Can AI Animate Your Logo? LogoMotion Says Hell Yeah!

Table of Links Abstract and 1 Introduction Abstract and 1 Introduction 2 Related Work 2.1 Program Synthesis 2.1 Program Synthesis 2.2 Creativity Support Tools for Animation 2.2 Creativity Support Tools for Animation 2.3 Generative Tools for Design 2.3 Generative Tools for Design 3 Formative Steps 3 Formative Steps 4 Logomotion System and 4.1 Input 4 Logomotion System and 4.1 Input 4.2 Preprocess Visual Information 4.2 Preprocess Visual Information 4.3 Visually-Grounded Code Synthesis 4.3 Visually-Grounded Code Synthesis 5 Evaluations 5 Evaluations 5.1 Evaluation: Program Repair 5.1 Evaluation: Program Repair 5.2 Methodology 5.2 Methodology 5.3 Findings 5.3 Findings 6 Evaluation with Novices 6 Evaluation with Novices 7 Discussion and 7.1 Breaking Away from Templates 7 Discussion and 7.1 Breaking Away from Templates 7.2 Generating Code Around Visuals 7.2 Generating Code Around Visuals 7.3 Limitations 7.3 Limitations 8 Conclusion and References 8 Conclusion and References 7.3 Limitations There are many more technical techniques such as path motion, morphing, and physics-based animation that we did not explore through LogoMotion. These more advanced techniques were out of scope of the LLM’s capabilities but are important to motion designers and highly relevant to what makes animated logos truly professional. Other limitations were specific to the program repair stage. One was that the errors we checked for were primarily transform-based (e.g. position, scale, opacity). We did not anticipate that the LLM would return complex animations that could also target other properties such as background color and drop shadow. These sorts of errors, while easy for the human eye to perceive, would make it past our checker and bring down the execution quality of the animation. Additionally, the program repair stage checked the target layout only against the last frame–not the animation as a whole. While we briefly explored methods that involved optical flow and methods for measuring perceptual difference across frames, we found that it was difficult to define visual errors in the intermediate frames (e.g. hard to quantify what is a bad momentary overlaps or when design elements block other important elements). 8 CONCLUSION LogoMotion presents an LLM-based method that automatically animates logo layouts (layered documents) with animation code that is specific to the contents of the layout. In two stages for visuallygrounded program synthesis and program repair, we show how multimodal LLM operators can be chained to produce intermediate representations that help LogoMotion draw on the visual context in the canvas and world knowledge within the LLM before animation code is finally generated. 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In Proceedings of the 36th Annual ACM Symposium on User Interface Software and Technology (San Francisco, CA, USA) (UIST ’23). Association for Computing Machinery, New York, NY, USA, Article 5, 30 pages. https://doi.org/10.1145/3586183.3606800 Authors: (1) Vivian Liu, Columbia University (vivian@cs.columbia.edu); (2) Rubaiat Habib Kazi, Adobe Research (rhabib@adobe.com); (3) Li-Yi Wei, Adobe Research (lwei@adobe.com); (4) Matthew Fisher, Adobe Research (matfishe@adobe.com); (5) Timothy Langlois, Adobe Research (tlangloi@adobe.com); (6) Seth Walker, Adobe Research (swalker@adobe.com); (7) Lydia Chilton, Columbia University (chilton@cs.columbia.edu). Authors: Authors: (1) Vivian Liu, Columbia University (vivian@cs.columbia.edu); (2) Rubaiat Habib Kazi, Adobe Research (rhabib@adobe.com); (3) Li-Yi Wei, Adobe Research (lwei@adobe.com); (4) Matthew Fisher, Adobe Research (matfishe@adobe.com); (5) Timothy Langlois, Adobe Research (tlangloi@adobe.com); (6) Seth Walker, Adobe Research (swalker@adobe.com); (7) Lydia Chilton, Columbia University (chilton@cs.columbia.edu). This paper is available on arxiv under CC BY-NC-ND 4.0 DEED license. This paper is available on arxiv under CC BY-NC-ND 4.0 DEED license. available on arxiv available on arxiv