Field, Forest and Farm by Jean-Henri Fabre, is part of the HackerNoon Books Series. You can jump to any chapter in this book here . PLASTER OF PARIS CHAPTER XI. PLASTER OF PARIS “Though less important than lime, plaster of Paris is nevertheless much used in building, especially for ceilings, molded chimney-pieces, and in the filling of cracks and cavities. It is a white powder which is made into a paste by adding water, prepared a little at a time and only as fast as needed.” “I’ve seen them do it,” Emile interposed; “the workman takes a few handfuls of that powder out of a bag, and then he mixes it with a little water in his trough with a trowel. He scrapes the paste all together in his hand and uses it immediately, before making any more. Why don’t they mix all the plaster at once, as they do with lime when they make mortar?” “Plaster is not all prepared beforehand for the reason that it hardens very quickly, turns to stone, and is then unfit for use. Accordingly, to have it in a suitable state of softness, it must be prepared at the moment of using.” “And what do they make that powder of that turns to stone when it is mixed with water?” “Plaster is made from a stone called gypsum, which, always the same as to its nature, varies much [ ]in appearance according to its state of purity. Sometimes it is a shapeless rock, whitish and more or less grained; sometimes a fine fibrous mass with a silky luster; or, again, a substance as transparent as glass and splitting into very thin scales which show, here and there, the superb colors of the rainbow. Struck by their beauty, workmen engaged in quarrying gypsum have given the name of ‘Jesus-stone’ to these brilliant laminæ. Also, from their brilliance and their cheapness, they are called ‘donkey’s mirrors.’ In ancient times these beautiful sheets of transparent gypsum were used as window-panes. 57 “Impure gypsum, in the form of shapeless rock, is used for ordinary plaster, while pure gypsum, which comes in glass-like sheets or in blocks of a silky appearance, is used for fine plaster, as in all sorts of molding. The stone from which plaster is obtained occurs in abundance in several departments of France, where it forms hills and even whole mountains, as for example in the departments of the Seine, the Mouths of the Rhone, and Vaucluse. For conversion into the usual plaster of Paris this stone must be subjected to a moderate heat. To this end it is the practice to build with gypsum blocks a row of small vaults, and on these vaults to pile fragments of smaller size. Then the firing is done by burning fagots and brushwood under these vaults.” “And is it carbonic acid gas this time, too, that is driven out by the heat, as in the manufacture of lime?” asked Jules. “No, my friend: gypsum does not contain any carbonic acid gas. It is made of lime, as in limestone, but united with sulphuric acid, which heat is powerless to drive out. Besides this it contains water, which forms a fifth of the total weight of the stone. This water, and nothing further, escapes under the action of heat. With this expelled the gypsum is turned to plaster. “But this latter has a strong tendency to take on again the moisture parted with in the kiln, and thus to become once more what it was in the beginning—primitive stone. It is this peculiarity that renders gypsum suitable for plaster. Moistened in the trough, the powdery matter quickly incorporates the water that is thus restored to it, and the whole hardens into a block having the solidity of gypsum that has not yet passed through the kiln. Lime turns to stone by being permeated with carbonic acid gas, which restores it to its limestone state. Plaster becomes stone by absorbing water, which brings it back to the state of gypsum. The transformation of lime is slow, of plaster very rapid. “As soon as it comes from the kiln plaster is ground under vertical millstones and then sifted. The powder must be kept in a very dry place, since it contracts moisture easily and then will not harden or set, as they say, when mixed with water. You will perceive clearly enough that after being more or loss impregnated with moisture plaster cannot have the same tendency to absorb the water necessary to change it into a solid mass; the substance [ ]being already somewhat soaked will not show the same thirst when the time comes for using it. All damp and, still more, all wet plaster is of no further use. 59 “Statues, busts, medallions, and various other ornamental objects are made by casting with fine plaster of Paris. This is prepared from the purest gypsum, those beautiful transparent scales I told you about a little while ago. It is heated in ovens similar to those used by bakers, and cut off from contact with the burning fuel, so as to preserve its whiteness. The powder, which looks like fine flour, is mixed with water and reduced to a smooth paste, which is then poured into molds. When the plaster has set, the mold, which is in several pieces, all joined together, is taken apart and the finished cast withdrawn.” About HackerNoon Book Series: We bring you the most important technical, scientific, and insightful public domain books. This book is part of the public domain. Jean-Henri Fabre (2022). Field, Forest and Farm. Urbana, Illinois: Project Gutenberg. Retrieved October https://www.gutenberg.org/cache/epub/67813/pg67813-images.html This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org , located at https://www.gutenberg.org/policy/license.html.

THE SELF-DENIAL OF THE SPANISH COPRIS

THE GARDEN SPIDERS: THE TELEGRAPH-WIRE

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