paint-brush
The Legend of The Bicycle Manufacturer by@hgwells
118 reads

The Legend of The Bicycle Manufacturer

by H.G. WellsMay 5th, 2023
Read on Terminal Reader
Read this story w/o Javascript
tldt arrow

Too Long; Didn't Read

H. G. Wells' Kipps The Story of a Simple Soul is part of the HackerNoon Books Series. Enjoy book 2 part 4, of this timeless classic.

People Mentioned

Mention Thumbnail
featured image - The Legend of The Bicycle Manufacturer
H.G. Wells HackerNoon profile picture

Kipps The Story of a Simple Soul by H. G. Wells, is part of the HackerNoon Books Series. You can jump to any chapter in this book here. THE BICYCLE MANUFACTURER

THE BICYCLE MANUFACTURER

§1

So Kipps embarked upon his engagement, steeled himself to the high enterprise of marrying above his breeding. The next morning found him dressing with a certain quiet severity of movement, and it seemed to his landlady's housemaid that he was unusually dignified at breakfast. He meditated profoundly over his kipper and his kidney and bacon. He was going to New Romney to tell the old people what had happened and where he stood. And the love of Helen had also given him courage to do what Buggins had once suggested to him as a thing he would do were he in Kipps' place, and that was to hire a motor car for the afternoon. He had an early cold lunch, and then, with an air of quiet resolution, assumed a cap and coat he had purchased to this end, and thus equipped strolled around, blowing slightly, to the motor shop. The transaction was unexpectedly easy, and within the hour Kipps, spectacled and wrapped about, was tootling through Dymchurch.

They came to a stop smartly and neatly outside the[Pg 246] little toy shop. "Make that thing 'oot a bit, will you," said Kipps. "Yes, that's it." "Whup," said the motor car. "Whurrup!"

Both his Aunt and Uncle came out on the pavement. "Why, it's Artie," cried his Aunt, and Kipps had a moment of triumph.

He descended to hand claspings, removed wraps and spectacles, and the motor driver retired to take "an hour off." Old Kipps surveyed the machinery and disconcerted Kipps for a moment by asking him in a knowing tone what they asked him for a thing like that. The two men stood inspecting the machine and impressing the neighbours for a time, and then they strolled through the shop into the little parlour for a drink.

"They ain't settled," old Kipps had said to the neighbours. "They ain't got no further than experiments. There's a bit of take-in about each. You take my advice and wait, me boy, even if it's a year or two, before you buy one for your own use."

(Though Kipps had said nothing of doing anything of the sort.)

"'Ow d'you like that whiskey I sent?" asked Kipps, dodging the old familiar bunch of children's pails.

Old Kipps became tactful. "It's a very good whiskey, my boy," said old Kipps. "I 'aven't the slightest doubt it's a very good whiskey and cost you a tidy price. But—dashed if it soots me! They put this here Foozle Ile in it, my boy, and it ketches me jest 'ere." He indicated his centre of figure. "Gives[Pg 247] me the heartburn," he said, and shook his head rather sadly.

"It's a very good whiskey," said Kipps. "It's what the actor manager chaps drink in London, I 'appen to know."

"I dessay they do, my boy," said old Kipps, "but then they've 'ad their livers burnt out, and I 'aven't. They ain't dellicat like me. My stummik always 'as been extrey dellicat. Sometimes it's almost been as though nothing would lay on it. But that's in passing. I liked those segars. You can send me some of them segars...."

You cannot lead a conversation straight from the gastric consequences of Foozle Ile to Love, and so Kipps, after a friendly inspection of a rare old engraving after Morland (perfect except for a hole kicked through the centre) that his Uncle had recently purchased by private haggle, came to the topic of the old people's removal.

At the outset of Kipps' great fortunes there had been much talk of some permanent provision for them. It had been conceded they were to be provided for comfortably, and the phrase "retire from business" had been very much in the air. Kipps had pictured an ideal cottage, with a creeper always in exuberant flower about the door, where the sun shone forever and the wind never blew and a perpetual welcome hovered in the doorway. It was an agreeable dream, but when it came to the point of deciding upon this particular cottage or that, and on this particular[Pg 248] house or that, Kipps was surprised by an unexpected clinging to the little home, which he had always understood to be the worst of all possible houses.

"We don't want to move in a 'urry," said Mrs. Kipps.

"When we want to move, we want to move for life. I've had enough moving about in my time," said old Kipps.

"We can do here a bit more, now we done here so long," said Mrs. Kipps.

"You lemme look about a bit fust," said old Kipps.

And in looking about old Kipps found perhaps a finer joy than any mere possession could have given. He would shut his shop more or less effectually against the intrusion of customers, and toddle abroad seeking new matter for his dream; no house was too small and none too large for his knowing enquiries. Occupied houses took his fancy more than vacancies, and he would remark, "You won't be a livin' 'ere forever, even if you think you will," when irate householders protested against the unsolicited examination of their more intimate premises....

Remarkable difficulties arose of a totally unexpected sort.

"If we 'ave a larger 'ouse," said Mrs. Kipps with sudden bitterness, "we shall want a servant, and I don't want no gells in the place larfin' at me, sniggerin' and larfin' and prancin' and trapesin', lardy da! If we 'ave a smaller 'ouse, there won't be room to swing a cat."

[Pg 249]

Room to swing a cat it seemed was absolutely essential. It was an infrequent but indispensable operation.

"When we do move," said old Kipps, "if we could get a bit of shootin'——. I don't want to sell off all this here stock for nothin'. It's took years to 'cumulate. I put a ticket in the winder sayin' 'sellin' orf,' but it 'asn't brought nothing like a roosh. One of these 'ere dratted visitors pretendin' to want an air gun, was all we 'ad in yesterday. Jest an excuse for spyin' round and then go away and larf at you. No-thanky to everything, it didn't matter what.... That's 'ow I look at it, Artie."

They pursued meandering fancies about the topic of their future settlement for a space and Kipps became more and more hopeless of any proper conversational opening that would lead to his great announcement, and more and more uncertain how such an opening should be taken. Once indeed old Kipps, anxious to get away from this dangerous subject of removals, began: "And what are you a-doin' of in Folkestone? I shall have to come over and see you one of these days," but before Kipps could get in upon that, his Uncle had passed into a general exposition of the proper treatment of landladies and their humbugging, cheating ways, and so the opportunity vanished. It seemed to Kipps the only thing to do was to go out into the town for a stroll, compose an effectual opening at leisure, and then come back and discharge it at them in its consecutive [Pg 250]completeness. And even out of doors and alone, he found his mind distracted by irrelevant thoughts.

§2

His steps led him out of the High Street towards the church, and he leant for a time over the gate that had once been the winning post of his race with Ann Pornick, and presently found himself in a sitting position on the top rail. He had to get things smooth again, he knew; his mind was like a mirror of water after a breeze. The image of Helen and his great future was broken and mingled into fragmentary reflections of remoter things, of the good name of Old Methusaleh Three Stars, of long dormant memories the High Street saw fit, by some trick of light and atmosphere, to arouse that afternoon....

Abruptly a fine, full voice from under his elbow shouted, "What—O Art!" and, behold, Sid Pornick was back in his world, leaning over the gate beside him, and holding out a friendly hand.

He was oddly changed and yet oddly like the Sid that Kipps had known. He had the old broad face and mouth, abundantly freckled, the same short nose, and the same blunt chin, the same odd suggestion of his sister Ann without a touch of her beauty; but he had quite a new voice, loud and a little hard, and his upper lip carried a stiff and very fair moustache.

Kipps shook hands. "I was jest thinking of you, Sid," he said, "jest this very moment and wondering[Pg 251] if ever I should see you again, ever. And 'ere you are!"

"One likes a look 'round at times," said Sid. "How are you, old chap?"

"All right," said Kipps. "I just been lef'——"

"You aren't changed much," interrupted Sid.

"Ent I?" said Kipps, foiled.

"I knew your back directly I came 'round the corner. Spite of that 'at you got on. Hang it, I said, that's Art Kipps or the devil. And so it was."

Kipps made a movement of his neck as if he would look at his back and judge. Then he looked Sid in the face. "You got a moustache, Sid," he said.

"I s'pose you're having your holidays?" said Sid.

"Well, partly. But I just been lef'——"

"I'm taking a bit of a holiday," Sid went on. "But the fact is, I have to give myself holidays nowadays. I've set up for myself."

"Not down here?"

"No fear! I'm not a turnip. I've started in Hammersmith, manufacturing." Sid spoke offhand as though there was no such thing as pride.

"Not drapery?"

"No fear! Engineer. Manufacture bicycles." He clapped his hand to his breast pocket and produced a number of pink handbills. He handed one to Kipps and prevented him reading it by explanations and explanatory dabs of a pointing finger. "That's our make, my make to be exact, The Red Flag, see?—I got a transfer with my name—Pantocrat tyres, eight[Pg 252] pounds—yes, there—Clinchers ten, Dunlop's eleven, Ladies' one pound more—that's the lady's. Best machine at a democratic price in London. No guineas and no discounts—honest trade. I build 'em—to order. I've built," he reflected, looking away seaward—"seventeen. Counting orders in 'and.... Come down to look at the old place a bit. Mother likes it at times."

"Thought you'd all gone away——"

"What! after my father's death? No! My mother's come back, and she's living at Muggett's cottages. The sea air suits 'er. She likes the old place better than Hammersmith ... and I can afford it. Got an old crony or so here.... Gossip ... have tea.... S'pose you ain't married, Kipps?"

Kipps shook his head, "I——" he began.

"I am," said Sid. "Married these two years and got a nipper. Proper little chap."

Kipps got his word in at last. "I got engaged day before yesterday," he said.

"Ah!" said Sid airily. "That's all right. Who's the fortunate lady?"

Kipps tried to speak in an offhand way. He stuck his hands in his pockets as he spoke. "She's a solicitor's daughter," he said, "in Folkestone. Rather'r nice set. County family. Related to the Earl of Beaupres——"

"Steady on!" cried Sid.

"You see, I've 'ad a bit of luck, Sid. Been lef' money."

[Pg 253]

Sid's eye travelled instinctively to mark Kipps' garments. "How much?" he asked.

"'Bout twelve 'undred a year," said Kipps, more offhandedly than ever.

"Lord!" said Sid, with a note of positive dismay, and stepped back a pace or two.

"My granfaver it was," said Kipps, trying hard to be calm and simple. "'Ardly knew I 'ad a granfaver. And then—bang! When o' Bean, the solicitor, told me of it, you could 'ave knocked me down——"

"'Ow much?" demanded Sid, with a sharp note in his voice.

"Twelve 'undred pound a year—'proximately, that is...."

Sid's attempt at genial unenvious congratulation did not last a minute. He shook hands with an unreal heartiness and said he was jolly glad. "It's a blooming stroke of Luck," he said.

"It's a bloomin' stroke of Luck," he repeated; "that's what it is," with the smile fading from his face. "Of course, better you 'ave it than me, o' chap. So I don't envy you, anyhow. I couldn't keep it, if I did 'ave it."

"'Ow's that?" said Kipps, a little hipped by Sid's patent chagrin.

"I'm a Socialist, you see," said Sid. "I don't 'old with Wealth. What is Wealth? Labour robbed out of the poor. At most it's only yours in Trust. Leastways, that 'ow I should take it." He reflected. "The Present distribution of Wealth," he said and stopped.

[Pg 254]

Then he let himself go, with unmasked bitterness. "It's no sense at all. It's jest damn foolishness. Who's going to work and care in a muddle like this? Here first you do—something anyhow—of the world's work, and it pays you hardly anything, and then it invites you to do nothing, nothing whatever, and pays you twelve hundred pounds a year. Who's going to respect laws and customs when they come to damn silliness like that?" He repeated, "Twelve hundred pounds a year!"

At the sight of Kipps' face he relented slightly.

"It's not you I'm thinking of, o' man; it's the system. Better you than most people. Still——"

He laid both hands on the gate and repeated to himself, "Twelve 'undred a year.... Gee-Whizz, Kipps! You'll be a swell!"

"I shan't," said Kipps with imperfect conviction. "No fear."

"You can't 'ave money like that and not swell out. You'll soon be too big to speak to—'ow do they put it?—a mere mechanic like me."

"No fear, Siddee," said Kipps with conviction. "I ain't that sort."

"Ah!" said Sid, with a sort of unwilling scepticism, "money'll be too much for you. Besides—you're caught by a swell already."

"'Ow d'you mean?"

"That girl you're going to marry. Masterman says——"

"Oo's Masterman?"

[Pg 255]

"Rare good chap I know—takes my first floor front room. Masterson says it's always the wife pitches the key. Always. There's no social differences—till women come in."

"Ah!" said Kipps profoundly. "You don't know."

Sid shook his head. "Fancy!" he reflected, "Art Kipps!... Twelve 'Undred a Year!"

Kipps tried to bridge that opening gulf. "Remember the Hurons, Sid?"

"Rather," said Sid.

"Remember that wreck?"

"I can smell it now—sort of sour smell."

Kipps was silent for a moment with reminiscent eyes on Sid's still troubled face.

"I say, Sid, 'ow's Ann?"

"She's all right," said Sid.

"Where is she now?"

"In a place ... Ashford."

"Oh!"

Sid's face had become a shade sulkier than before.

"The fact is," he said, "we don't get on very well together. I don't hold with service. We're common people, I suppose, but I don't like it. I don't see why a sister of mine should wait at other people's tables. No. Not even if they got Twelve 'Undred a Year."

Kipps tried to change the point of application. "Remember 'ow you came out once when we were racing here?... She didn't run bad for a girl."

And his own words raised an image brighter than[Pg 256] he could have supposed, so bright it seemed to breathe before him and did not fade altogether, even when he was back in Folkestone an hour or so later.

But Sid was not to be deflected from that other rankling theme by any reminiscences of Ann.

"I wonder what you will do with all that money," he speculated. "I wonder if you will do any good at all. I wonder what you could do. You should hear Masterman. He'd tell you things. Suppose it came to me, what should I do? It's no good giving it back to the state as things are. Start an Owenite profit-sharing factory perhaps. Or a new Socialist paper. We want a new Socialist paper."

He tried to drown his personal chagrin in elaborate exemplary suggestions....

§3

"I must be gettin' on to my motor," said Kipps at last, having to a large extent heard him out.

"What! Got a motor?"

"No!" said Kipps apologetically. "Only jobbed for the day."

"'Ow much?"

"Five pounds."

"Keep five families for a week! Good Lord!" That seemed to crown Sid's disgust.

Yet drawn by a sort of fascination he came with Kipps and assisted at the mounting of the motor. He[Pg 257] was pleased to note it was not the most modern of motors, but that was the only grain of comfort. Kipps mounted at once, after one violent agitation of the little shop-door to set the bell a-jingle and warn his Uncle and Aunt. Sid assisted with the great furlined overcoat and examined the spectacles.

"Good-bye, o' chap!" said Kipps.

"Good-bye, o' chap!" said Sid.

The old people came out to say good-bye.

Old Kipps was radiant with triumph. "'Pon my Sammy, Artie! I'm a goo' mind to come with you," he shouted, and then, "I got something you might take with you!"

He dodged back into the shop and returned with the perforated engraving after Morland.

"You stick to this, my boy," he said. "You get it repaired by someone who knows. It's the most vallyble thing I got you so far, you take my word."

"Warrup!" said the motor, and tuff, tuff, tuff, and backed and snorted while old Kipps danced about on the pavement as if foreseeing complex catastrophes, and told the driver, "That's all right."

He waved his stout stick to his receding nephew. Then he turned to Sid. "Now, if you could make something like that, young Pornick, you might blow a bit!"

"I'll make a doocid sight better than that before I done," said Sid, hands deep in his pockets.

"Not you," said old Kipps.

The motor set up a prolonged sobbing moan and[Pg 258] vanished around the corner. Sid stood motionless for a space, unheeding some further remark from old Kipps. The young mechanic had just discovered that to have manufactured seventeen bicycles, including orders in hand, is not so big a thing as he had supposed, and such discoveries try one's manhood....

"Oh well!" said Sid at last, and turned his face towards his mother's cottage.

She had got a hot teacake for him, and she was a little hurt that he was dark and preoccupied as he consumed it. He had always been such a boy for teacake, and then when one went out specially and got him one——!

He did not tell her—he did not tell anyone—he had seen young Kipps. He did not want to talk about Kipps for a bit to anyone at all.

About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books.

This book is part of the public domain. H. G. Wells (2012). Kipps The Story of a Simple Soul. Urbana, Illinois: Project Gutenberg. Retrieved October 2022, from https://www.gutenberg.org/files/39162/39162-h/39162-h.htm

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org, located at https://www.gutenberg.org/policy/license.html