Table of Links Abstract and 1. Introduction Background and Related Work


Threat Model


Robust Style Mimicry


Experimental Setup


Results
6.1 Main Findings: All Protections are Easily Circumvented
6.2 Analysis


Discussion and Broader Impact, Acknowledgements, and References A. Detailed Art Examples B. Robust Mimicry Generations C. Detailed Results D. Differences with Glaze Finetuning E. Findings on Glaze 2.0 F. Findings on Mist v2 G. Methods for Style Mimicry H. Existing Style Mimicry Protections I. Robust Mimicry Methods J. Experimental Setup K. User Study L. Compute Resources D Differences with Glaze Finetuning In Section 4.1 and Figure 2, we discussed the brittleness of Glaze protections against small changes in the finetuning script. We also found our finetuning setup to be better at baseline style mimicry from unprotected art (see Figure 19). Authors:
(1) Robert Honig, ETH Zurich (robert.hoenig@inf.ethz.ch);
(2) Javier Rando, ETH Zurich (javier.rando@inf.ethz.ch);
(3) Nicholas Carlini, Google DeepMind;
(4) Florian Tramer, ETH Zurich (florian.tramer@inf.ethz.ch). This paper is available on arxiv under CC BY 4.0 license. Table of Links Abstract and 1. Introduction Abstract and 1. Introduction Background and Related Work Threat Model Robust Style Mimicry Experimental Setup Results
6.1 Main Findings: All Protections are Easily Circumvented
6.2 Analysis Discussion and Broader Impact, Acknowledgements, and References Background and Related Work Background and Related Work Background and Related Work Threat Model Threat Model Threat Model Robust Style Mimicry Robust Style Mimicry Robust Style Mimicry Experimental Setup Experimental Setup Experimental Setup Results 6.1 Main Findings: All Protections are Easily Circumvented 6.2 Analysis Results Results 6.1 Main Findings: All Protections are Easily Circumvented 6.1 Main Findings: All Protections are Easily Circumvented 6.2 Analysis 6.2 Analysis Discussion and Broader Impact, Acknowledgements, and References Discussion and Broader Impact, Acknowledgements, and References Discussion and Broader Impact, Acknowledgements, and References A. Detailed Art Examples A. Detailed Art Examples B. Robust Mimicry Generations B. Robust Mimicry Generations C. Detailed Results C. Detailed Results D. Differences with Glaze Finetuning D. Differences with Glaze Finetuning E. Findings on Glaze 2.0 E. Findings on Glaze 2.0 F. Findings on Mist v2 F. Findings on Mist v2 G. Methods for Style Mimicry G. Methods for Style Mimicry H. Existing Style Mimicry Protections H. Existing Style Mimicry Protections I. Robust Mimicry Methods I. Robust Mimicry Methods J. Experimental Setup J. Experimental Setup K. User Study K. User Study L. Compute Resources L. Compute Resources D Differences with Glaze Finetuning In Section 4.1 and Figure 2, we discussed the brittleness of Glaze protections against small changes in the finetuning script. We also found our finetuning setup to be better at baseline style mimicry from unprotected art (see Figure 19). Authors: (1) Robert Honig, ETH Zurich (robert.hoenig@inf.ethz.ch); (2) Javier Rando, ETH Zurich (javier.rando@inf.ethz.ch); (3) Nicholas Carlini, Google DeepMind; (4) Florian Tramer, ETH Zurich (florian.tramer@inf.ethz.ch). Authors: Authors: (1) Robert Honig, ETH Zurich (robert.hoenig@inf.ethz.ch); (2) Javier Rando, ETH Zurich (javier.rando@inf.ethz.ch); (3) Nicholas Carlini, Google DeepMind; (4) Florian Tramer, ETH Zurich (florian.tramer@inf.ethz.ch). This paper is available on arxiv under CC BY 4.0 license. This paper is available on arxiv under CC BY 4.0 license. available on arxiv available on arxiv

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The Key to Better Art Style Mimicry

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