Remarks upon the foregoing Observations.

Too Long; Didn't Read

Having given my Observations of these Colours, before I make use of them to unfold the Causes of the Colours of natural Bodies, it is convenient that by the simplest of them, such as are the 2d, 3d, 4th, 9th, 12th, 18th, 20th, and 24th, I first explain the more compounded. And first to shew how the Colours in the fourth and eighteenth Observations are produced, let there be taken in any Right Line from the Point Y, [in Fig. 6.] the Lengths YA, YB, YC, YD, YE, YF, YG, YH, in proportion to one another, as the Cube-Roots of the Squares of the Numbers, 1/2, 9/16, 3/5, 2/3, 3/4, 5/6, 8/9, 1, whereby the Lengths of a Musical Chord to sound all the Notes in an eighth are represented; that is, in the Proportion of the Numbers 6300, 6814, 7114, 7631, 8255, 8855, 9243, 10000. And at the Points A, B, C, D, E, F, G, H, let Perpendiculars Aα, Bβ, &c. be erected, by whose Intervals the Extent of the several Colours set underneath against them, is to be represented. Then divide the Line Aα in such Proportion as the Numbers 1, 2, 3, 5, 6, 7, 9, 10, 11, &c. set at the Points of Division denote. And through those Divisions from Y draw Lines 1I, 2K, 3L, 5M, 6N, 7O, &c.