamous, the renowned and the notorious. Great saints, great sinners; great philosophers, great quacks; great conquerors, great murderers; great ministers, great thieves; each and all have had their admirers, ready to ransack earth, from the equator to either pole, to find a relic of them. The reliquism of modern times dates its origin from the centuries immediately preceding the Crusades. The first pilgrims to the Holy Land brought back to Europe thousands of apocryphal relics, in the purchase of which they had expended all their store. The greatest favourite was the wood of the true cross, which, like the oil of the widow, never diminished. It is generally asserted, in the traditions of the Romish Church, that the Empress Helen, the mother of Constantine the Great, first discovered the veritable "true cross" in her pilgrimage to Jerusalem. The Emperor Theodosius made a present of the greater part of it to St. Ambrose, Bishop of Milan, by whom it was studded with precious stones, and deposited in the principal church of that city. It was carried away by the Huns, by whom it was burnt, after they had extracted the valuable jewels it contained. Fragments, purporting to have been cut from it were, in the eleventh and twelfth centuries, to be found in almost every church in Europe, and would, if collected together in one place, have been almost sufficient to have built a cathedral. Happy was the sinner who could get a sight of one of them; happier he who possessed one! To obtain them the greatest dangers were cheerfully braved. They were thought to preserve from all evils, and to cure the most inveterate diseases. Annual pilgrimages were made to the shrines that contained them, and considerable revenues collected from the devotees. Next in renown were those precious relics, the tears of the Saviour. By whom and in what manner they were preserved, the pilgrims did not often inquire. Their genuineness was vouched by the Christians of the Holy Land, and that was sufficient. Tears of the Virgin Mary, and tears of St. Peter, were also to be had, carefully enclosed in little caskets, which the pious might wear in their bosoms. After the tears the next most precious relics were drops of the blood of Jesus and the martyrs. Hair and toe-nails were also in great repute, and were sold at extravagant prices. Thousands of pilgrims annually visited Palestine in the eleventh and twelfth centuries, to purchase pretended relics for the home market. The majority of them had no other means of subsistence than the profits thus obtained. Many a nail, cut from the filthy foot of some unscrupulous ecclesiastic, was sold at a diamond's price, within six months after its severance from its parent toe, upon the supposition that it had once belonged to a saint. Peter's toes were uncommonly prolific, for there were nails enough in Europe, at the time of the Council of Clermont, to have filled a sack, all of which were devoutly believed to have grown on the sacred feet of that great apostle. Some of them are still shown in the cathedral of Aix-la-Chapelle. The pious come from a distance of a hundred German miles to feast their eyes upon them. At Port Royal, in Paris, is kept with great care a thorn, which the priests of that seminary assert to be one of the identical thorns that bound the holy head of the Son of God. How it came there, and by whom it was preserved, has never been explained. This is the famous thorn, celebrated in the long dissensions of the Jansenists and the Molenists, and which worked the miraculous cure upon Mademoiselle Perrier: by merely kissing it, she was cured of a disease of the eyes of long standing. [Voltaire, Siecle de Louis XIV.] What traveller is unacquainted with the Santa Scala, or Holy Stairs, at Rome? They were brought from Jerusalem along with the true cross, by the Empress Helen, and were taken from the house which, according to popular tradition, was inhabited by Pontius Pilate. They are said to be the steps which Jesus ascended and descended when brought into the presence of the Roman governor. They are held in the greatest veneration at Rome: it is sacrilegious to walk upon them. The knees of the faithful must alone touch them in ascending or descending, and that only after they have reverentially kissed them. Europe still swarms with these religious relics. There is hardly a Roman Catholic church in Spain, Portugal, Italy, France, or Belgium, without one or more of them. Even the poorly endowed churches of the villages boast the possession of miraculous thigh-bones of the innumerable saints of the Romish calendar. Aix-la-Chapelle is proud of the veritable chasse, or thigh-bone of Charlemagne, which cures lameness. Halle has a thighbone of the Virgin Mary; Spain has seven or eight, all said to be undoubted relics. Brussels at one time preserved, and perhaps does now, the teeth of St. Gudule. The faithful, who suffered from the tooth-ache, had only to pray, look at them, and be cured. Some of these holy bones have been buried in different parts of the Continent. After a certain lapse of time, water is said to ooze from them, which soon forms a spring, and cures all the diseases of the faithful. At a church in Halle, there is a famous thigh-bone, which cures barrenness in women. Of this bone, which is under the special superintendence of the Virgin, a pleasant story is related by the incredulous. There resided at Ghent a couple who were blessed with all the riches of this world, but whose happiness was sore troubled by the want of children. Great was the grief of the lady, who was both beautiful and loving, and many her lamentations to her husband. The latter, annoyed by her unceasing sorrow, advised her to make a pilgrimage to the celebrated chasse of the Virgin. She went, was absent a week, and returned with a face all radiant with joy and pleasure. Her lamentations ceased, and, in nine months afterwards, she brought forth a son. But, oh! the instability of human joys! The babe, so long desired and so greatly beloved, survived but a few months. Two years passed over the heads of the disconsolate couple, and no second child appeared to cheer their fire-side. A third year passed away with the same result, and the lady once more began to weep. "Cheer up, my love," said her husband, "and go to the holy chasse, at Halle; perhaps the Virgin will again listen to your prayers." The lady took courage at the thought, wiped away her tears, and proceeded on the morrow towards Halle. She was absent only three days, and returned home sad, weeping, and sorrow-stricken. "What is the matter?" said her husband; "is the Virgin unwilling to listen to your prayers?" "The Virgin is willing enough," said the disconsolate wife, "and will do what she can for me; but I shall never have any more children! The priest! the priest!—He is gone from Halle, and nobody knows where to find him!" It is curious to remark the avidity manifested in all ages, and in all countries, to obtain possession of some relic of any persons who have been much spoken of, even for their crimes. When William Longbeard, leader of the populace of London, in the reign of Richard I, was hanged at Smithfield, the utmost eagerness was shown to obtain a hair from his head, or a shred from his garments. Women came from Essex, Kent, Suffolk, Sussex, and all the surrounding counties, to collect the mould at the foot of his gallows. A hair of his beard was believed to preserve from evil spirits, and a piece of his clothes from aches and pains. In more modern days, a similar avidity was shown to obtain a relic of the luckless Masaniello, the fisherman of Naples. After he had been raised by mob favour to a height of power more despotic than monarch ever wielded, he was shot by the same populace in the streets, as if he had been a mad dog. His headless trunk was dragged through the mire for several hours, and cast at night-fall into the city ditch. On the morrow the tide of popular feeling turned once more in his favour. His corpse was sought, arrayed in royal robes, and buried magnificently by torch-light in the cathedral, ten thousand armed men, and as many mourners, attending at the ceremony. The fisherman's dress which he had worn was rent into shreds by the crowd, to be preserved as relics; the door of his hut was pulled off its hinges by a mob of women, and eagerly cut up into small pieces, to be made into images, caskets, and other mementos. The scanty furniture of his poor abode became of more value than the adornments of a palace; the ground he had walked upon was considered sacred, and, being collected in small phials, was sold at its weight in gold, and worn in the bosom as an amulet. Almost as extraordinary was the frenzy manifested by the populace of Paris on the execution of the atrocious Marchioness de Brinvilliers. There were grounds for the popular wonder in the case of Masaniello, who was unstained with personal crimes. But the career of Madame de Brinvilliers was of a nature to excite no other feelings than disgust and abhorrence. She was convicted of poisoning several persons, and sentenced to be burned in the Place de Greve, and to have her ashes scattered to the winds. On the day of her execution, the populace, struck by her gracefulness and beauty, inveighed against the severity of her sentence. Their pity soon increased to admiration, and, ere evening, she was considered a saint. Her ashes were industriously collected, even the charred wood, which had aided to consume her, was eagerly purchased by the populace. Her ashes were thought to preserve from witchcraft. In England many persons have a singular love for the relics of thieves and murderers, or other great criminals. The ropes with which they have been hanged are very often bought by collectors at a guinea per foot. Great sums were paid for the rope which hanged Dr. Dodd, and for those more recently which did justice upon Mr. Fauntleroy for forgery, and on Thurtell for the murder of Mr. Weare. The murder of Maria Marten, by Corder, in the year 1828, excited the greatest interest all over the country. People came from Wales and Scotland, and even from Ireland, to visit the barn where the body of the murdered woman was buried. Every one of them was anxious to carry away some memorial of his visit. Pieces of the barn-door, tiles from the roof, and, above all, the clothes of the poor victim, were eagerly sought after. A lock of her hair was sold for two guineas, and the purchaser thought himself fortunate in getting it so cheaply. So great was the concourse of people to visit the house in Camberwell Lane, where Greenacre murdered Hannah Brown, in 1837, that it was found necessary to station a strong detachment of police on the spot. The crowd was so eager to obtain a relic of the house of this atrocious criminal, that the police were obliged to employ force to prevent the tables and chairs, and even the doors, from being carried away. In earlier times, a singular superstition was attached to the hand of a criminal who had suffered execution. It was thought that by merely rubbing the dead hand on the body, the patient afflicted with the king's evil would be instantly cured. The executioner at Newgate, sixty or seventy years ago, derived no inconsiderable revenue from this foolish practice. The possession of the hand was thought to be of still greater efficacy in the cure of diseases and the prevention of misfortunes. In the time of Charles II as much as ten guineas was thought a small price for one of these disgusting relics. When the maniac, Thom, or Courtenay, was shot, in the spring of 1838, the relic-hunters were immediately in motion to obtain a memento of so extraordinary an individual. His long, black beard and hair, which were cut off by the surgeons, fell into the hands of his disciples, by whom they are treasured with the utmost reverence. A lock of his hair commands a great price, not only amongst his followers, but among the more wealthy inhabitants of Canterbury and its neighbourhood. The tree against which he fell when he was shot, has already been stripped of all its bark by the curious, and bids fair to be entirely demolished within a twelvemonth. A letter, with his signature to it, is paid for in gold coins; and his favourite horse promises to become as celebrated as his master. Parties of ladies and gentlemen have come to Boughton from a distance of a hundred and fifty miles, to visit the scene of that fatal affray, and stroke on the back the horse of the "mad Knight of Malta." If a strict watch had not been kept over his grave for months, the body would have been disinterred, and the bones carried away as memorials. Among the Chinese no relics are more valued than the boots which have been worn by an upright magistrate. In Davis's interesting Description of the Empire of China, we are informed, that whenever a judge of unusual integrity resigns his situation, the people all congregate to do him honour. If he leaves the city where he has presided, the crowd accompany him from his residence to the gates, where his boots are drawn off with great ceremony, to be preserved in the hall of justice. Their place is immediately supplied by a new pair, which, in their turn, are drawn off to make room for others before he has worn them five minutes, it being considered sufficient to consecrate them that he should have merely drawn them on. Among the most favourite relics of modern times, in Europe, are Shakspeare's mulberry-tree, Napoleon's willow, and the table at Waterloo, on which the Emperor wrote his despatches. Snuffboxes of Shakspeare's mulberry-tree, are comparatively rare, though there are doubtless more of them in the market than were ever made of the wood planted by the great bard. Many a piece of alien wood passes under this name. The same may be said of Napoleon's table at Waterloo. The original has long since been destroyed, and a round dozen of counterfeits along with it. Many preserve the simple stick of wood; others have them cut into brooches and every variety of ornament; but by far the greater number prefer them as snuff-boxes. In France they are made into bonbonnieres, and are much esteemed by the many thousands whose cheeks still glow, and whose eyes still sparkle at the name of Napoleon. Bullets from the field of Waterloo, and buttons from the coats of the soldiers who fell in the fight, are still favourite relics in Europe. But the same ingenuity which found new tables after the old one was destroyed, has cast new bullets for the curious. Many a one who thinks himself the possessor of a bullet which aided in giving peace to the world on that memorable day, is the owner of a dump, first extracted from the ore a dozen years afterwards. Let all lovers of genuine relics look well to their money before they part with it to the ciceroni that swarm in the village of Waterloo. Few travellers stop at the lonely isle of St. Helena, without cutting a twig from the willow that droops over the grave of Napoleon. Many of them have since been planted in different parts of Europe, and have grown into trees as large as their parent. Relic-hunters, who are unable to procure a twig of the original, are content with one from these. Several of them are growing in the neighbourhood of London, more prized by their cultivators than any other tree in their gardens. But in relics, as in everything else, there is the use and the abuse. The undoubted relics of great men, or great events, will always possess attractions for the thinking and refined. There are few who would not join with Cowley in the extravagant wish introduced in his lines "written while sitting in a chair made of the remains of the ship in which Sir Francis Drake sailed round the world:"— And I myself, who now love quiet too, Almost as much as any chair can do, Would yet a journey take An old wheel of that chariot to see, Which Phaeton so rashly brake. About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Charles Mackay (1996). Memoirs of Extraordinary Popular Delusions — Volume I. Urbana, Illinois: Project Gutenberg. Retrieved October 2022 https://www.gutenberg.org/cache/epub/636/pg636-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org , located at https://www.gutenberg.org/policy/license.html .

The love for relics is one which will never be eradicated

Hardly had tranquillity been restored

Nisida—1825

Hello, community! In my previous article, I told you about the for Junior Android Developers. I also described, in general, how the workflows are arranged in most IT companies. In this article, I’d like to tell you about Android development trends that are actual in 2023 and, in my opinion, will stay actual in 2024 and what technologies you need to master in order to be in demand in the job market and get your dream job. Perhaps this article will be helpful to Android Developers who are currently in active job search and poorly understands what technologies are really in demand. most useful Git commands Let’s start by considering the facts. It is a well-known fact that electronic devices occupy a large place in the life of any modern person. Almost everyone has a device like a laptop, smartphone, tablet etc. We constantly use various mobile applications - to call a taxi, order food, buy tickets, pay for some service, track the progress of fitness training, learn any foreign language etc. Presumably, there are many people among your family, friends and colleagues who wear smartwatches and fitness bands. Perhaps you yourself use these devices. But wearable device apps have yet to reach their full potential. In the near future, users will be able to download tens of thousands of applications directly from their wrists. Briefly speaking, it can be definitely stated that mobile apps are an integral part of our life. As for me personally, mobile apps make my life much more convenient and save a lot of time. I have about 20 mobile apps on my phone that I use every day. I also use smartwatches and fitness bands. From these facts, one may conclude that a consequence of the high demand for mobile applications is a large number of vacancies for mobile developers. A mobile developer is a high-demand, interesting and well-paid job. But we cannot ignore the fact that not only the number of mobile applications in the App Store and Google Play is growing, but also their complexity. Therefore, the requirements for mobile developers who want to get a good job offer are constantly becoming more and more complicated. How to understand what Android development technologies are relevant and actual now? Which one should be taught? : you can see carefully the description of several Android Developer vacancies on any popular job search website, for example, on the website . Easy https://www.glassdoor.com/ I would advise you to write down and master them in the first place. all the technologies that are repeated in most vacancies Here is the of relevant technologies I wrote down. You can use it  as a cheat sheet or supplement it with your own search results. checklist As I know, this theme is very often asked at job interviews, so so don't neglect it. If you understand the principles of programming well, it is much easier for you to switch to any new technology in Android Development. This skill, in my opinion, is very important because in mobile development, the technological stack changes from time to time. Candidates who are willing to learn quickly are very valuable to the employer. principles of object-oriented programming. (Observer, Builder etc). design patterns programming language. At the I/O Development Conference 2019, Google announced that Kotlin is now a use case for Android Apps — new APIs and Jetpack libraries will be published first on Kotlin. It is generally agreed today that Kotlin is convenient, beautiful and concise language. Compared to Java, Kotlin code is much shorter. In many companies, all new projects are created in Kotlin. you can find a lot of common info about Kotlin. I suppose that currently, any Android Developer should be able to write code in Kotlin programming language (be able to use Coroutines, Flow etc.) Kotlin / Java By this link However, Java is still used for Android Development. Therefore, I would not recommend completely abandoning the study of this programming language. Many Android app projects still have a lot of legacy code that is written in Java. In this case, the fact that you are able to write code in Java will probably be a big plus. - IDE, in which Android Developers write their projects. I would strongly recommend mastering all the useful hotkeys and setting up some plugins that make the Android developer's workflow more convenient and help increase the speed of work. For example, I actively use the Rainbow brackets plugin. It brightly highlights various elements of the code. It is very comfortable - less chance of losing any bracket). you can find a useful list of Android Studio shortcuts. Android Studio By this link Android SDK These patterns allow you to divide your mobile app into several functional parts. This distribution allows you to increase the set and availability of programs - you can replace one component without including the code of another. For example, MVVM pattern proposes such division: MVVM, MVP, MVI application architecture patterns. - deep logic of the program (working with data, data, queries, and so on). -Model - - view (interface). View - is a view model that serves as a layer between View and Model. The principles of these patterns should be well understood by any Android developer. For more detailed information about these patterns, I can recommend article. ViewModel this It is an important aspect of any application development, which greatly simplifies the development process. Clean Architecture. For a visual representation of the clean architecture, you can see this diagram. Dependency injection is a technique that makes a class independent of its dependencies. Dagger and Koin are popular libraries to implement this approach. Dependency Injection tools (Dagger, Koin and Hilt). network - Retrofit and OkHttp3 (popular navigation library) navigation - ex. Cicerone RESTful APIs and HTTP work principles of designing client-server interaction custom UI components Unit testing (ex. JUnit) UI testing (ex. Espresso) Gradle modern toolkit for creating native UI, without using xml. It simplifies and accelerates UI development on Android. Jetpack Compose - LiveData + ViewModel multithreading & concurrency So, here is a list of the main popular technologies that have become actively used in the development of Android applications in recent years. It also would be unfair not to mention KMM (Kotlin Multiplatform for mobile). This is a technology that greatly simplifies the development of cross-platform projects. This technology has become very relevant in the last two years and continues to gain popularity. You can find more information by the link. It also would be unfair not to mention the fact that a popular development stack also undergoes changes over time. For example, I have worked as an Android developer for three years, and during this time, the technology stack in Android development has almost completely changed. Therefore, the technologies that I learned at the beginning of my career are no longer relevant. It is possible that the technologies listed in this article will become deprecated over time, and others will come to replace them. So, please, don’t perceive this list of technologies as relevant for many years. To draw a conclusion, one can say that any Android developer needs to constantly self-educate, actively follow Android development trends and increase his hard skills in order to be in demand in the job market. I hope this article will help you make the right choice with a choice of Android Development technologies to stand out from other candidates and get your dream job. Good luck!

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