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Microsoft

Companies seal a 15-year deal for 100% clean energy supply starting in 2024. AES Brasil, a 100% renewable energy generation company, has announced a partnership with Microsoft through the signing of a Power Purchase Agreement (PPA).

https://www.bing.com/th?id=OVFT.OEv_bx3wKFtQyd_FqgbiWC&pid=News

AES Brasil collaborates with Microsoft in energy transition

https://www.bing.com/th?id=ODF._c4Qu_58EnEpQHMmvxHQKA&pid=news

intelligentcio

Belarus

Nuclear power

A nuclear power plant is an element of increased energy independence of the country. It is both diversification of energy resources and reduction of dependence on hydrocarbon fuel,” Viktor Karankevich said.

https://www.bing.com/th?id=OVFT.08eqVG4uDDXEXqzmplwo6y&pid=News

Belarusian energy minister comments on global attitudes towards nuclear power

https://www.bing.com/th?id=ODF.5rrnNgzJHJUWU-N2DMMaKw&pid=news

eng.belta

Earnings

Zacks Rank: AES currently carries a Zacks Rank #3. You can see the complete list of today’s Zacks #1 Rank stocks here. Here are three Utility players that you may want to consider as these have the right combination of elements to come up with an ...

AES to Report Q3 Earnings: Here's What You Need to Know

The Augmented Enterprise Summit (AES) is the only event fully dedicated to the business and industrial applications of augmented, virtual and mixed reality as well as related emerging metaverse technologies.

Industry Panel at AES Conference Discusses the Realities of Augmented Reality

https://www.bing.com/th?id=ODF.cIDZaR0DiY90MlWBq3qPyw&pid=news

TMCnet

Refinery

Though the Biden administration’s decision to include the Houston hub is a significant development, LyondellBasell CEO Peter Vanacker said during the call, "a lot of steps" stand stand between the company and redevelopment of its refinery along the Houston Ship Channel.

https://www.bing.com/th?id=OVFT.WxDc_Kma1lfkdk7QWuGFMS&pid=News

Houston

United States Department of Energy

Soon-to-close Houston refinery is part of DOE's $1.2B hydrogen hub plan in Houston

https://www.bing.com/th?id=ODF.PQRFkRxy512-QD57XWarCw&pid=news

Houston Chronicle

Adams County

Gary R. Tubolino, known for his Field of Dreams Genetics Inc., now has a field dedicated to sunbeams. The 5-megawatt Tubolino Field of Dreams Solar Energy project under construction on his property on Grove Street is expected to be completed in the spring.

Power surge: Field of Dreams in Adams part of growing 'community solar'

https://www.bing.com/th?id=ODF.6l3fMUjuba1Bx26WywDhqQ&pid=news

Earlier this week, when Gov. Kathleen C. Hochul announced the largest state investment in renewable energy in U.S. history, solar power figured into the plan. The conditional awards announced on Tuesday include three offshore wind and 22 land-based renewable energy projects in the state totaling 6.

Solar just one aspect of state's historic renewable energy investment

Miami Valley

Power

Residents in the Miami Valley have power mostly returned to them on Saturday. As of 3:40 p.m., the Ohio AES map said 9 residents are facing outages at the moment. The Duke Energy map said 1 residents are without power in Butler County as well.

Power mostly restored to residents in Miami Valley

https://www.bing.com/th?id=ODF.nYADEgS75l8rdCg9D-p_OQ&pid=news

YAHOO!News

More than 400 customers are without electricity in the Miami Valley on Saturday morning. As of 10:25 a.m., the Ohio AES map said 370 residents are facing outages at the moment. The Duke Energy map said 21 residents are without power in Butler County as well.

Nearly 400 without power in the Miami Valley

Loft

Reimbursement

Power outage

Irvington Lofts residents are being offered a hotel and reimbursement for groceries by management following a power outage that happened on Sunday.

https://www.bing.com/th?id=OVFT.L3OjFVoJ-n8vABda7h0KoC&pid=News

Irvington Lofts offering hotel rooms and reimbursement for residents amid power outage

https://www.bing.com/th?id=ODF.05p66GRxZablS6LY69w5ig&pid=news

wrtv

Get the most recent info and news about AES on HackerNoon, where 10k+ technologists publish stories for 4M+ monthly readers.

The AES Corporation operates as a diversified power generation and utility company. It owns and/or operates power plants to generate and sell power to customers, such as utilities, industrial users, and other intermediaries. The company also owns and/or operates utilities to generate or purchase, distribute, transmit, and sell electricity to end-user customers in the residential, commercial, industrial, and governmental sectors; and generates and sells electricity on the wholesale market. It uses a range of fuels and technologies to generate electricity, including natural gas, coal, pet coke, diesel, and oil, as well as renewables, such as hydro, solar, wind, energy storage, biomass, and landfill gas. The company owns and/or operates a generation portfolio of approximately 30,471 megawatts. It has operations in the United States, Puerto Rico, El Salvador, Chile, Colombia, Argentina, Brazil, Mexico, Central America, the Caribbean, Europe, and Asia. The company was formerly known as Applied Energy Services, Inc. and changed its name to The AES Corporation in April 2000. The AES Corporation was founded in 1981 and is headquartered in Arlington, Virginia.

Art by Gal Yosef There is a saying: ”Money rules the world.” I believe it’s not the money itself but the decision-makers possessing it. Money has always been associated with accessible to a narrow swath of society. Power, Influence, Creative Self-Expression, and Unique Opportunities From the psychological perspective, it’s all about the feeling of , which roots in the natural human desire to be Unique and to be an Individual. To live life in your own way. To build the world that you choose. Exclusivity Why do we appreciate exclusivity? Ownership of items from luxury brands and unique art pieces supercharges our feeling of and . exclusivity individuality It inspires us to be creators ourselves - and there is nothing wrong with this desire. It’s a natural call for evolution and personal growth. In fact, there are a few people who are ready to take the responsibility of being creators and driving change in this world. Beginning from childhood, we wanted to be particular, to get recognition for our talents, and to be praised by adults. These instincts stay with us in adulthood, acquiring slightly different forms yet retaining the same meaning. There is nothing wrong with accepting yourself as a kid that wants to be creative and express himself via playing the game. We have never seen luxury brands in this way There are things you can’t buy, including a unique vision of the world and the ability to express it creatively. I had a chance to get acquainted with the self-taught prodigy who is becoming one the most influential digital artists of our time - Gal Yosef. His of luxury brands through vintage cartoon aesthetics has already attracted collaborations with celebrities like , , and rapper A Boogie Wit Da Hoodie. extraordinary artistic vision Justin Bieber Steve Aoki His art implies the , as well as the adult’s desire for ownership of luxurious items. Gal Yosef gives a second life to our favorite cartoon characters. In his art, they acquire the freedom of self-expression through wearing luxury clothing and accessories that fit their temper. honest acceptance of the kid in each adult World leaders in luxury fashion, sportswear, and sports cars, such as Dior, Nike, and Porsche have already partnered with Gal to develop a new look for their visual marketing. "Goofy" by Gal Yosef What if Disney characters were living an ultra-luxury life? What would vintage cartoon characters look like living a modern life? What if it was a wealthy life? Donald Duck, Goofy, Pink Panther, Snoopy, and others appear to us in dramatic lighting, wearing world-class brands like Louis Vuitton, Prada, Gucci, Hermes, and Dior. Each detail of their images speaks about class, exclusivity, and power. They are extravagant, brave, and free to live their life in a new way. Their lifestyle is no longer limited by Disney’s or Pixar’s storyline. Will probably Mickey Mouse want to drive Aston Martin? Or will Popeye the Sailor Man be once seen at a superyacht near the coast of Italy? Bugs Bunny is no longer fun and lovely. He is a powerful King of Carrots, surrounded by luxury. "King of Carrots. Gold Edition" by Gal Yosef via Instagram What if Hello Kitty was always dreaming about purchasing a luxury bag from Dior? "Hello Kitty" by Gal Yosef via Instagram What are Tweety’s plans for Friday’s luxury shopping? Will it be Birkin, Rolex or Audemars Piguet? "These days’ Tweety" by Gal Yosef Luxury brands can find a fresh marketing perspective in awakening the memories of customers’ childhood and nostalgia for the old good times. The aesthetics of vintage cartoons combined with the own incredible style of these can become an explosive mix. brands marketing It’s not the money that is responsible for your happiness, but you as a personality. However, seeing our then-time heroes enjoying their new luxurious life gives some sense of happiness, aesthetic satisfaction, sweet nostalgia, and definitely inspires us to take a fresh look at our own life. I appreciate the opportunity to hear the vision of Gal Yosef who is currently exhibiting his artworks at Eden Gallery - an international high-end art gallery with locations in New York, London, Miami, Mykonos, and Dubai. Disclaimer: All views in this article are my own and don’t imply sponsored endorsement. The use of all images is approved by the creator.

Ultra-Luxury Brands Through the Prism of Gal Yosef’s Cartoon Aesthetics

গ্যাল ইয়োসেফের কার্টুন নন্দনতত্ত্বের প্রিজমের মাধ্যমে আল্ট্রা-লাক্সারি ব্র্যান্ডগুলি

Ultra-Luxusmarken durch das Prisma der Cartoon-Ästhetik von Gal Yosef

Marcas de ultralujo a través del prisma de la estética de dibujos animados de Gal Yosef

Les marques ultra-luxe à travers le prisme de l'esthétique du dessin animé de Gal Yosef

गैल योसेफ के कार्टून एस्थेटिक्स के प्रिज्म के माध्यम से अल्ट्रा-लक्जरी ब्रांड्स

ガル・ヨセフの漫画美学のプリズムを通して見る超高級ブランド

갈 요세프의 만화 미학의 프리즘을 통해 본 초호화 브랜드

Marcas ultra luxuosas através do prisma da estética cartoon de Gal Yosef

Gal Yosef'in Karikatür Estetiği Prizmasından Ultra Lüks Markalar

Các thương hiệu siêu sang qua lăng kính thẩm mỹ hoạt hình của Gal Yosef

从 Gal Yosef 的卡通美学角度看超豪华品牌

Have you ever wished you could bring your imagination to life with the help of AI-generated images? Well, now you can! In this blog post, I'll introduce you to an AI model that can generate mesmerizing images from your text prompts. This guide will walk you through using the Stable Diffusion Aesthetic Gradients model, ranked 409th on . We'll also see how we can use Replicate Codex to find similar models and decide which one we like. Let's begin. Replicate Codex About the Stable Diffusion Aesthetic Gradients Model This AI model, called Stable Diffusion Aesthetic Gradients, is created by and is designed to generate captivating images from your text prompts. You can find the model's details on its . The model offers a wide range of customization options to help you create the perfect image for your creative project. cjwbw detail page What are aesthetic gradient embeddings? Aesthetic gradient embeddings are a fascinating aspect of AI models that involve the use of textual inversion. But first, let's understand what an embedding is. An embedding is the outcome of textual inversion, which is a method used to define new keywords in a model without modifying it. This approach has gained popularity because it can introduce new styles or objects to a model using as few as 3-5 sample images. What is textual inversion? Textual inversion works in a unique way. Its most impressive feature is not the ability to add new styles or objects, as other fine-tuning methods can do that too, but the fact that it can achieve this without changing the model. The process involves defining a new keyword that's not in the model for the new object or style. This new keyword gets tokenized (represented by a number) like any other keywords in the prompt. Each token is then converted into a unique embedding vector used by the model for image generation. Textual inversion finds the embedding vector of the new keyword that best represents the new style or object, without modifying any part of the model. Essentially, it's like finding a way within the language model to describe the new concept. How can you use embeddings? Embeddings can be used for new objects, such as injecting a toy cat into an image. The new concept (toy cat) can be combined with other existing concepts (boat, backpack, etc.) in the model. Embeddings can also represent a new style, allowing the transfer of that style to different contexts. If you're looking for a repository of custom embeddings, Hugging Face hosts the Stable Diffusion Concept Library, which contains a large number of them. Understanding the Inputs and Outputs of the Stable Diffusion Aesthetic Gradients Model Before diving into the step-by-step guide, let's first understand the inputs and outputs of this model. Inputs (string): The text prompt to render. Default value: "a painting of a rvirus monster playing guita" prompt (integer): How many samples to produce for each given prompt. A.k.a. batch size. Allowed values: 1, 4. Default value: 1 n_samples (integer): Width of the output image. Scale down if run out of memory. Allowed values: 128, 256, 512, 768, 1024. Default value: 512 width (integer): Height of the output image. Scale down if run out of memory. Allowed values: 128, 256, 512, 768, 1024. Default value: 512 height (number): Unconditional guidance scale: eps = eps(x, empty) + scale * (eps(x, cond) - eps(x, empty)). Default value: 7.5 scale (integer): Number of ddim sampling steps. Default value: 50 ddim_steps (boolean): Set to true to use plms sampling. Default value: false plms (string): Aesthetic embedding file. Allowed values: gloomcore, flower_plant, sac_8plus, cloudcore, aivazovsky, glowwave, fantasy, laion_7plus. Default value: sac_8plus aesthetic_embedding (integer): Number of steps for the aesthetic personalization. Default value: 10 aesthetic_steps (integer): The seed (for reproducible sampling). seed Outputs The output of the model is an array of URI strings, each representing an image generated based on the input parameters provided. Now that we understand the inputs and outputs, let's move on to the step-by-step guide for using the model. A Step-by-Step Guide to Using the Stable Diffusion Aesthetic Gradients Model If you're not up for coding, you can interact directly with this model's "demo" on Replicate via their UI. You can use to interact directly with the interface and try it out! This is a nice way to play with the model's parameters and get some quick feedback and validation. If you do want to use coding, this guide will walk you through how to interact with the model's Replicate API. this link Step 1: Install the Node.js client First, install the Node.js client by running the following command: npm install replicate Step 2: Set up your API token Next, copy your API token and authenticate by setting it as an environment variable: export REPLICATE_API_TOKEN=[token] Step 3: Run the model Now, you can run the model with the following code: import Replicate from "replicate";

const replicate = new Replicate({
  auth: process.env.REPLICATE_API_TOKEN,
});

const output = await replicate.run(
  "cjwbw/stable-diffusion-aesthetic-gradients:e2589736f21fd0479499a6cd55002f75085f791c0780c987dc0925f8e2bcb070",
  {
    input: {
      prompt: "Roman city on top of a ridge, sci-fi illustration by Greg Rutkowski #sci-fi detailed vivid colors gothic concept illustration by James Gurney and Zdzislaw Beksiński vivid vivid colorsg concept illustration colorful interior
"
    }
  }
); You can also specify a webhook URL to be called when the prediction is complete. Take a look at the webhook docs for details on setting that up. For example: const prediction = await replicate.predictions.create({
  version: "e2589736f21fd0479499a6cd55002f75085f791c0780c987dc0925f8e2bcb070",
  input: {
    prompt: "a painting of a rvirus monster playing guita"
  },
  webhook: "https://example.com/your-webhook",
  webhook_events_filter: ["completed"]
}); To learn more, take a look at the Node.js library documentation. Taking it Further - Finding Other Text-to-Image Models with Replicate Codex Replicate Codex is a fantastic resource for discovering AI models that cater to various creative needs, including image generation, image-to-image conversion, and much more. It's a fully searchable, filterable, tagged database of all the models on Replicate, and also allows you to compare models and sort by price or explore by the creator. It's free, and it also has a digest email that will alert you when new models come out so you can try them. If you're interested in finding similar models to Stable Diffusion Aesthetic Gradients... Step 1: Visit Replicate Codex Head over to to begin your search for similar models. Replicate Codex Step 2: Use the Search Bar Use the search bar at the top of the page to search for models with specific keywords, such as "anime style" or "selfie." This will show you a list of models related to your search query. Step 3: Filter the Results On the left side of the search results page, you'll find several filters that can help you narrow down the list of models. You can filter and sort by models by type (Image-to-Image, Text-to-Image, etc.), cost, popularity, or even specific creators. By applying these filters, you can find the models that best suit your specific needs and preferences. For example, if you're looking for an that's the cheapest or most popular, you can search and then sort by the relevant metric. image restoration model Conclusion In this guide, we walked through the process of using the Stable Diffusion Aesthetic Gradients model to generate captivating images from text prompts. We also discussed how to leverage the search and filter features in Replicate Codex to find similar models and compare their outputs, allowing us to broaden our horizons in the world of AI-powered image generation. I hope this guide has inspired you to explore the creative possibilities of AI and bring your imagination to life. Don't forget to subscribe for more tutorials, updates on new and improved AI models, and a wealth of inspiration for your next creative project. Happy image enhancing and exploring the world of AI with , check out additional guides and resources at , and follow me on for more updates and insights. Replicate Codex Notes by Replicate Twitter Also published . here

Stable Diffusion Aesthetic Gradients: A Comprehensive Guide

The word ‘steampunk’ was first used by novelist in 1987, but a steampunk way of thinking was in practice long before that. , the French writer and explorer born in 1828, and , the English writer born in 1866 are among the first inventors of literary Steampunk gear. K. W. Jeter Jules Verne H.G. Wells What is Steampunk? Steampunk is a genre of science fiction that re-imagines an alternative history for the world. In that history, technological advancements are based on steam and there’s no such thing as a petroleum economy. Besides, anything one owns can be tweaked, be it high-tech gadgets or clothes. Today, Steampunk is collectively imagined further, with ideas that continue to evolve with the world we live in. Nevertheless, it begs some analysis to figure out whether we could possibly build a Steampunk world. Does Steampunk really “do” history anew? Or, is it a common visual language we speak for our literary, DIY or fashion crafts? Retrofuturist Aesthetics of Steampunk The collective imagination revolving around Steampunk has some very special traits. It helps masses think about what could have happened if the past developments in technology and global industry were based on steam. In a way, we are in a retrofuturistic realm, with a past that never actually was and a future that never actually will be. The was an important era of mass growth for the state and an important milestone for the emergence of many social issues in a class-based society in the pre-petroleum economy. It was an era where many, including science fiction writers like Verne and Wells, mused about what future technology could look like. Many Steampunk creations simply follow up with their creations, making it easy for us to refer to them as “neo-Victorian”. Victorian era Some Steampunk creators focus on the delicately messy tinkerings they wear or own. With some of those creations, one can sense lines of protest against the featureless, minimalist technology design that dominates the economy today. The visual iconography of Steampunk usually includes some sort of goggles, vests, corsets in sepia tones accompanied with brass accessories. Steampunk is Do-It-Yourself with Anti-Consumerist Tendencies Many in the Steampunk community now speak of two main waves of Steampunk culture’s accelerated development. The first wave of Steampunk was brought to life by a handful of white men (including K. W. Jeter, Michael Moorcock, Howard Waldropand Tim Powers, to name a few), who were in similar ages and from similar cultural backgrounds. The second wave, which has been going on since the late 2000s, mainly comes together on the Internet and sometimes in many conventions that usually take place in the Western world. This wave is believed to get its start through the revived interest in Steampunk technological gear, like the below laptop by Datamancer, in the many messaging boards that roamed the Internet those days. The late 2000s witnessed the emergence and wide popularity of the first iPhone. The cold, sterile design and the sleek branding awed many consumers and lured them into the rabbit hole of mobile connectivity. Many see the Steampunk gear customizations as a disguised form of protest against the closed nature of dominant post-industrial technologies. Like with the iPhone, it is usually not wished that the consumer bonds with a technological gear they own by carefully tinkering with it. Because if they do, they might never buy the sequel, the +1, the pro or the premium of the phone. From companies’ point-of-view, consumers should be able to dump their existing technological devices regularly, ideally in a matter of years. The gear they design is intended to spend most of their days in the dump. Post-Colonialism Few Steampunks prefer to go beyond physical elaborations in their creations. They make up alternate storylines of non-exploitative history, in which their Steampunk characters find their way, battling through and trying to right the many injustices. However, it’s not possible to claim that Steampunk is anything beyond the costumes and the entertainment in the public eye. Most times we see anything Steampunk, we can’t really derive any critique or actionable advice on dealing with patriarchy, colonialism or racism. Steampunk is mostly a material culture. In the words of , a writer and essayist of science fiction, … Jaymee Goh Multicultural steampunk must move from mere aesthetic into active policies that center non-white steampunks and steampunks of colour, and provide ample opportunity and encouragement to reclaim, retell, represent their own histories in narratives that will run counter to a world that would rather do violence to them than let them speak. Just as , the best kind of Steampunk tales expose the gears of the world and analyze how various dominant systems of exploitation operate. Like the exploitation of nature by industry, of the poor by the rich, of women by men and of entire continents by violent forces. the historian John Clute argues in his essay on Steampunk The punk should be there for a reason: Steampunk must point to things going wrong and suggest ways to rebel against them. Otherwise, it runs the risk of fully morphing into just another source of mindless entertainment, with its profit-makers, avid consumers and capitalist rituals. Looking Forward It seems like Steampunk awaits a next big moment of epiphany for its tales to converge towards a common language with more punk elements that dare to say more loudly what’s wrong with the world we live in. Still, Steampunk is a valuable example of crowds’ collective imagination made possible by the Internet. It helped the emergence of many further forms and structures of collective imagination, including , which has more mature forms of active participation and comes with clearer, more grounded advice. Solarpunk Could we build a Steampunk world? I doubt it. Steampunk, overall, seems to have become a material culture that promotes certain kinds of aesthetic for entertainment purposes. Put simply, Steampunk is a playground for adults. The lead image for this article was generated by HackerNoon's via the prompt "build a steampunk world". AI Image Generator

The History and Aesthetic of Steampunk: Could We Build a Steampunk World?

স্টিম্পঙ্কের ইতিহাস এবং নান্দনিকতা: আমরা কি স্টিম্পঙ্ক বিশ্ব তৈরি করতে পারি?

Die Geschichte und Ästhetik von Steampunk: Könnten wir eine Steampunk-Welt aufbauen?

La historia y la estética de Steampunk: ¿podríamos construir un mundo Steampunk?

L'histoire et l'esthétique du steampunk : pourrions-nous construire un monde steampunk ?

स्टीमपंक का इतिहास और सौंदर्यशास्त्र: क्या हम स्टीमपंक वर्ल्ड बना सकते हैं?

スチーム パンクの歴史と美学: スチーム パンクな世界を構築できるか?

스팀펑크의 역사와 미학: 스팀펑크 세계를 만들 수 있을까?

A história e a estética do Steampunk: poderíamos construir um mundo Steampunk?

Steampunk'ın Tarihi ve Estetiği: Bir Steampunk Dünyası İnşa Edebilir miyiz?

Lịch sử và thẩm mỹ của Steampunk: Chúng ta có thể xây dựng một thế giới Steampunk không?

蒸汽朋克的历史和美学：我们能建立一个蒸汽朋克世界吗？

Solarpunk has become a movement with a base in visual arts and speculative fiction. Beyond the mere aesthetic and the fashion, it is helping us collectively imagine what kind of a world we want to live in. Some may find it hard to call it a movement. But don’t all movements start with a vague, but bright instance of collective imagination? You may already know about Cyberpunk and Steampunk. Is Solarpunk similarly, yet another genre of science fiction with a Gen Z-driven sustainability flair? Perhaps. Still, I’d rather think of Solarpunk as something more than that. Like many others in the movement, I’d rather have Solarpunk stand for a more optimistic, sustainable and regenerative vision for our future on this planet, as a set of key ideas as we navigate the end of the global capitalist system. Solarpunk is not luxurious condos for select few Starting off, it may be useful to weed out the things that Solarpunk is not. Solarpunk is not about how a single rich few go about their sustainable, care-free days making organic farming, hand-picking produce from home-grown heirloom seeds while they live in a “Solarpunk-themed” condo designed by a top architect for millions of times of the global minimum wage. It is not another marketing gimmick for rich municipalities to boast their latest, money-laundering development projects. Solarpunk is not a luxurious, fantasy world where nature abides to insensibilities. Rooted in the Internet since the late 2000s, the Solarpunk movement heavily relies on bright, green, industrial-scale re-imaginations of the entire human existence, with all its institutions and organizations. The movement does not imagine anything for a select few. Solarpunk is not artfully-designed green consumerism Have you been greenwashed before? Probably, yes. Greenwashing is a term first coined in the 1980s by the environmentalist . It refers to the little marketing game some companies play, as they take miniature steps towards what seems like environmental responsibility. Needless to mention, their profit-obsession never changes and they almost never care about the environment. Jay Westerveld I know it’s not easy to change all your consumerist habits at once. It’s a daunting task. If only there was a miracle product that you could buy, a supernatural system you could embed in your home or a new biochip you could implant to your forearm to make up for your environmental sins, right? Sorry, it doesn’t work that way. It takes some time and some adaptations. Some companies may want to make you believe that, because that means you can confess, repent and stay environmentally conscious until you buy the next big guilty pleasure. Solarpunk is not seeing the world through rose-coloured glasses I am a millennial and I am sick of it. I go about my days lamenting about the inequalities, the militarization and the exploitation. I think everything was better when I was a child, because I didn’t know as much. Sometimes I feel ashamed of my privileges. Other days, I feel outraged because I don’t think I have enough. Then I remember, I didn’t choose the grander scheme of things. Like I’ve heard many times, I can’t change those things on my own. I feel myself slide into a mildly desperate state of acceptance. What makes me feel at peace with all things Solarpunk is the fact that many in the movement have felt similarly, at some point in their lives. Whatever differences we had in our living conditions did not make us lose our grip of the harsh realities of the world. We are aware that we’re late in dealing with climate change. Our systems are slow. Institutions are mostly unnecessary. While imagination is the strongest driver in Solarpunk, it does not neglect anything and tries to make peace with whatever harsh realities we're left with. The Solarpunk aesthetic’s building blocks The Solarpunk aesthetic is ever-changing. There is no color palette, no restrictions on what to depict and what to leave out or no hidden agenda that drives creations. The movement is mainly nurtured through visual and literary creations. It’s a collectively imagined new reality that lives on digital paper and centers around a hopeful, ecologically responsible and self-governing future. Examples from famous artists is a Belgian artist and architect born in 1944. He’s counted as one of the main inspiration sources for everything Solarpunk. His depictions of ecological, regenerative cityscapes largely influenced many in the space. His “vegetal cities”, as he names them, are shaped by biomimicry, influenced by shapes and patterns we see in nature. Luc Shuiten is another big source of inspiration. The visual arts style became popular across Europe in the late 1800s, with many artists of various disciplines taking an elegant interest in abstracting natural patterns in their designs. Beautiful asymmetries in nature became cozy, eye-pleasing details in architecture. Use of color palettes from fall pastures embellished the fine details. Art Nouveau ’s big constellations that coexist with nature in their quirky, makeshift ways have awed many in the movement too. Think . Or how in , Mother Nature’s mythical creatures protect us against the impending industrial forces. Hayao Miyazaki Howl’s Moving Castle Princess Mononoke A beautiful solution imagined together For some, Solarpunk’s emergence was in science fiction literature. Others see its first optimistic marks in visual arts. Wherever you see Solarpunk though, it’s about finding solutions and not falling in despair. It’s not only about the beautiful vision, but also about the underlying issues, like lack of social justice, inefficiencies or selfish governance. The “punk” is there for a reason - the Solarpunk movement rebels against the mainstream ways of capitalist production and consumption. Last but not least, the biggest strength of Solarpunk lies in having us start imagining what a better future could look like. I can’t imagine any better way than with visuals and stories. For more on Solarpunk check out these resources: Read the Solarpunk manifesto Visit r/Solarpunk Visit solarpunks.net Check out some Solarpunk movies The lead image for this article was generated by HackerNoon's via the prompt "solarpunk future". AI Image Generator

What is The Solarpunk Aesthetic and Movement? - More Than Science Fiction

সোলারপাঙ্ক নান্দনিক এবং আন্দোলন কি? - সায়েন্স ফিকশনের চেয়েও বেশি

Was ist die Ästhetik und Bewegung von Solarpunk? - Mehr als Science-Fiction

¿Qué es la estética y el movimiento solarpunk? - Más que ciencia ficción

Qu'est-ce que l'esthétique et le mouvement Solarpunk ? - Plus que de la science-fiction

सोलरपंक एस्थेटिक एंड मूवमेंट क्या है? - साइंस फिक्शन से ज्यादा

ソーラーパンクの美学とムーブメントとは？ - サイエンスフィクション以上

Solarpunk 미학과 운동이란 무엇입니까? - SF 그 이상

O que é a estética e o movimento Solarpunk? - Mais do que ficção científica

Solarpunk Estetiği ve Hareketi Nedir? - Bilim Kurgudan Daha Fazlası

Phong trào và thẩm mỹ Solarpunk là gì? - Hơn cả khoa học viễn tưởng

什么是太阳能朋克美学和运动？ - 不仅仅是科幻小说

The Age of Aquarius is upon us. What technological advancements and innovations will the new age come with? Optimism is like Moore’s Law and hope is the Principle of Emergence. An idea never dies, it has the pluripotency and refractive potentiality of a prism by minds and settings across the age. The idea is the search for the new and eternal, for value and ambition, progression and elevation, interpretations, and processes. A prism is an object, which can be made with new materials, processes, tools, techniques, and styles. The light is the idea, eternal and rich to impart new values in flux climates. What is the pursuit of aesthetics in the 21st century, when computers are tools of the trade in the world today? The industrial revolution produced goods in a factory setting, with uniformity, and en-mass. The products were received as crude by the public. The expense of human ingenuity, craft, and quality of goods provoked the question of aesthetics and design. On a collective level, the presence of this new technological achievement was a clear indication that the modern age had begun, with expectations and promises of a new way to live life. Critics would cite that machines had no doubt bridged the gap of convenience and efficiency of production, however at what cost? The industrial revolution brought with it the search or invigoration of design and aesthetics as an ideological value to be examined in the progressive discourse of human thought and production. The art and craft movement was more than well-designed furniture produced by human ingenuity and craft, it was a reassertion of values that were integral to the expansion of modernity. The role of technology influenced the question and application of aesthetics in human activity. Computer, hardware, transistors Ideological movements are a unique birth print from characteristic periods in history to fulfill needs that have gone unmet, be it economical, sociological, intellectual, cultural, or artistic. They are quiet revolutions hosted in the mind of the individual. Progression is an essential component in life’s design, a body in constant regulation of new blood cells and proteins from countless biological contexts. The industrial revolution was integral to the birth of the modern world. From books, I've read it’s been suggested that design began here. I would put forward that design was the unspoken word in the creation of artifacts present since times of antiquity. The Bauhaus school was the conception of a directed vernacular to design with purpose and aesthetics. Design values are products of the modern mind and a hint of the future. If we look at the world and human progress as incremental and gradual, we would be able to observe that every technological and cultural achievement is a ripple in a pond spreading outwardly, it affects all things. The law of cause and effect is central to comprehending the principle of Emergence. Every ripple in an ecology of a system is driven by change agents in the form of products, commercial viability, and inventions. Disciplines, electronics, or ideological movements. The advent of transistors being packed in a dense integrated circuit board fueled the ease and rise of personal computers, mobile phones, and software. Silicon Valley and start-ups established user experience design as an essential component in computation commerce. The projected future entails new microchips modeled after the human brain and quantum computing. Information processing offers new means of curation in functionalities of personal computers. Digital signals in current personal computers convert information input through a mechanism of binary states. Quantum computing utilizes a parallel combination of digital signals that can be combined and superimposed in real time. The transcription of information magnified in speed and volume will alter processing capabilities and potential amplification in use cases of personal computers in the computation field. Concurrently, the software will experience a shift in its conception of functionality and design possibilities in its ecology. The invention of the RAM contributed to the computation field of the personal computer, although we may have failed to notice the degree of its contribution. What are the possibilities of aesthetics in the future of personal computing, and how will new hardware influence our vision of new aesthetics? Influence Art movements, in general, and through history, have come and gone. Each brought with it an ideology for the artist and craftsman, some were influential as a total ideology to impact literature and film. Graphic design, art practices, music, architecture, and aesthetics. A new lens of perception to take from reality with minimum investment from the side of the artist, to simply have wanted to shatter an ideological outlook that had been worn, for the restless artist is the working artist. In no chronological order, I will present these movements as an introduction to the purpose of this article. Naturalism, Impressionism, Expressionism, Dadaism, Surrealism, Futurism, Cubism, Constructivism, Art Nouveau, Pop Art, Minimalism. These movements have made their contribution to the design world quietly, controlled, and filtered by shifting design values. The relevance of the art and artist instilled in the advancement of human thought is in the long game. The purveyors of Futurism were, as the name suggests, obsessed with the mechanical, speed, and towers the height of the future. They wanted acceleration, full speed ahead to modernity. J.G Ballard’s Crash would have fit right at home as erotic literature. The movement was a form of nationalism to bring forth industrialization, economic reforms, and progression with lightning speed. A hunger for a new future greater than living in 1909. The impressionists were situated cognitivist who desired to capture the truest moment in a moving impermanent world that was ever-changing, a true perception that would last after the flux. Dadaist, similar in spirit to punk musicians, used their expression as a form of protest through the cheapest means--subversion. Punk musicians weighed down by economic uncertainties and affordance, rich in defiance of the working class to secure the good life, struck down classical and progressive music harmonic structure in favor of 3 chords - a win for 2 a minute song. Surrealism from the trenches of Sigmund Freud’s significant influence in the world of human psychology and Carl Jung’s archetypes converged its reach to implore the artist to plunge into the depths of the human mind in search of the unnameable. After all, the greatest adventure into the unknown is the search for a place that is never reached by conventional means, a vista of mystery living beyond a confinement of a period in history in the human mind. We need a new ideology for the 21st century. A kind of idea that will unite present and future expectations of where technology is going. A revamp of old and new values through the web of systems, the intersection of technology, new optimism through processing capabilities, and a buzz of new commerce and economy. We need a new, radical design. The role of an Artist The artist is a transformer of what is presented to the mind’s eye. Ancient Indians believed the artist was a gateway for the invisible world to speak through the visible world, presenting insight and experiences encapsulated in art. In certain cultures, art was mediation or a tool in rituals to converse with forces beyond - a religious experience of sorts. Prehistoric art allowed primitive humans to distinguish tribes apart and preserve an autobio of their lives through hieroglyphics or pictographs. The artist in ancient civilizations recorded human activity, using art as a means to capture and integrate the collective mind of society and civilization. An artist creates as a means to explore the psyche or challenge boundaries to grasp new areas for advancement and exploration.  An artist motivated by ideals in the pursuit of aesthetics explores forms, while others to portray reality or specific historical periods steer towards realism to communicate the authenticity of a situated experience. The restless shape new realities with new values. No more can this be true for the Beat Generation. A literary movement that on the surface would be credited for liberalizing publication in America. An artist lives in a world, inside or outside, distinguishable only by their thoughts. A philosopher and artist can converse in subjectivity, as both are besieged by mystic wanderings in search of the essential nature of existence relevant to each. Where they diverge, one is dominated by reason, logic, and consistency while the other lives in flux in search of new perceptions. New perceptions are vital in the evaluation of our cognitive journeys. Subjectivity is to no surprise an ally of the artist, a means of perceiving the inner world and stimulation before a piece of work is brought to the tangible world. Phenomenology, the multiplicity of the perceived world, is very much the sense organ of the artist. The artist of the 21st century is no different from the artist of before, technology empowers the artist to create in new ways and the search for new aesthetics is still a relevant question. As bohemians and visionaries wander the streets of mind and thought for a new vision, the artist remains the transformer. Also published here. Lead image by on Unsplash. Lucas Kapla

Technology and the 21st Century Artist: The Search for a New Aesthetic

This is by (source: ). Grinbalt is working on a video game titled Caves of Cud. Twitter thread Jason Grinblat @ptychomancer 04-02-2018 https://twitter.com/ptychomancer/status/980968298002006016?embedable=true&thread=true Feature image generated prompt of ‘Generated Maps - My Favorite Map Generators and Their Aesthetics’ HackerNoon Stable Diffusion

Generated Maps - My Favorite Map Generators and Their Aesthetics

The Beautiful and Damned: Book III, Chapter II - A Matter of Aesthetics

Intro to The AES-256 Cipher AES, or “Advanced Encryption Standard”, is an encryption specification that uses the Rijndael cipher as its symmetric key ciphering algorithm. AES encrypts a message with a private key, and no one but the key holder can decrypt the message. A great example of a good use-case for AES-256 is encrypting all the data on the hard drive of a computer when it’s not in use. Symmetric Encryption vs Asymmetric Encryption for encryption and decryption and Symmetric encryption uses the same key asymmetric encryption uses different keys. Asymmetric encryption is preferred when you want someone to be able to send you encrypted data, but . you don’t want to share your private key encryption is preferred when you are encrypting . Symmetric only for yourself The secret key used in AES-256 must be 256 bits long. In order to use a password or passphrase as the key, a needs to be used to extend the length. hashing algorithm The shorter the password or passphrase, the easier it is for an attacker to decrypt the data by guessing passwords, hashing them, and attempting to decrypt the message. In order to mitigate this threat, some applications enforce safeguards, such as using a . KDF Encryption Process Overview Let’s walk through the steps of the AES ciphering process, also known as the cipher. Rijndael Choose a password, then derive a short key from that password (using a function like or ). This short key will then be expanded using a to get separate “round keys” for each round of AES-256. Scrypt SHA-256 key schedule password: password12345678 → short key: aafeeba6959ebeeb96519d5dcf0bcc069f81e4bb56c246d04872db92666e6d4b → first round key: a567fb105ffd90cb Deriving the round keys from the short key is out of the scope of this article. The important thing for us to understand is that a password is converted into round keys which are used in the AES ciphering process. Choose a secret message: Here is a secret Encode the first round key and message in hexadecimal bytes and format them in 4x4 tables (top to bottom, left to right): First Round Key: 61 66 35 39 35 62 66 30 36 31 66 63 37 30 64 62 Message: 48 20 61 63 65 69 20 72 72 73 73 65 65 20 65 74 Add the round key to the message (XOR). The corresponding cells in the message and key tables are added together. The output matrix will be used in the next step. 61 ⊕ 48 = 29 35 ⊕ 65 = 50 …etc 29 46 54 5a 50 0b 46 42 44 42 15 06 52 10 01 16 In the resulting table, use the : substitution box to change each 2-character byte to its corresponding byte a5 5a 20 be 53 2b 5a 2c 1b 2c 59 6f 00 7c 7c 47 Shift rows. The first row doesn’t shift, the second-row shifts left once, the third row twice, and the last row 3 times. a5 5a 20 be 53 2b 5a 2c → 2b 5a 2c 53 1b 2c 59 6f → 2c 59 6f 1b → 59 6f 1b 2c 00 7c 7c 47 → 7c 7c 47 00 → 7c 47 00 7c → 47 00 7c 7c a5 5a 20 be 2b 5a 2c 53 59 6f 1b 2c 47 00 7c 7c Mix Columns. Each column is modulo multiplied by the . The math involved is outside the scope of this article, so I won’t be including the example output matrix. Rijndael’s Galois Field Common lounge The output of the multiplication is used as the input “message” in the next round of AES. It repeats each step 10 or more times in total, with one extra “add key” step at the end. Each round of “add key” will use a new round key, but each new round key is still derived from the same password and short key. Add key Substitute bytes Shift rows Multiply columns That’s it! /s Obviously, the Rijndael cipher used in AES is fairly complex but I hope I’ve been able to shed light on a high-level view of what goes on inside! Thanks for reading. By Lane Wagner Also Published Here

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