NEW YORKby@hgwells

NEW YORK

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My first impressions of New York are enormously to enhance the effect of this Progress, this material progress, that is to say, as something inevitable and inhuman, as a blindly furious energy of growth that must go on. Against the broad and level gray contours of Liverpool one found the ocean liner portentously tall, but here one steams into the middle of a town that dwarfs the ocean liner. The sky-scrapers that are the New-Yorker's perpetual boast and pride rise up to greet one as one comes through the Narrows into the Upper Bay, stand out, in a clustering group of tall irregular crenellations, the strangest crown that ever a city wore. They have an effect of immense incompleteness; each one seems to await some needed terminal,—to be, by virtue of its woolly jets of steam, still as it were in process of eruption. One thinks of St. Peter's great blue dome, finished and done as one saw it from a vine-shaded wine-booth above the Milvian Bridge, one thinks of the sudden ascendency of St. Paul's dark grace, as it soars out over any one who comes up by the Thames towards it. These are efforts that have accomplished their ends, and even Paris illuminated under the tall stem of the Eiffel Tower looked completed and defined. But New York's achievement is a threatening promise, growth going on under a pressure that increases, and amidst a hungry uproar of effort.
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@hgwells

H.G. Wells

English novelist, journalist, sociologist, and historian best known for such science fiction novels as The Time Machine


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by H.G. Wells @hgwells.English novelist, journalist, sociologist, and historian best known for such science fiction novels as The Time Machine
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