THE DRESS OF CIVILIZED WOMAN

Too Long; Didn't Read

A large part of the daughter of civilization is her dress—as it should be. Some civilized women would lose half their charm without dress, and some would lose all of it. The daughter of modern civilization dressed at her utmost best is a marvel of exquisite and beautiful art and expense. All the lands, all the climes, and all the arts are laid under tribute to furnish her forth. Her linen is from Belfast, her robe is from Paris, her lace is from Venice, or Spain, or France, her feathers are from the remote regions of Southern Africa, her furs from the remoter region of the iceberg and the aurora, her fan from Japan, her diamonds from Brazil, her bracelets from California, her pearls from Ceylon, her cameos from Rome. She has gems and trinkets from buried Pompeii, and others that graced comely Egyptian forms that have been dust and ashes now for forty centuries. Her watch is from Geneva, her card case is from China, her hair is from—from—I don’t know where her hair is from; I never could find out; that is, her other hair—her public hair, her Sunday hair; I don’t mean the hair she goes to bed with.